Posts Tagged ‘ breaking bad ’

Breaking Bad: Season 1

Breaking BadI pride myself that usually when people ask me “have you seen such-and-such?” I can smugly reply in the affirmative. Just on this website I’ve got reviews of over 200 shows; many admittedly only for the pilot, but there’s usually enough for me to make intelligent comment. Even in my impressive (pathetic?) watched list however, there are gaps, and those are sometimes very embarrassing. So I am relieved that when asked “oh my god, have you seen Breaking Bad? It’s incredible!” I no longer have to sheepishly say “um, no… I got the first season on dvd a few years back but I’ve never actually gotten round to it”. Better late than never right?

So all in all, there’s a good chance that I’m talking to the choir, and even more so one that may have seen not just the first season (which is only 7 episodes) but has made it all the way through to the fifth and final season (half of which has already premiered in the US, the 2nd half to follow this year). I know enough about the show to know that some of my comments will likely be met with “you ain’t seen nothing yet!”

The first season forms a very tightly structured story, we follow the journey of Walter White an unassuming chemistry teacher who is diagnosed with terminal cancer. Through lucky (?) coincidence he stumbles upon an opportunity to turn his chemical expertise into money for his treatment and his family by making crystal meth, partnering with a former student who is an unimpressive drug dealer. We see Walt divide his life in half – one part a pushed around husband and nice guy, one part scary bad ass who fits into the violence and intensity of the drug world surprisingly well.

The story shares some similarities with Weeds, a series that didn’t work for me because I was unsettled by the levels of violence and destructiveness that an urban housewife allowed to develop just to make more and more money. Breaking Bad however carefully skirted around that problem. Although Walter also makes bad decisions, there felt like there was more of a selflessness about it and a natural snowballing that didn’t lose me along the way as Weeds did. It also doesn’t treat Walter’s life or choices as anything other than bleak, there’s no glamour in the druf world at all, it’s not exciting or exhilarating, it’s brutal and terrifying.

The most obvious comment about the show is that the acting is absolutely superb. Bryan Cranston’s performance as Walter White is perfect as a very quiet, unremarkable man with occasional flashes of intensity as he embraces not just his criminal potential, but also his terminal diagnosis. His performance is beautifully subtle, so much more about what isn’t said than what is. In contrast Aaron Paul as his more drug savvy partner gives flamboyant performance for the most part but with brief moments of quiet, somehow making me care about a character that should be phenomenally annoying. The supporting characters don’t really do much beyond adding depth to Walter’s life. I found his wife generally pretty annoying, but she’s vital to show that Walter has pretty much given away control of his life to those around him, breaking the law is one of the few decisions he’s made for himself and although it’s a bad decision, you can see why it’s so empowering to him.

My one disappointment of the series was that the comedy elements got fewer and further between as the season went on. The comedy was always somewhat incidental, it was more about taking a moment for the audience and characters to acknowledge how ridiculous the situations were, but I felt there was less time for those moments in later episodes. Instead the comedy was more heavy handed, provided by the over the top brother and sister-in-law. I missed that lightness and hope that future seasons find it again, otherwise the show runs the risk of jut become too intense and heavy.

That is part of the reason that I’m undecided at the moment as to whether to watch season 2 or not. I did very much enjoy season 1 and was certainly impressed with it, but I can also see that life is unlikely to get better for the characters and I’m not sure that I want to see that. I’ve already got a few series on my roster (Supernatural and Sons of Anarchy for example) where I’m dragging my feat watching later seasons because the unrelenting awfulness inflicted on and by the characters that I’ve come to empathise with is just too depressing. Breaking Bad is a victim of its own success in that I may not watch anymore because it is just too good.

From the looks of it, I wouldn’t hold your breath on seeing Breaking Bad on TV (season 3 doesn’t have a planned airing date yet, let alone 4 or 5) but you can pick up some pretty good deals on boxsets at amazon

The Revolution Was Televised by Alan Sepinwall

The Revolution Was TelevisedConsidering the amount I write about television shows, I read relatively little on the subject. I follow plenty of blogs scanning through dozens, if not hundreds of news stories and interviews via the marvellous productivity aid of RSS, but the number of books I’ve actually read can be counted on the fingers of one hand and is entirely limited to books dedicated to specific shows.

The Revolution was Televised had come up in passing from several television pundits I respect, most notably Maureen Ryan, currently of Huffington Post, who always adds depth not just to reviews of individual shows and episodes, but of the television landscape as a whole. I popped it on a Christmas list and had finished it by 3rd Jan.

The concept of the book is that there was a revolution in the way television was produced starting in the late 90s and those changes can be tracked back to a dozen key shows, that were not necessarily ratings hits (or even critical hits, although most of them are), but marked a step change in the way that television shows are created, run, marketed and watched . Alan Sepinwall takes us through each of these shows telling their stories and explaining their importance.

DeadwoodYour enjoyment and empathy with the book is going to be somewhat dependent on how many of those shows you’ve seen and what you thought of them. But, I was actually surprised at how engaged I was even in chapters on shows I’d never seen a single episode of. Out of the dozen shows, I would consider myself a fan of about half of them (Deadwood, Buffy, Battlestar Galactica, Friday Night Lights, and Mad Men), five others I’ve seen a few episodes or couple of seasons of and have some respect for even if they weren’t to my taste (The Sopranos, The Wire, The Shield, Lost, 24) and two I’ve never seen at all (Oz, Breaking Bad). But Sepinwall does a great job introducing each show and making you see what was groundbreaking and even magical about each show whether you were already on his side or not.

The dozen chapters telling the story of the shows are built up from interviews with a range of people involved with each show – the creators, producers, network executives that bought them, even the people who didn’t support them at the time. The comments are very open and honest, pride in successes, acceptance of mistakes and Sepinwall weaves them all together to form a detailed picture of the world of television production. Throughout the book there are also plenty of references to both older shows that lay the foundations and the newer ones which built upon them, charting the whole thing in a giant network of giants’ shoulders. Thanks to it going all the way up to the Summer of 2012 and talking about shows that are still on the air, it feels extremely current, although I guess the flip side of that is that it may not age so well.

LostMy only frustration with the book was that as it went on, it felt like it lost sight of its premise a little. Each chapter focussed more and more on the show itself and less on what was revolutionary. The reader is left to draw a lot of conclusions themselves, which is slightly frustrating. Also, for a book which is so current, there was surprisingly little said about how television distribution is changing both with the internet (pirated or otherwise) and even the rise of dvd sales over the period. Although it’s touched on a little in the section on Lost, there’s also very little coverage of the other effects the internet drives including marketing and fandom. Mind you, those subjects could easily fill whole books just by themselves.

This is an absolutely brilliant book for anyone interested in how television really works, not just gushing about shows that people love, but about how the industry develops and innovators can succeed in a massively competitive and generally risk averse environment. Alan Sepinwall is clearly a television fan, but he is not blind to the fact that it’s a commercial endeavour – he doesn’t vilify the networks who cancel low rated series and he doesn’t sanctify show runners whose poor working practices overwhelm their brilliant creative ideas.

Buffy the Vampire SlayerI found this book fascinating, entertaining and completely un-put-downable. Sepinwall has reminded me of just what a complex and fascinating medium television can be. He’s given me a fresh look at shows that I adore, brought to my attention shows I knew nothing about, and encouraged me to give second chances to ones that I’ve struggled with in the past. If you’ve read any of the dribble I’ve written, go read this and see what a professional can do.

The Revolution Was Televised by Alan Sepinwall (2010) is available in paperback from Amazon. It amuses me that if you search amazon for the book title you get a number of suggestions including The Revolution Wasn’t Televised (1997), The Revolution Will Not be Televised (2008), The Revolution Will be Televised (2010), Will the Revolution Be Televised (2012) – so it would seem the jury is still out on the question.

Battle of the Shows – Round 1

Vulture.com are doing a sort of battle of the best TV drama of the last 25 years. I started reading it and was really impressed at the depth of the analysis and with the unexpected outcome of the first decision. But then I read a second article and I could not have disagreed more strongly with their choice. I figured I’d run through their choices myself and explain why they are wrong.

NB – They have started out with a shortlist of 16, which was already wrong. There’s a few of my top shows of the decade missing from the get-go and of course it ignores the output of every country other than the US (oh and Canada, there’s some Canadians on the list!). But I wanted to use the same list.

So round 1 – ding ding:

Deadwood vs. Buffy the Vampire Slayer
This was the first category I came across (because I got the link from Whedonesque) and thought that Buffy would be in for short shrift. But I was impressed not only by the depth of the analysis, but by the fact that Buffy won. Although I’m well known as a Buffy fan, even I don’t think this was an easy competition to judge. I really love Deadwood, it’s a fascinating and unusual show that brings the poetry of Shakespeare to potty mouthed prospectors. Buffy on the surface is just an American high school show with cheerleaders who happen to fight vampires, but of course as any number of sources will tell you it’s really about life and destiny and choice. The beauty of Buffy is that it’s actually both, it’s hugely entertaining and it’s really very important. It created its own genre and dozens of shows owe Buffy their success.

The other issue to me though, and this is what really swung it – Deadwood is incomplete. Cruelly cut down in its prime, it never got to finish its story. Of course that’s not the shows fault, but when I evaluate the competition Buffy got more time and told a complete story.

The X-Files vs. The West Wing
This was where Vulture.com lost me. I’m sorry, but no way in this universe or the next is The X-Files a better show than The West Wing. My love of The West Wing is well documented all over this site, so I’ll not go over how smart the dialogue is, or how fascinating the subjects are, or how much I adore all the characters. On the flip side you won’t find any article about The X-Files because I haven’t re-watched it since I started writing reviews properly about 8 years ago. Now like every geeky teenage girl of the mid 90s I adored Fox Mulder, obsessively videoing every episode and dissecting them with my friends. But even my adoration couldn’t stick with the show when 4 seasons in it degenerated into overly complicated, drawn out conspiracy theories and endless will-they-won’t-they relationship bumblings. Then it went on another 28 seasons or something. Yes, The West Wing had some dodgy phases and although it eventually clawed its way back for a breathtaking season 7, it never really reached its original heights; but the best of The X-Files was never as good as The West Wing’s, and its worst was considerably worse and much longer.

Breaking Bad vs. Friday Night Lights
I have never seen Breaking Bad, I have sesaon 1 on dvd, but I just haven’t got round to watching it. So, I don’t really have any right to make a judgement here. However while I’ve heard stunning things of the early Breaking Bad, I’ve also heard some disappointment at the direction of later seasons. So with an acknowledgement that I’m not being fair, the only way I can vote is for the show that appealed enough for me to actually watch it. An easy win for Friday Night Lights.

The Sopranos vs. Six Feet Under
I’ve seen one season of The Sopranos and four of Six Feet Under, so I’m 5 seasons short on Sopranos and 1 season short on Six Feet Under. But the reason that I haven’t finished either season is the key to my decision. I thought season 1 of The Sopranos was ok, but I never really connected to the characters and there was nothing calling out to me to watch more. The counterpoint to that is that I haven’t seen the final season of Six Feet Under because I don’t want to say goodbye to the characters. I have had the season 5 dvds on my shelf for years, but haven’t watched them because although I know it is a superb season and often described as one of the best series finales ever, I enjoyed the show too much to watch it end. It’s stupid, but that’s why Six Feet Under wins.

The Wire vs. My So-Called Life
This is a bit like the battle of who cares less. I have friends who threaten to disown me for this, but I just didn’t get along with The Wire, I watched one season and really struggled to follow what was happening. I do have vague intentions to give it another try though. Meanwhile, I’ve got the box set of My So-Called Life and haven’t made it past episode 2 – I can’t tell you anything about it, just that I haven’t bothered to put the dvd back in. So on episode count alone, The Wire wins.

The Shield vs. NYPD Blue
This one is another unfair one as I’ve never seen an episode of NYPD Blue in my life. I suspect it’s also not fair because without NYPD Blue, would The Shield exist? I’ve seen the first few seasons of The Shield and thought it was amazing, BUT I haven’t watched the whole series because I just couldn’t take any more. It was all just too bleak, violent and depressing. So do I go for the show that is a foundation for so many great shows after it but that I’ve never bothered to watch, or the one that takes those foundations to their logical but eventually unwatchable extreme? I genuinely flipped a coin and it came down in favour of The Shield.

Twin Peaks vs. Battlestar Galactica
I’m about two thirds of the way through Twin Peaks. I watched the first half obsessively over the space of a week and have got at least 4 blog posts in my head about it. So why haven’t I finished watching it? Mostly because like most people who watched the show, I found that after they solved the initial mystery of who killed Laura Palmer, the momentum of the show just disappeared. Secondly I wasn’t actually a fan of the levels of weirdness it degenerated to, I liked the kooky and odd stuff, but the resolution to the mystery was just too much. Battlestar Galactica came pretty close to losing me a few times along the way as well with its rather extreme mythologies. But I stuck with it, because it was so well written and produced and in the end, I think it all came together, and then it dutifully stopped. Maybe if Twin Peaks had just stopped, it would have stood a chance, but as it didn’t, Battlestar wins.

Mad Men vs. Lost
I gave up on Lost somewhere in the third season, because I lost faith in the writers. I felt they were trying too hard to make a television show that could be stretched out for as many years as possible, rather than telling a well paced mystery story. By all accounts I should probably go back and watch it through because I hear it pulled it all back together in the end, but I haven’t got round to that yet. With Mad Men however, I have nothing BUT faith in the writers. It’s one of the slowest series I’ve ever watched, half a dozen episodes can go by with seemingly nothing happening except gorgeous period detail and subtle acting. But every now and then, something happens – two characters share a moment, or a single line of dialogue and you realise that all that nothingness has been building to that one perfect moment. It’s breathtaking. The only proviso I put on awarding this win to Mad Men is that it’s one of the few shows on this list still airing new episodes and it still has time to blow it.

Next up – Round 2, and the semifinals and the final

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