Archive for the ‘ 12-13 Season ’ Category

Hannibal: Pilot Review

Based on the Thomas Harris novel Red Dragon (most widely known for the Silence of the Lambs film) Hannibal follows the FBIs behavioural analysis team hunting serial killers by working out what makes them tick. They’re assisted by Dr Hannibal Lector. It’s Criminal Minds, they’ve just recruited one of the psychopaths without knowing it. Not a great advert for their capabilities.

The title of this blog post is “pilot review”, but that’s really not true. I would ordinarily review the first episode of a show in complete isolation, not even looking at other reviews. But this time I just couldn’t do that, because I was so very confused by the first episode that I was ashamed to write the review. Having watched the pilot a second time, and watched the second episode, AND read some comments AND talked about it with some friends… I’m still confused about the episode, but have at least come to believe that it’s not just me being astronomically stupid.

The problem is that after all those viewings and conversations, I was still confused about who killed who, why, and how. In the first episode alone, by my count there are at least four crimes. The first we see is a home invasion which is being shown to students as part of Graham’s course, but unless I missed something he never actually finishes explaining who did it and why. The other crimes all have some sort of cannibalistic element, and it’s deduced that at least one of those is a copy cat. But, again, unless I missed something, they seemed to just forget about the original crimes once the copier was apprehended. And again, I’m a bit confused about the copier’s motives, and actually got even more confused when the second episode continued to investigate that crime. Oh, and was the apparent transfer of a pair of lungs supposed to indicate the copy cat was working with the original killer, or was that just a red herring? The more I watch and the more I type, the more confused I get.

The central character is Will Graham (Hugh Dancy, Black Hawk Down, King Arthur) and I’m equally confused about him. In the first episode he says he’s not an agent (implying he wouldn’t pass they psych evaluation, which seems a fair assessment), but then he carries a gun and wonders off by himself to interview a suspect (which ends predictably badly). In the second episode he says he is an agent, and a former police officer, which I really couldn’t see at all. I do like the character, and he’s certainly interesting and well played, but his back-story seems a bit all over the place.

Then we’ve got Hannibal Lector (Mads Mikkelsen, Casino Royale, A Royal Affair). He pootles about with his odd accent, weird obsessions (even before getting into the secret ones), particular clothes, downright creepy demeaner and apparent ability to hide under the nose of the FBI’s wonder-profiler. Even without being a serial killer he is too extreme a character, like a caricature psychiatrist, continually asking “what do you think it means” rather than ever answering a straight question. He added absolutely nothing to the case he was supposedly consulting on and I fail to see why the FBI keep calling him in. Meanwhile Will Graham is equally wacky, with “extreme empathy” leaving him re-enacting events in his head and being about as stable as warm jelly. While the two of them together make for an interesting mental chess game, I’m at a loss as to why anyone trying to achieve anything practical would put them in the same room together and its unfathomable that anyone would let them out into the world unsupervised.

With those two extreme characters I was actually more interested in the normal FBI agent (Lawrence Fishburne, The Matrix, CSI) and profiler (Caroline Dhavernas, Wonderfalls) who at least seemed based on some kind of realistic idea but seemed in a completely different show to the others, not least because they sadly just didn’t share enough scenes. The second episode also featured a small gaggle of agents and CSI types, but I remain unclear about who is a full time character and who’s just background noise. The Criminal Minds trope of gathering the team for briefings in planes, conference rooms and police stations is a bit trite, but at least it lets you know who the characters are and that they form a team, there’s no such sense on Hannibal.

I found the show deeply unsettling, but for all the wrong reasons (ok the mushroom people in the second episode unsettled me for the right reasons, I’m pretty hardy, but that turned even my stomach). Because the story never settled on answers and never made anything clear, I was left completely at sea, nothing to latch onto and build mysteries from. Yet having gone to great lengths to explain to you why I didn’t particularly like the first two episodes, and why I wouldn’t recommend the series to you, I am still going to keep watching the series. I realise that completely undermines my point and I can give you no good reason for my continued viewing beyond ‘inertia’ and the fact that it’s only 13 episodes long. I guess we’ll see whether things become clearer.

New and Returning Shows – FX, TNT, Syfy and USA

Yesterday I looked at what three of the big cable channels are bringing to us in the next year – HBO, Showtime and AMC. Today I look at a few of the other channels.

FX
fxLooking at their current and past line-up, this channel more than most feels very American and fairly male oriented with surely their most well known show being The Shield. The longest running show on FX is Sons of Anarchy with season six is likely to air at the end of the year and an expectation of a pickup for a seventh and final season.

American Horror StoryJustified will return next year for a fifth season and American Horror Story’s third season Coven will air later this year, continuing the to change setting and characters each season (although with some overlapping cast), which means that although I liked season 1, I hated season 2 but will still give 3 a chance. New show The Americans has just concluded a strong first season and a second will broadcast next year. FX has a fair number of comedies too, Archer (S5), Louie (S4) and Wilfred (S3) have been renewed while Anger Management has some weird deal that seems to mean there will be 90 episodes of the Charlie Sheen vehicle broadcast over two years. I don’t understand and I don’t want to know. FX is launching a spin-off channel, FXX and is moving long running It’s Always Sunny in Philadelphia (S8), middling The League (S5 and 6) and relatively new Legit (S2) over there.

NEW – The Bridge – to accompany the remake of the Danish Killing, FX has developed an adaptation of The Bridge, this time set on the border between the US and Mexico. I was engrossed by the Danish series but deeply frustrated by the resolution so I’m not sure whether I’m hoping for an accurate recreation or one that fixes the problems.

Links: FX official site, Wikipedia and Program list

TNT
tntWay back in the day TNT has was the channel that gave Babylon 5 a fifth season, which gets them a lot of good will in my book. These days they seem to be largely procedural based, but have seen three of their biggest shows finish up this year – Leverage, The Closer and Southland. They also cancelled the new medical series Monday Mornings, which I hadn’t seen but I thought had some potential.

Falling SkiesJune is a busy month on the channel with loads of returning series – Rizzoli and Isles (S4), Perception (S2), Major Crimes (S2, spin off to The Closer) and Franklin and Bash (S3). Slightly out of step with the rest of the programming, but getting a pick up anyway are sci-fi series Falling Skies (S2) and soap opera reboot Dallas (S3, early 2014).

NEW – Legends – Martin Odum (Sean Bean, Lord of the Rings) is a CIA agent who can completely transform himself for each undercover assignment, but starts to lose sight of who he really is. Based on the novel by Robert Littell. It all looks a bit Budget Bourne, but Sean Bean is a big draw and the rest of the cast is solid (including Tina Majorino, Grey’s Anatomy and Ali Larter, Heroes) so it’ll be interesting to see where it goes, but you’ll have to wait awhile as it’s not scheduled until summer 2014 for some reason.

NEW – The Last Ship – a pandemic wipes out 80% of the world’s population, the crew of a US naval destroyer are left to find a cure and put things back together. Another interesting idea (based on a book of the same name), but it felt a bit Syfy Movie of the Week, not helped by some stunningly wooden performances in the trailer from Eric Dane (Grey’s Anatomy), Rhona Mitra (Strike Back) and Adam Baldwin (Firefly). Also summer 2014.

Links: TNT official site, Wikipedia and Program list

USA Network
usa networkNone of the shows on USA ever really blow you away, but they are reliably entertaining. Their tagline is “characters welcome” which is kind of encouraging, but also kind of non-committal – “well, if a character happens to wander by, we wouldn’t throw them out”. The channels longest running series, Psych seems to still be going strong with an eighth season starting probably early next year.

BurnNoticeLong running banter filled spy drama Burn Notice has been given final notice, and the seventh season starting next month will be the series’ last. Suits and Necessary Roughness have both been renewed for third seasons, White Collar for a fifth season, Covert Affairs for a fourth and Royal Pains for a fifth AND sixth season.

NEW – Graceland - a group of US law enforcement officers from different agencies are forced to share a California Beach house as part of an undercover operation. Sounds like an utterly ridiculous concept, but I guess there might be some fun to be had watching them alternate between shooting people and arguing over chores.

Links: USA Network official site, Wikipedia and Program list

Syfy
syfySyfy has disappointed a lot of people in the last few years, firstly with its daft name and secondly with its perceived move away from actual science fiction towards reality programming and even wrestling programmes! Our last best hope for a spaceship is still letting us down a bit, but at least there are some aliens with new series Defiance being picked up for a second season before the first one had even finished.

Warehouse 13It was announced this week that Warehouse 13 would be returning for a shortened fifth season to round off its storylines. Haven, Lost Girl and Being Human (an adaptation of the UK series) have all been renewed for fourth seasons, likely to air late 2013 or early 2014 and Continuum has just started its second season

NEW – Sinbad - Sinbad (Elliot Knight, straight out of drama school) cannot stay on land more than a day after his grandmother cursed him, blaming him for the death of his brother. It looks a bit Merlin at sea, but given that it was cancelled before the first season even aired, I’m guessing it’s not great.

NEW – Helix - As the teaser says – “A team of scientists, working in secret, are about to change the world. Or end it”. It’s from Ronald D. Moore (Battlestar Galactica), so it might be incredible, or it might be Caprica. There’s no air date yet.

Links: Syfy official site, Wikipedia and Program list

New and Returning Shows – HBO, AMC, Showtime

Game of ThronesIn addition to the big five networks, the US has a collection of free and subscription based channels that show a combination of syndicated shows (i.e. re-runs) and original programming. Increasingly these channels are where the most critically acclaimed shows are; a network show hasn’t won the Best Drama Emmy since 24 in 2006, and this year there weren’t even any nominated. Subscription channels also don’t have quite the same demands on ‘decency’ so tend to have more sex, violence and swearing in and also are considerably less ratings driven. For example season 3 of Game of Thrones gets between 4 and 5 million viewers, while in the same time slot on CBS a repeat of The Mentalist got over 7 million viewers and the top rated show in prime time (NCIS) is looking at 20 million plus.

I haven’t actually looked at the upcoming shows from these channels before, partly because they’re not really announced in the same way. Their schedules tend to run in counterpoint to the main networks, so many channels are launching their new programmes now and running them over the summer when major channels tend to go quiet. I’ve relied heavily on Wikipedia for ‘facts’ and may have missed out entire channels let alone programmes, but I thought it was good to show willing. Today’s post has HBO, AMC and Showtime; tomorrow will have FX, Syfy, TNT and USA Network.

HBO
hboArguably HBO is the biggest name in cable, but the other channels have been coming up fast and most of the biggest names aren’t at HBO anymore. The most well known and popular show on HBO these days is probably Game of Thrones which is just finishing up its third season and will return next year for a fourth. Other critical, but not necessarily popular hits are Boardwalk Empire which will be back later this year for a fourth season, and Treme, whose fourth season will be its last.

The NewsroomTrue Blood is now the longest running series on the channel, back in June for its sixth season. Aaron Sorkin’s The Newsroom also returns in June for its second season despite getting off to a very uneven start. HBO also does comedy – Veep’s second season just starting and a third season booked for next year, and while Girls’ second season didn’t get quite the overwhelming praise the first did, it will return in 2014. Eastbound and Down was unexpectedly picked up for a fourth season, but there’s no air date yet and I’m a bit confused about Curb Your Enthusiasm which hasn’t aired a new episode since 2011, but is still listed as an ongoing show.

On the down side, Enlightened was cancelled after 2 seasons due to ratings too low for even HBO, despite several award nominations and wins. Life’s Too Short was a Ricky Gervais offering of a mockumentary about Warwick Davis and his life as a “showbiz dwarf”, I’ve never seen anything from Gervais I didn’t hate, and I can’t see this being any different.

NEW Family Tree – Tom Chadwick (Chris O’Dowd. The IT Crowd) is left a box of items by a great aunt and it sets him off investigating his family’s past. The series is filmed in documentary style and mostly improvised, and given that it’s produced by Christopher Guest (Spinal Tap), master of the mockumentary format, that might work. The series is a joint production with BBC2 and has already premiered in the US to not great ratings and a resounding apathy.

NEW – True Detective – there’s no air date and very little information available beyond “two detectives hunt for a serial killer in Louisiana”. What has been released though is the exceptional cast – Matthew McConaughey (loads of films), Woody Harrelson (ditto. And Cheers!), Michelle Monaghan (loads of films).

There are a bundle of shows listed as being in development and some big name authors attached, but without broadcast dates announced its hard to tell what will really materialise. Hobgoblin tells the story of a group of magicians and conmen attempt to bring down Hitler. It’s a great one liner, and is written by Pulitzer, Hugo, and Nebula prize winning author Michael Chabon and directed by Darren Aronofsky (Black Swan). There’s been long mumblings about an adaptation of Stephen King’s Dark Tower, but that seems to have fallen flat once more. Neil Gaiman’s American Gods seems to be a lot more solid, possibly airing later this year, although I wouldn’t be holding my breath.

Links: HBO official site, Wikipedia and Program list

AMC
amcEven I had to double check the name of this network, but regardless of whether you know its name you really know it’s programmes, the biggest hits on cable aren’t in fact on HBO, they’re on AMC. Breaking Bad returns in August for the last eight episodes of its fifth season which will finish up the series. Mad Men is just finishing up its sixth season and there’s no word yet on a pickup, to be honest I haven’t been that enthused by the latest season and given how contentious the contract negotiations were with creator Matthew Weiner last year, it wouldn’t be the biggest shock in the world if it didn’t return. The Walking Dead on the other hand continues to be both a popular and critical hit, and despite continual shuffling in the production team seems to go from strength to strength. The fourth season will likely start towards the end of the year. Hell on Wheels and the American remake of The Killing have both been renewed for third seasons in August and June respectively.

NEW – Low Winter Sun – Frank Agnew (Mark Strong, Tinker Tailer, Zero Dark Thirty) is a Detroit detective and the series opens with him murdering a fellow police officer. The details are a bit light on the ground and I can’t find a trailer despite it apparently starting this summer, but Mark Strong tends to steal any film he’s in, so it’s interesting to see what he does in a lead role.

Links: AMC official site, Wikipedia and Program list

Showtime
showtimeProbably the second most familiar name in cable channels is Showtime and it has a pretty eclectic catalogue past and present, from Stargate through to Dexter which starts its eight and final season in June.

While the responses to Homeland season 2 were pretty mixed, there was no doubt that it would be renewed and the third season will start in September. Season 3 of the Borgias has already started, but there’s no word on a fourth, while the remake of the UK show Shameless has just completed its third season and has been picked up for a fourth.

The Big CShowtime has a number of shows that hover on the fence between comedy and drama, including Californication (S7, 2014), Nurse Jackie (S5 currently airing), The Big C (currently airing the fourth and final season), Episodes (S3, 2014) , Web Therapy (S3, later 2013?) and House of Lies (S2 currently airing, S3 2014).

NEW – Ray Donovan – The titular character (Liev Schreiber, Scream) is a fixer for the rich and famous and can fix any problem except his own and his father’s (Jon Voight, Midnight Cowboy). The cast is impressive, but the trailer was a lot heavier than I was expecting and left me thinking it might be a good series, but not necessarily one I want to watch. (Premiering June)

NEW – Masters of Sex – Michael Sheen (The Queen, Frost/Nixon) and Lizzy Caplan (True Blood, Party Down) play two researchers investigating the nature of human sexual response. Could the subject be more cable channel? But the trailer actually looked a lot of fun and if it manages to not trivialise the subject matter, there could be something there. (Premiers September)

Links: Showtime official site, Wikipedia and Program list

Coming tomorrow – FX, TNT, USA and Syfy

The Upfronts – The CW

cwThe last of the major networks, The CW continues to be primarily aimed at teenage girls with a variety of pretty people fighting and falling for each other in increasingly complicated situations. I’m not judging, just saying.

What’s out
Only four cancellations from CW – two new shows which never got off the ground (Emily Owens, MD and Cult), the reimagining of 90210 which lasted five seasons, and Gossip Girl which spent six years steadily declining from a thoroughly entertaining start to a ridiculous conclusion.

What’s returning
Supernatural - Season 5The CW seems to be a home for monsters and mythical stuff, which means that all their shows can sit next to each other on the schedule and help feed audiences back and forth. Supernatural is the oldest of the bunch, returning for a ninth season, to inflict ever greater traumas on the Winchesters. New shows Arrow and Beauty and the Beast are astonishingly rubbish imho, but apparently appeal to others, along with The Vampire Diaries (which spawns a spin off) and Nikita which will have a six episode fourth season to conclude its storylines. The Carrie Diaries (the prequel to Sex in the City) is a new show with a pick up, and Hart of Dixie earns a third season.

What’s New
The 100 – nuclear war destroyed the Earth, the only survivors the 400 people in space stations. A century later 4000 people are crammed in the aging stations, desperately short of resources and under increasingly draconian laws. 100 juvenile prisoners are sent to the Earth’s surface to see if it’s habitable. The set up is interesting, but I rather wish it had been done as a non-teenage based series; there’s a lot of potential for serious stories but I’m worried it’s not going to have the weight to deal with them. (Starts midseason)

The Originals – Klaus Mikaelson (Joseph Morgan, Vampire Diaries) is a vampire-werewolf hybrid, he returns to New Orleans a city his family helped to build with plans to reclaim the power, the city and his family. It’s a spin-off from The Vampire Diaries and takes several characters along with it. I didn’t get on with Vampire Diaries because of the annoying teenage romance element (“Dear Diary, he’s so dreamy, I totally don’t care about the blood drinking thing”), but I had been meaning to give it another attempt because it apparently grew into something more interesting. Maybe I can just skip that and watch this marginally more mature looking alternative.

Star-Crossed – An alien spaceship crash lands on Earth to a less than friendly reception. An alien child finds refuge with a human child, but is soon recaptured. After ten years of imprisonment the aliens are being reintroduced to the world to see if integration is possible. The test case is a group of teenage aliens sent to a human school, where the two friends immediately reconnect. It’s classic Romeo and Juliet stuff which I just found rather tedious. (Starts midseason)

Reign - the “untold” story of Mary Queen of Scots. Teenage Mary arrives in France to secure their alliance with Scotland by marrying the King’s son. Their romance however will be complicated by politics, religion, love triangles and secrets. This sort of period setting and historical relevance is (I think) entirely new for the CW and the clips and trailers are the very opposite of inspiring.

The Tomorrow People – a group of genetically advanced teenagers have developed abilities like telekinesis, teleportation and telepathy. They’re being hunted by a paramilitary group. It’s a remake of the British series and is all a bit X-Men, but it’s also rather similar to Syfy channel’s Alphas and that only lasted two seasons.

Links: The CW has both trailers and clips for all its new series available at its website. The press release and schedule summary are at the Futon Critic.

The Upfronts – CBS

cbsCBS, home of the procedural. Looking at the list of renewals, although its portfolio is aging, they are still some of the most popular shows on television. The bad news is with so many slots taken, that doesn’t leave much space for new things.

What’s out
csinyThe biggest cancellation for CBS was surely CSI: NY, which having held off the executioner for the last couple of its nine year run, finally succumbed. Rules of Engagement is a sitcom I know nothing about but has apparently had seven seasons! Freshman series struggled to deliver the high ratings CBS demands, comedies Made in Jersey and Partners didn’t make much impact and while I quite enjoyed Vegas, even I would admit it wasn’t as good as it should have been or needed to be. Golden Boy meanwhile is a police drama that seems to have come and gone with almost no comment from anyone.

What’s returning
The Big Bang TheorySome of the most popular shows on American television are on CBS and their pick up is no surprise. CSI and NCIS may be heading into their fourteenth and eleventh seasons respectively but show little signs of stopping. NCIS: Los Angeles goes into season 5, although its own spin off series (NCIS: Red) was surprisingly absent from the pick-up list. The schedule is packed out with the rest of the procedurals – Blue Bloods, The Mentalist, Hawaii Five-0, Person of Interest and Criminal Minds, going into season 9 after last minute contract negotiations as the female co-stars sought pay equity. Despite relatively poor ratings, it’s also no surprise that The Good Wife, easily the most critically acclaimed network drama is also picked up. CBS also somehow manages to have some of the best performing comedies – The Big Bang Theory, Two and a Half Men and How I Met Your Mother return, although it will only be Two Men without the Half and it will be the final season for Mother. Mike and Molly and 2 Broke Girls round it out. The only new show with a pick up is Elementary.

What’s New
The Crazy Ones – Father/daughter ad agency. That’s as much of the blurb as you need to know because the pairing of Robin Williams (Mork!) and Sarah Michelle Gellar (Buffy!) is what either sells this show to you in a heartbeat, or has you changing channel. I thought it looked one of the most promising comedies so far.

Friends with Better Lives – Six friends are each jealous of their friends lives, be they young parents dreaming of less responsibility, professionally successful but lonely or recently divorced but pining for the ex. Sounds like Friends with more bitterness. Arrives midseason.

Hostages - the night before she’s due to operate on the president Ellen Sanders’ (Toni Collete, United States of Tara) family is taken hostage by a rogue FBI agent (Dylan McDermott, American Horror Story). If she doesn’t kill the president, her family will die. The performances all fell a bit flat for more and although it sounds like a great concept for a film, I’m not sure how it would be drawn out to a series.

Intelligence – Gabriel (Josh Holloway, Lost) is the guinea pig and centre piece for a government agency, led by Lillian Strand (Marg Helgenberger, CSI). He has some kind of magic technology implanted into his brain which basically gives him access to all the information ever which he presumably uses to fight crime. This looks like it could be fun, with some cool special effects and a solid cast, it’s like NCIS meets the future. Starts midseason.

The Millers – Nathan Miller (Will Arnett) is recently divorced, his dad (Beau Bridges) sees how happy he is and ditches his wife of 43 years (Margo Martindale, Justified). Mum ends up living with son, Dad with daughter. There was not a single thing in this trailer that made me smile and more than one thing that made me want to crawl under a rock.

Mom - three generations of dysfunctional women try to connect with each other. Remember yesterday’s reaction to Bradley Whitford in Trophy Wife, well there was an identical one to Allison Janney in this. Seriously, did their mortgage plans all fall through at the same time or something?! Making a comedy about recovering drug addicts and how they destroyed their family’s lives they’ve had on their families is a brave choice, and one that they should have run away screaming from.

Reckless - “a sultry legal drama set in Charleston, South Carolina, where a gorgeous Yankee litigator (Anna Wood) and a charming Southern attorney (Cam Gigendet) must hide their intense mutual attraction as a police sex scandal threatens to tear the city apart.” Genuinely that’s what the blurb in the press release says. It really does. Starts midseason.

We are Men – Chris Smith, Kal Penn (House), Terry Shalhoub (Monk) and Jerry O’Connell (Sliders) all live in the same apartment complex and are single following various divorces and dumpings. They share a common bond of seeking women and being idiots. It’s a terrible title and it accurately represents the show.

Links: CBS insist on doing those weird behind the scenes trailers which infuriate me and, particularly with the comedies, seem to be trying to show us how much fun the cast is, rather than how fun the show is. The press release and schedule summary are at the Futon Critic.

The Upfronts – ABC

ABC network logoABC is the family network. Sorta. They’re owned by Disney and tend to specialise in soap opera-y stuff with melodrama and cheese in abundance. They also don’t seem to want to let non-US people watch their trailers, so the quality may be variable.

What’s out
Body of ProofPrivate Practice never quite managed to work as well as its older sibling Grey’s Anatomy and was gracefully retired after six seasons, Body of Proof lasted just three and hopefully its cancellation will free star Dana Delaney up for something better. Happy Endings had enough critical praise for its two seasons that it may yet get picked up by another channel.

It was a terrible year for ABC’s freshman series, of the 10 shows they brought to the upfronts last year, eight have been cancelled. That’s a pretty awful statistic and some pretty awful programmes. Comedies Don’t Trust the Bitch in Apartment 23 and How to Live with Your Parents for the Rest of Your Life both had names longer than their runs, while Family Tools was, well, full of tools. Of the dramas Last Resort was a great concept badly delivered, 666 Park Avenue was just a poor concept poorly delivered. Malibu Country, Zero Hour and Red Widow didn’t last long enough for me to actually see.

What’s returning
ABC’s schedule is built on foundations of ageing good performers (Castle, Grey’s Anatomy, The Middle and Modern Family) with a second tier of solidly performing sophomore shows (Once Upon a Time, Revenge, Suburgatory and Scandal) and topped off with the two successful new shows – the enjoyable Nashville and something called Neighbors which I’ve never heard of before!

What’s New
Back in the Game – Terry (Maggie Lawson, Psych) is a recently divorced single mum and she moves back in with her grouchy father (James Caan, The Godfather). She ends up coach to her son’s useless little league team. There was some charm to the trailer and I smiled a couple of times, but if those were the best bits, it’s not that great.

Betrayal - a couple begin an affair, but the guy is the defence attorney on a major case while the woman’s husband is the prosecutor. The plot as shown in the trailer seems pretty tenuous, and no one seemed particularly pleasant So it should fit in perfectly alongside Revenge which I felt the same way about.

The Goldbergs – set in the 80′s The Goldberg family shout at each other, don’t connect and the baby brother films everything on a giant video recorder. Most trailers are 2 or 3 minutes long, this one was 4 and every extra second felt like a lifetime.

Killer Women – Molly Parker (Tricia Helfer, Battlestar Galactica) is a tough as whatever Texas Ranger who lets nothing, not even her clothing get in between her and justice. I hate the blurb, I hate the trailer, I hate the costumer, I hate the director and I want the cast to be doing better things.

Lucky 7 – A seven gas station employees win the lottery. They’ve all got problems that the money could solve, but I’m guessing it’s not going to be that simple. The concept is solid, but I didn’t like the trailer much, none of the characters really connected with me and I was left feeling a bit uninspired.

Marvel’s Agents of S.H.I.E.L.D. – Agent Coulson seems to have gotten better after being killed in The Avengers, and he’s establishing a team to investigate stuff. Yes, it’s a daft name, but its JOSS freakin’ WHEDON! I couldn’t be more excited about this if I tried.

Mind Games – Clark (Steve Zahn, Treme) is an expert of human behaviour and his brother Ross (Christian Slater, yes, that Christian Slater) is a con man, but Clark is bipolar and Ross is just out of jail. They set up an agency helping people to get what they want. It’s a bit Psych, a bit Leverage, and may get a bit repetitive, but I was rather charmed by the trailer.

Mixology - 10 single people in a bar trying to find people to be with. When the phrase “from the writers of The Hangover” appeared on the screen suddenly my dislike of the trailer made sense. It’s a shame because the idea of setting the whole season in just one night and one location is quite an interesting one.

Once Upon a Time in Wonderland – Alice is in an insane asylum, finally convinced that Wonderland and the genie she fell in love with there are just a figment of her imagination. But then the Knave of Hearts and White Rabbit appear to take her back to rescue her love. It’s a spin off from Once Upon a Time although I didn’t spot the connection beyond the fairy tale reality, it’s also not got a cast with any real credits or power behind them and I was left unenthused.

Resurrection - 8 year old Jacob died. But 30 years later he seems to have returned from the dead, still 8 years old. It’s possibly the simplest description of any of the new shows, but the impact could be huge and fascinating. It’s going to have the same problem all ‘event’ programmes do which is how do you draw out the mystery without being irritating, but it’s an interesting set up.

Super Fun Night – Kimmie (Rebel Wilson, Bridesmaids) always stays in her with her two friends on Friday night, but she’s invited out by a colleague to a club and hilarity ensues. Except it doesn’t. I guess if you like Bridesmaids this might work for you, but I hated the film, so hated this.

Trophy Wife – a reformed party girl marries a father of three and has to deal with his kids and ex-wives. I was watching this with a resigned sense of horror that this is the kind of thing that gets made, when at around the 20 second mark I realised that Bradley Whitford was in it. I don’t care how much you need to pay the mortgage, have some self respect man, you were Josh Lyman!

Links: ABC doesn’t let non-US people see its trailers, don’t know whether that’s because it hates us or because it’s embarrassed. The press release and schedule summary are at the Futon Critic.

The Upfronts – NBC

nbc network logoThe Peacock network, best known for… um… While other networks have a bit of a personality to them, I’ve never quite been able to look at a show and say “that belongs on NBC”. Judging by the number of cancellations they have, they’re not so sure themselves. Also given the lack of trailers with most of their new shows, I’m not sensing a massive amount of confidence in having found the answer.

What’s out
smashBig shows bowing out are 30 Rock and The Office, both solid performers (although I can’t stand either of ‘em) that have come to the end of their run. At the opposite end of the spectrum is a bunch of stuff that never really got started. Matthew Perry notches up another failed show with the cancellation of Go On, while 1600 Penn, Animal Practice, The New Normal and Guys With Kids were all terrible looking freshman comedies although not as bad as Next Caller it would seem given that it was canned before airing a single episode. Do No Harm was an uninspiring drama and Deception was apparently a “prime time soap opera” and I’d never heard of it. Up All Night and Whitney both bow out after 2 seasons. The only cancellation I’m a smidge sad about is Smash, which wobbled about too much and never lived up to the hype, but I kind of loved it anyway (although I haven’t seen the second season).

What’s returning
CommunityLaw and Order still maintains a television presence as Special Victims Unit goes into its fifteenth season! Critical favourites Community, Parks and Recreation and Parenthood could all easily have been pushed out, but NBC is sticking with them. Chicago Fire has been a big success (firemen saving lives and taking their tops off, who knew?) and will spawn a spin-off. Grimm gets a third season and Revolution a second. Still on the fence though is Hannibal which only started very recently.

What’s new
The Blacklist – Raymond Reddington (James Spader, Boston Legal) is one of the FBI’s most wanted fugitives, but now he’s turned himself in, and is handing the FBI criminals. It looks a bit Following, a bit Silence of the Lambs and I was utterly hooked by the trailer. James Spader is a fantastic piece of casting and I’m perilously close to actually being excited about this one.

The Michael J. Fox Show - Mike Henry (Michael J. Fox, come on, I’m not telling you what he’s been in!), was a top news anchor who’s returning to work after 5 years of dealing with his Parkinson’s Disease and kids. It’s weirdly semi-autobiographical and is trying to find a fine line between self-indulgent, inspiring and manipulative. Given the title… I’m not sure it’s been successful. But Fox’s talent may make it work.

Ironside - a remaking/re-imagining of the 1960′s series. It’s pretty much a standard New York police drama, just with the lead character in a wheelchair. That’s not to say that modulation isn’t an interesting or an important one, just that it feels perilously close to a gimmick.

Sean Saves the World – Pretty standard ‘balancing work with parenting’ thing, it’s just that Sean (Sean Hayes, Will and Grace) is long divorced and gay and his teenage daughter has only just moved in with him. Oh and there’s a difficult mother too. It’s the least funny thing I’ve seen all day and that’s saying something.

Welcome to the Family – Dan (Mike O’Malley, Glee) and Karina (Mary McCormack, The West Wing) think they can finally start their lives again when their daughter graduates and heads to college. The plan falls through when she returns home pregnant. Now the baby’s dad and his parents are on the doorstep and no one gets along. The only thing going for this is the cast and that it’s not as hideous as Sean Saves the World. I still won’t be watching though.

Dracula - Dracula (Jonathan Rhy Meyers, The Tudors) is bringing electricity to 19th Century London, but he’s also pursuing those who made him a vampire. I’ll be honest, I’m confused by both the trailer and the synopsis provided in the press release. It looks expensive, but also a bit rubbish.

About a Boy – Based on the Nick Hornby book (and presumably the Hugh Grant film), “man-child” Will discovers that women find single dad’s irresistible and sets up a deal with his 11 year old neighbour. Sounds annoying, but then I actually liked the film. Mind you I’m not sure the relatively unknown David Walton (Bent? Perfect Couples?) has Hugh Grant’s screen presence.

Believe - I’ll start with the good news, it’s written and directed by Alfonso Cuaron (Children of Men) and Exec Produced by J.J. Abrams. The bad news is that the blurb is so awful I lost the will to live half way through. It’s something about a 10 year old girl with ‘magical powers’ like telekinesis and predicting the future who tours from city to city with her protector, a former death row inmate. It sounds cheesy, but maybe the names attached can pull it off, without a trailer it’s hard to predict.

Chicago PD – a spin-off from Chicago Fire based in the local police department with the beat officers and the intelligence unit combating organised crime. Hank Voight (Jason Beghe, Californication) and Antonio Dawson (Jon Seda, Treme) from Chicago Fire will transplant to this series and it will be interesting to see how the former, a villain on Fire, will be allowed to grow. For some reason there are no other fire department shows on television, and Chicago Fire filled that gap well, but given the plethora of cop dramas, I’m not sure that there’s anything special enough to make this stand out.

Crisis - A bus load of teenagers from an elite school are taken hostage, their parents are diplomats, CEOs and even the President, so how far will they go to get their children back, and what will that mean for the country. It’s an interesting and different concept, giving plenty of material for both the families and the officials. It stars Dermot Mulroney (My Best Friend’s Wedding) and Gillian Anderson (The X-Files) so it’s certainly got potential.

Crossbones - 1715, Blackbeard (John Malkovich, Being Himself) reigns over an island of pirates. An undercover assassin is sent after him, but finds that maybe Blackbeard isn’t as clearly evil as he seems. It’s a pretty original setting for a television show, but without a trailer, it’s hard to get particularly excited by a synopsis that falls a bit flat.

The Family Guide – the Fisher family are pretty unusual, Dad (J.K. Simmons, The Closer) is blind, Mom (Parker Posey, Louie) is rebelling because she didn’t when she was a teenager, daughter is obsessed with the 80s and son has always been his dad’s eyes but is now being replaced by a dog. It’s narrated from the future by the adult son, looking back the time where they all “discover who we needed to be”. Sigh.

The Night Shift – The night shift at San Antonio Memorial is home to a “special breed” of doctors, now not just challenged to save lives, but also to save money. I like the idea, but the names attached are all a little C-list with Eoin Macken (Gwain from Merlin), Ken Leung (Miles from Lost), Brendan Fehr (Michael from Roswell) and Freddy Rodriguez (Rico from Six Feet Under) – all fun in their roles, but the lack of heavy weights undermines everything a bit.

Undateable - Danny (Chris D’Elia, Whitney) takes on a group of romantically challenged friends in an attempt to teach them everything he knows about love. Sounds hideous.

Links
NBC has more information about all their shows on their website. I guess the trailers may turn up there at some point. The press release and schedule summary are at the Futon Critic.

The Upfronts – Fox

Fox network logoUpfront week has rolled around surprisingly quickly this year. Over the span of just four days the five major US network channels will introduce their schedules for the 2013-14 season, delivering last rights to those that have failed to bring in the ratings, offering another year to the select few and introducing those that are lucky enough to win a coveted new slot.

First up, Fox. Much of their schedule is dominated by reality shows (American Idol and X-Factor mostly) which I don’t even mention, so they have less stuff than CBS, NBC and ABC.

What’s out
fringeJust four comedy/drama cancellations from Fox this year, which is joint lowest with CW. Fringe held out longer than anyone expected and came to a very well managed end, so I can’t say I’m that sad to see it go, particularly as the last season was not its strongest. Keifer Sutherland’s Touch made it to a second season, but never seemed to get much attention either from the ratings or critics. The Mob Doctor and Ben and Kate were freshman series that never really got off the ground, and while the latter received some critical praise, it doesn’t look like anyone will really miss either of them.

What’s returning
bonesMost of Fox’s renewals are comedies (New Girl, The Mindy Project, Raising Hope and Glee) or animations (The Simpsons, Bob’s Burgers, Family Guy and American Dad). The only drama renewals are Bones and new show The Following (all be it mid-season). It would seem in a slightly desperate attempt to add some established drama to its schedules they’ve taken the rather bizarre route in renewing 24 for some sort of special run. I never liked the original, so am not particularly fussed, but it certainly drew the attention of the media.

What’s new
Almost Human – Set in 2048, police officers are partnered with ‘synthetics’. Detective Kennex (Karl Urban, Star Trek) is about as unstable a human as you get and Dorian (Michael Ealy, Sleeper Cell) is about as unstable an android as you get. The sci-fi elements look interesting and impressive and the unlikely buddy cop motif is generally a pretty reliable way to drive story. The cast is full of familiar names (Lili Taylor of Six Feet Under, Mackenzie Crook of Pirates of the Caribbean, Minka Kelly of Friday Night Lights and Michael Irby of The Unit and has JJ. Abrams (Star Trek, Fringe, Lost) as creator and Exec Producer, so expectations are high, but the trailer left me intrigued.

Sleepy Hollow – Ichabod Crane comes back from a couple of hundred years ago, comes back from the dead to continue his search for the headless horseman. Part supernatural DaVinci Code thriller and part buddy cop action comedy this could be both fun and interesting, although it’s best to ignore the ridiculous voice over on the trailer.

Dads – I’m not sure I’ve ever really found anything by Seth MacFarlane (Family Guy, Ted) funny, and this trailer is no different. Seth Green (Oz from Buffy, And other stuff) and Giovanni Ribisi (Phoebe’s brother from Friends, and other stuff) are best friends both of who’s fathers decide to come live with them. Chaos ensues. It wasn’t intolerable, I just didn’t find it funny enough.

Brooklyn Nine-Nine – This however was intolerable. A comedy about a dysfunctional New York detective squad. Andre Braugher used to be in Homicide: Life on the Street and now he’s in this?!

Enlisted – Geoff Stults (The Finder), returns home from war and is put in charge of turning a bunch of incompetent soldiers, including his two brothers, into something less embarrassing. I hated this from the second the music started.

Us & Them – Gavin and Stacey (yes, like the UK series) seem a nice enough couple who come from New York and Pennsylvania respectively, it’s just that they’re surrounded by well meaning but slightly horrific friends and family. Alexis Bledel (Gilmore Girls!) and Jason Ritter (Parenthood) are both charismatic and sort of lovely in the trailer, but the others may be unbearable. I didn’t hate it though.

Surviving Jack – based on Justin Halpern’s book I Suck at Girls, a comedy set in 90s California about a no-nonsense semi-absent father (Christopher Meloni, Law and Order: SVU) who’s suddenly forced to be the full time parent to a pair of teenagers. I chuckled a couple of times at the trailer, but also rolled my eyes a couple of times, so it averages out to a ‘meh’. Starts midseason.

Rake – a fairly standard set up, the central character is a complete disaster in his personal life but a pretty good lawyer. It’s the kind of show that lives and dies with its star, and in Greg Kinnear they have someone who is instantly likeable and left me feeling optimistic for the show. Starts midseason.

Gang Related – Ryan Lopez (Ramon Rodriguez, The Wire) is on the LA Gang Task Force but also has ties to a local gang and is torn back and forth between the two. The trailer looks very impressive, but I can’t help feeling that I’ve seen this film several times before and at best have come away impressed, but not that interested.

Wayward Pines – Wayward Pines is an idyllically perfect American town, but you can never leave. Ethan Burke (Matt Dillon) is a Secret Service Agent sent to the town to investigate the disappearance of two of his colleagues. But he soon finds himself trapped as well. The idea sounds intriguing, but with the Press Release laying the similarity to Twin Peaks on a little too much, and the dubious talents of M. Night Shyamalan attached, there’s the potential for this to go very wrong. Starts midseason, no trailer yet.

Murder Police – animated comedy about a group of inept, corrupt and lazy police officers. Sounds like the animated equivalent of Brooklyn Nine-Nine and I’m even less enthusiastic about this than I am about that. Midseason

Links
Trailers collated by The TV Addict and TV Line and schedule summaries from The Futon Critic.

Banshee: Pilot Review

A man gets out of prison, immediately gets into a gun battle in the middle of New York, legs it to Banshee, a small town in Pennsylvania and finds himself assuming the identity of the new sheriff. All because he’s chasing a girl, oh and 10 million dollars worth of diamonds.

This show has a classic problem in that it doesn’t want to give away the central character’s intention. He’s a classic strong silent type, not giving much away about what he’s thinking or feeling. The facts about him seem pretty worrying, but without knowing the why it’s hard to know if there’s more to the story. Why does he take the sheriff’s identity? To win back the girl? To settle down and form a relationship with his daughter? Or just to hide from those chasing him? We see that he has a talent for forming quick relationships, sometimes friendly, oftentimes violent, he seems to take an immediate dislike to the local crime boss but is that moral indignation or just a natural reaction to the competition? With all that uncertainty the character is left as a bit of a bland fence sitter, never giving anything away to either the other characters or the audience. Quiet and mysterious is ok, but it’s also very difficult to form any kind of bond with him.

It also leaves the show floating a bit, because you just don’t know what direction it’s going to go. Shows like House of Lies and The Shield gave it all away in their pilots, giving us characters that are presenting different personas all the time but revealing to the audience where their true allegiances and feelings lie. That’s not to say their allegiances might not change over the course of the series, but at least you know what you’re starting with. In contrast something like Homeland manages to keep you guessing over and over again. Each choice led to an interesting and engaging enough pilot that I came back for more in each case, but somehow it just didn’t work so well for Banshee.

But for all the lack of interest the main character generated, almost all the supporting characters really sparkled – the off the wall computer expert that’s helping with the new identity, the ex girlfriend who’s also been living an assumed identity in Banshee, the amiable but slightly scary bartender and the crime lord separated from his Amish roots. Each is a bit of a trope, but the performances had a depth and charisma that was mostly lacking in the main character. There’s also some originality in the setting and the potential for interesting stories around the Amish community and how they do and do not integrate.

On a technical note the series is well enough put together but there’s nothing particularly outstanding there either. I could do without the cable level nudity and sex which I really didn’t think added anything to the plot, but hey ho, whatever gets them their ratings I guess. All in all, I was left feeling rather ambivalent about the whole thing, there’s nothing to hate but also nothing to love. Whether or not I watch any more will be based entirely on whether there’s anything else on… which isn’t exactly high praise, but it could be far worse.

Banshee has a 10 episode first season which airs on Sky Atlantic on Mondays and it’s already been picked up for a second season.

Huffington Post – It’s a taut, propulsive series with a distinctive atmosphere, and “Banshee” does a good job of letting the mood and visuals tell the story while keeping the plot moving briskly.

TV Addict – BANSHEE will seduce and entrance viewers as it peels back layer after layer of its percolating evil.

The Following: Season 1

The FollowingThe Following is possibly the MOST ridiculous show that I’ve seen this year, and I watch a lot of ridiculous shows. It’s even more ridiculous than Grey’s Anatomy’s “we own the hospital” storyline! When I watched The Following’s pilot I likened it to Criminal Minds, but it turned out to be the subject matter and brutality of Criminal Minds, applied to the kind of extreme villain and over the top plots more usually found in episodes of Scooby Doo.

I tried to sum up the plot but I found I really couldn’t do any better than Richard Vine’s Guardian piece that perfectly captures the utter insanity that the first season has been (spoilers in that piece for everything but the final episode). What I particularly love about Vine’s writing is that it exactly captures my attitude toward the series – weary eye rolling on one hand, but joyful abandon on the other.

The Following is just utterly ridiculous. It’s riddled with plot holes, character and institutional idiocy and an abundance of repetitive tropes – oh no, someone’s been captured again! Now someone’s escaped! But somehow rather than making the show frustrating and dull, it all combines into something that I really looked forward to each week. By being so ludicrous, it was also completely unpredictable, each episode had surprises and twists, killing off characters at a phenomenal rate and charging along with gleeful abandon.

How season 2 will work is anyone’s guess. I won’t spoil it, but elements of the final episode really did seem to close things off. I’m a little worried that this will turn into something that I’ll end up wishing had actually only been a one season wonder. But for that one season, what an absurdly enjoyable ride it has been.

Follow

Get every new post delivered to your Inbox.