Posts Tagged ‘ criminal minds ’

Criminal Minds: Season 7

Criminal Minds has had a couple of seasons of cast shake-ups, but season 7 was all about getting the band back together and returning both Prentiss and JJ to the fold. On the plus side it’s like very little ever changed. On the downside… it’s like very little ever changed. This isn’t going to be a particularly long review!

My resounding feeling at the end of the season was that it was… fine. The characters are now well established and generally pretty consistent. JJ was the only one that bucked the trend, she seems to have come back from her year with the Pentagon something of a super agent, not just now as good a profiler as everyone else, but also a bit of a kick ass action hero. Prentiss on the other hand came back from the grave pretty much unchanged which meant her sudden decision at the end of the season to leave the team again came a bit out of left field.

As per usual with Criminal Minds the attempts to do larger stories around the characters’ personal lives feel somewhat out of place. We’re introduced to Rossi’s ex-wife only to have her die of a terminal illness a couple of episodes later. It feels rather like cheating to introduce a never before seen character just to kill them off to see the effect on a central character. There was a similar problem with bringing JJ’s boyfriend in for the final episodes just so he could be held hostage and upset JJ. The more gradually introduced character of Hotch’s new girlfriend was handled a lot more smoothly and therefore had more long term impact.

The weekly cases were all variously bleak, depressing, gory, creepy and occasionally downright disturbing. I didn’t really remember any of them as particularly outstanding, and there didn’t seem to be as many high profile guest stars as previous seasons. I might have liked a little bit more in the way of long term storylines, but I did enjoy watching each episode so maybe I shouldn’t push my luck.

I genuinely can’t think of anything else to write about the season. Criminal Minds is an absolutely reliable series, always entertaining and interesting, but rarely particularly innovative. However compared to some of the other shows out there, reliable and competent is apparently more challenging than it may seem.

Criminal Minds: Season 6

Generally when I’m writing a review of a season, I look back through my archive to see what I said about previous seasons. To be honest I should probably stop doing that because it often leaves me struggling to find anything new to write. That’s equal parts my fault for writing such good reviews (pardon my boasting) and the shows’ faults because generally very little changes from season to season. Re-reading my season 5 review of Criminal Minds, I think I was actually spot on with my descriptions of the series, the characters and how it all fits together. Thankfully for this review the producers of the show decided to shake things up a bit. Good for having something to talk about, not so good for the show unfortunately.

As I mentioned, the very same day I posted a review praising the “for finally settling into a great team dynamic and for how strong the [three] female characters are”, the producers decided to get rid of two of them. A.J. Cook (JJ) was stolen away in the second episode, and although Paget Brewster (Prentiss) lasted most of the season, and was given a juicy storyline, she too was sent on her way. No one was thrilled with this – the fans, the cast, or seemingly the writers who delivered some pointed lines of dialogue about how unfair it was that JJ be stolen away from the team. But, the money people had apparently spoken and off they went.

While the writers may not have wanted to lose the characters, they dealt with it admirably, making sure that their absences were addressed by characters. Personally the characters vocally and visibly missed their friends, each character having a different but entirely appropriate reaction and correspondingly adjusting the relationships with other members of the teams. Professionally, the team had to deal with redistributing resources, leading to some very interesting material for Garcia as she stepped outside her comfort zone into JJ’s shoes.

Unfortunately the addition of new agent Seaver (Rachel Nichols) didn’t work so well. I just think she was written too much of a miracle agent – straight out of the academy and just about perfect. Her background as the daughter of a serial killer was an interesting idea, but nothing really seemed to come of it. I just wanted her to be a little bit more unstable or something, she simply wasn’t interesting to watch and didn’t seem to form any kind of relationships with the rest of the team. She felt lifeless.

Plot wise, most of the stuff from my season 5 review still stands – diverse concepts and settings make most episodes interesting and even the most unremarkable stories are elevated by good casting and dialogue. I continue to find these seemingly unimportant episodes more interesting than the larger stories that the team get personally involved in, although Prentiss’ storyline was better than Hotch’s last season. There did seem to be a few faltering character plotlines that didn’t seem to go anywhere – Reid’s headaches and Strauss’ background for example seemed to disappear, maybe they’re set ups for next season.

Overall, while I think everyone can agree that getting rid of not one, but two of your foundation characters in a season, is asking for trouble (particularly two female characters which draws its own criticisms), I was impressed at how well it was integrated to the series. Thankfully however, both actresses will be back again next season and I’m looking forward even more to seeing how their returns will be dealt with by the team. It’s certainly one way of keeping things fresh as you enter season 7.

What I’m watching at the moment

I’m pretty much in the depths of scheduling desperation at the moment. Keeping on top of all the stuff coming in each week is about all I can manage, taking an evening out to watch a film can cause catastrophic backlog on the sky+ box. Unfortunately while I’m watching a lot of TV, there’s not much for me to talk about, no new pilots, no season end reviews, I’m just trudging through the middles. So with a lack of anything else to write about, here’s a snapshot of what I’m watching at the moment.

Bedlam (Sky Living, Mondays) –Sky’s attempt to offer an alternative to Being Human, with a supernatural ghosty drama type thing. It’s awful. Particularly hateful is the lead female character, Kate, who is an absolute bitch of a blond trendy 20something who the rest of the cast don’t slap about the head for some reason that escapes me. Will Young is kind of adorable, but the rest of the cast is completely bland and the plots simultaneously over the top and boring. I gave it two episodes, but I don’t think I’ll be watching the third.

Glee (E4, Mondays) – I’m also enjoying Glee recently, although I have no idea why. The characterisation is all over the place, just about every relationship is lacking in chemistry, plots are painfully ‘issue of the week’ and I want to gaffer tape Rachel’s mouth shut every time she appears. However, there’s been some really fun music choices, the Rocky Horror Picture Show episode was kind of inspired, Kurt breaks my heart every week and for all the fact that most of it is rubbish, it really makes me smile.

Blue Bloods (Tuesdays, Sky Atlantic) – There are two remarkable things about this otherwise mediocre show. The first is that the writing is often utterly terrible, plot is delivered in scenery chewing monologues with all the subtlety of breeze blocks, “it’s a shame mom is dead and my brother was killed on duty, I’d really like to talk to them about my conflicted feelings” isn’t far off the quality of dialogue here. The other remarkable thing however is Tom Selleck. Every time he is on screen he brightens the place up, managing to somehow have credible relationships with his concrete inspired offspring and navigate his way through the awfulness in a way that makes me come back for more each week.

Bones (Sky Living, Wednesdays) – Bones herself seems to have regressed this season, becoming even less aware of how normal people behave, more annoying than ever. But despite the best efforts of the central character, I still enjoy the show a lot. It comes up with an interesting gimmick each week (the body in chocolate was particularly grim) and Booth and the supporting cast (including the entertaining, rotating interns) are extremely watch-able.

Grey’s Anatomy (Sky Living, Wednesdays) – I’m loving this season. I pounce on every episode as soon as it arrives and I can find a safe time to watch it – there cannot be any possibility of interruption or distraction, it just has to be me and my show. Everything just seems to be working, there’s not too much whining, there’s no duds in the character collection, the relationships are all interesting and going somewhere and the dialogue is as sharp as it’s ever been. Love it.

Mad Dogs (Sky1, Thursdays) – the first episode was definitely the high point with the careful pacing and gradual creepiness now replaced with a random chaotic collection of violence and shouting. The actors make it enjoyable, but I’m glad it’s only four episodes long and finishes this week.

The Good Wife (More4, Thursdays) – I am SOOOOOO over Kalinda. I mean seriously? Are we supposed to be sympathetic, because frankly I’m beginning to think she’s had some kind of psychotic break. I also don’t really understand why Diane and Will have suddenly taken against each other, I loved them in the first season, friendly and constructive while still keeping a few cards to themselves, now they’re acting like paranoid conspiracy nuts, did I miss something? I’m also pretty bored of the political campaigning – has there even been mention of the actual political issues at all it seems to be all about threats and manipulation? So overall, I’m struggling a bit with The Good Wife at the moment.

CSI (Thursdays, Five USA) – There have been a few interesting bits this season, but nothing spectacular. The emotional and personal stuff has been laid on a bit thick, issues coming and going like sledgehammers. The show could really use some younger characters to come in and challenge the status quo a bit, it’s at risk of turning into Midsummer Murders.

Brothers & Sisters (Thursdays, More4) –This isn’t an amazing show, but it continues to be comfortable. It’s full of melodrama, cheese and sappiness. The cast has thinned down a bit having lost Robert, Holly and Rebecca which I think actually improves the show and I don’t miss any of them. The small time shift also makes things a bit more interesting, but at its heart this is a hot chocolate and duvet show.

The Big C (Thursdays, More4) – It’s billed as a comedy, and it *is* funny, but all the humour comes from the “you’ve got to laugh or you’ll cry” school of thought. It’s not an easy show to watch, but it is extremely good with a spectacular performance from Laura Linney.

NCIS (FX, Fridays) – only just returned so the only episode I’ve seen is the resolution to the big mid-season cliff-hanger which I really didn’t care about in the slightest. Despite the fact that the ratings are through the roof on this in the US, I’m losing interest as characters continue to behave erratically and the plots get less and less engaging.

Criminal Minds (Sky1, Fridays) – I always enjoy Criminal Minds, it’s not spectacular, but each week the mysteries are interesting, the action suitably dramatic and the characters and their relationships rewarding for the long term viewer. I do miss JJ horribly, but am enjoying Garcia’s increased role and appreciate that the new agent brings a bit of energy to the show. A solid performer.

CSI:New York (Saturdays, Channel 5) – The disappearance of Stella and her replacement by Sela Ward was a bit spontaneous, but gave the show a bit of excitement. But it didn’t really last and it’s settled back into a bit of rut. It’s ok to watch while cooking or ironing, but that’s not exactly high praise.

Outcasts – (BBC1 Sundays) – it’s a bit n&*f really, I have some really very serious doubts the writers have any idea about the timelines, the history of the colony or where they’re going with the mystery. BUT if treated as mindless entertainment, it’s actually moderately enjoyable.

NCIS: LA (Sky1, Sundays) – the sister series however I’m enjoying more and more. The plots are still pretty dull, but the characters and dialogue have a spark to them that the original series seems to have lost. The ensemble is working well together having lost Nate and what’s-his-face who were pretty dull and replaced them with quirkier and more interesting Nell and Deeks.

Top Gear (BBC2, Sundays) – Falling to the bottom of my watch list, I find myself fast forwarding more and more of each episode. When they’re spontaneous, I still love them, but too much is scripted and obviously faked.

Supernatural (“spring/summer”, Sky Living) – when a show takes on the apocalypse and the devil, it’s a big question where to go next, but the tighter focus on the more personal issues was a good choice. There’s still a great mix of angst, action, drama and a bucket load of humour (it’s been a long time since I laughed at anything as hard as I laughed at Dean and the fairy).

End of year report card

The start and end points for the television year is pretty fuzzy. Given that I watch mostly US shows, I tend to go by their year which runs roughly from September rather than the calendar year. So I decided that I’d count the start of the year as 1st September (and I go by American air dates, not the UK). BUT life isn’t that simple, because what do I do with shows that start in one year but end in another. For example Mad Men season 3 ran August-November 2009, running one year to the next. Then I looked at what the Emmys do and it turns out they run June 1st 2009-May 31st 2010. BUT they don’t strictly speaking pay attention to show seasons, it’s just whichever episodes ran in that time frame, which means from what I can tell – the last two episodes of the season of Glee weren’t eligible for entry as they aired in June 2010.

So after all that, I decided to hell with it and I’d count what I felt fit within 2009-2010 and be pretty much arbitrary about it.

Bones - Season 5
Brothers & Sisters – S4
Caprica – S1
Criminal Minds - S5
CSI - S10
CSI:NY – S6
Defying Gravity – S1
Dollhouse – S1
Doctor Who - 2010
FlashForward - S1
Friday Night Lights – S4
Fringe – S2
The Good Wife – S1
Glee - S1
Grey’s Anatomy – S6
House – S6
Leverage – S2
Lie to Me – S2
Mad Men – S3
The Mentalist – S2
Merlin – S2
NCIS: Los Angeles – S1
NCIS – S7
Outnumbered – S3
Sons of Anarchy – S2
Stargate Universe – S1
Supernatural - S5
Trauma – S1
Warehouse 13 – S1
White Collar – S1
V – S1

Top of the Class – Best Drama

  • Mad Men: For once, I’m in absolute agreement with the Emmys. Season 3 (season 4 has just started on BBC4) was a work of near perfection. The pacing, the way everything had been so carefully and subtly built up until the final episode which was one of the most satisfying hours of television I’ve ever seen. The detail of this show is incredible, it’s a slow burn, but it’s really worth it.
  • Friday Night Lights – I have a guilty relationship with this show, because despite the fact I have it ‘available’, I haven’t managed to bring myself to watch the second half of the season. This season has felt like really hard going, everybody’s’ lives really seem to suck and it’s just hard to watch. But that doesn’t make it any less superb or any less worthy of its position in the number 2 slot in the drama category.
  • Sons of Anarchy – There’s just something about this bunch of gun running, murdering, hells angels that just makes you forgive them everything they do. The closest thing I can think of to this show is Brothers & Sisters, it’s got the same sense of families fighting amongst themselves, but ultimately doing anything for each other – just with more Nazis.
  • Trauma - Maybe this show wouldn’t have made the cut if I didn’t feel bad for it being cancelled, but I really do think it was one of the better shows of the year. It’s not perfectly refined like Mad Men, but the heart and soul of it are true, the characters and relationships are interesting and different and I enjoyed every episode.
  • The Good Wife – Proving that ‘legal procedural’ doesn’t have to mean Law and Order or wanting to kill all the characters. The ensemble cast is amazing and contains some of my favourite actors, and seeing them together creating such complex characters is immensely satisfying.

Head Boy – Best Male Actor/Character (you don’t get to be a great actor without a well crafted/written character and great characters don’t survive great actors)

  • Tim Roth (Cal Lightman, Lie to Me) – I don’t understand why Tim Roth and Lie to Me don’t get more attention. In a world of dark, sober, troubled and angsty television detectives, Tim Roth lights up the room. He’s manipulative and arrogant, but he’s also a brilliant father, a caring friend and of all the investigators on television, he’s the one I’d want in my corner the most.
  • Matt Smith (The Doctor, Doctor Who) – I had my doubts, not because he was young or unknown or anything like that, but just because I thought David Tennant had created an un-equalable character. Matt Smith blew me away with his charm, his goofiness, his terrifying speeches and his ability to make a fez look cool.
  • Kyle Chandler (Coach Taylor, Friday Night Lights) – This man seems to do less acting than anyone else on television, he hardly says anything, sometimes he barely moves, but somehow you understand every single thing the character is thinking.
  • Jenson Ackles (Dean Winchester, Supernatural) – I was a bit disappointed by the season of Supernatural, but I was never disappointed with either of the lead performances. Part of what frustrated me about the season was that it was all over the range from slapstick to suicidal angst, via homicidal range and utter psychosis. Jenson Ackles nailed each of the emotions and how stubborn, but over-his-head Dean would approach each one.
  • Hugh Laurie (Dr House, House) – I didn’t like this series of House much, as per usual I think it spent too long coasting through the middle of the season and then made some dubious relationship choices. But Hugh Laurie was consistently great throughout, except for the bookending episodes, where he was absolutely amazing.

Head Girl – Best Female Actor/Character (is actress politically incorrect?)

  • Julianna Margulies (Alicia Florrick,The Good Wife) – A breath of fresh air on network television, a woman with kids, a career, issues and most importantly a personality of her own. I loved when she got drunk with Kalinda, or acted as a big sister to Cary, or didn’t quite know how to interact with Diane. But mostly I loved the way she fell back to being a college student falling for her friend and not knowing what to do about it.
  • Katey Segal (Gemma Taylor-Morrow, Sons of Anarchy) – Gemma had the epitome of a bad year on Sons of Anarchy, but through it all she was their Queen, she loves all the members of her family and fights to protect them, whether with a gun, her fists, or just by keeping a secret. Katey Segal was amazing.
  • Connie Britton (Tammy Taylor, Friday Night Lights) – The other half of the best couple on television, Tammy’s not had a great year either. But like her husband, she doesn’t have to say anything for you to understand the multiple faces the character presents to everyone, including herself. When she steals her little victories wherever she can, and fights for her kids (the whole school load of them) it makes me want to hug her.
  • Ellen Pompeo (Meredith Grey, Grey’s Anatomy) – Meredith grew up and got happy and made me love her. Last year I put her on this list partially out of pity, this year she’s there on merit, actually taking her position as ‘lead’ actress more than just being a ‘prominent female member of the ensemble’. She’s completely settled into her position as the mother of the group – her reaction to her marriage and the loss of her friends was really mature. Whiny Meredith is hopefully gone for good.
  • Sally Field (Nora Walker, Brothers and Sisters) – When Sally Field cries, I cry. When she screams, I hid under a cushion. Whether herding her unruly brood, or causing chaos all by herself, I love her to pieces.

Prefects: Boys (Supporting actors)

  • John Noble (Walter Bishop, Fringe) - Walter is crazy. Utterly and completely, self-medicatingly, one-too-many-magic-mushrooms, bucket loads of crazy. But then in alternate world Walter is utterly sane and calm and scary and slimy. Noble bounces around between Walters multiple personalities and bodies with amazing talent.
  • Chris Colfer (Kurt Hummel, Glee) – The best thing in Glee. He’s completely over the top and ridiculous to the point you almost want to throw him in a dumpster yourself, but then he does something heartbreaking. Also, he can belt out a tune like the best divas out there.
  • David Blue (Eli Wallace, Stargate Universe) – He’s exactly what the stereotypical Stargate fan would be like if they found themselves inside a Stargate series. He’s got no clue about the military, or really people at all. He’s a massive geek who breaks tension by making Star Wars jokes. He brings a bit of reality to the otherwise slightly highly strung Stargate team.
  • Cliff Curtis (Rabbit Palchuk, Trauma) – Cliff Curtis became one of my favourite actors this year playing the deeply troubled, but utterly charming Rabbit. A really fascinating character and a slightly unlikely leading man, but he was the heart of this show.
  • Enver Gjokaj (Victor, Dollhouse) – I ummed and erred between Victor and Fran Kranz’s Topher, but eventually the Doll edged out the geek because he got to play a different role (and accent) every week and nailed them all, even managing to play Topher to perfection.

Prefects: Girls (Supporting Actresses)

  • Chandra Wilson (Miranda Bailey, Grey’s Anatomy) – She wasn’t even nominated for an Emmy this year, which I was so astonished by I had to check multiple times. Bailey follows the Sally Field rules – she cries I cry, she shouts, I actually cheer out loud. Her final scene of the final episode just destroyed me.
  • Elisabeth Moss (Peggy Olson, Mad Men) – “I’m Peggy Olson. And I want to smoke some marijuana” and “Beg me? You didn’t even ASK me”. Nuff said.
  • Christine Baranski (Diane Lockheart, The Good Wife) – Although her colleague Archie Panjabi (Kalinda) got the Emmy, I think Christine Baranski was far superior if for no other reason than she seemed to be having so much FUN with the role. Not afraid to flirt with a colleague or laugh out loud at the ridiculousness of a situation.
  • Allison Scagliotti (Claudia, Warehouse 13) – like Eli in Stargate, Claudia is the voice of the fan. She’s a geek who loves a gadget and points out the idiocy of all the plans. She, and her ever changing hair colours, brings life to the show.
  • Linda Hunt (Hetty Lange, NCIS:LA) – A breath of fresh air, a bizarre mix of motherly and drill sergent that manages to make even LL Cool J quake in his boots.

Team Players (Best pairings/ensembles)

  • Callen and Hanna (NCIS:Los Angeles) – A perfect yin and yang thing of hot headedness and cool, all bundled up in a caring (but not out loud!) partnership. Who’d’ve thought it.
  • Team Free Will, Supernatural
    “This is it… Team Free Will. One ex-blood-junkie, one drop-out with six bucks to his name and Mr Comatose over there. Awesome.”
    “It’s not funny”
    “I’m not laughing”
  • Christina and Meredith (Grey’s Anatomy) – When Meredith revealed the plans for her and Derek’s dream house and pointed out Christina’s Room I burst into tears yet again. I love these two sisters.
  • The Walker Clan (Brothers and Sisters) – You can’t really break this group up. They squabble and occasionally even fight, but the group of them together and the complex relationships between all of them are amazing.

Points for effort - The home of the things that are solidly doing their job, are entertaining, and occasionally verging into brilliant, but are generally just really solidly plugging away doing what they do.

  • CSI:Original had a really solid season, settling down after the changes of recent years and just turning in an entertaining, reliable and interesting season, there’s not many shows that can say that moving in to their 11th season they’ve still got some spark.
  • Grey’s Anatomy deserves a lot of praise for bouncing back from the previous terrible season, I nearly gave up on the show, but I’m glad I didn’t.
  • Brothers & Sisters – cheesy, melodramatic, sappy and utterly sentimental – it embraces these things with such enthusiasm and does them so well, it’s hard not to love.
  • Glee – If only the quality of the plots were more consistent, this would be worthy of considerably more praise. As it is, I enjoyed most of the episodes, but ended up frustrated that it wasn’t just slightly better.

Must Try Harder

  • The Mentalist - A nice idea, a charismatic lead character… but ultimately the character development isn’t, ‘mysteries’ aren’t, and the novelty wore off.
  • Outnumbered - It was still funny, but it just wasn’t as good as previous seasons. Not least because it seemed to spontaneously stop dead, to such an extent that I completely failed to note it had finished and never got round to writing a review.
  • Science fiction – it’s not been a good year for science fiction imho. V, Caprica and Flashforward were all disappointing.
  • NCIS - Still flipflopping all over the place with a lack of consistency and character development. Maybe it’s time for this one to retire.
  • Criminal Minds – I praised the show for finally having the team come together and having an impressive group of strong female characters… then they sacked two of them.

Criminal Minds: Season 5

Criminal Minds has always seemed the quiet goth sibling in the procedural family. It’s not as flashy as NCIS, as omnipresent as CSI or as shamelessly fun as Bones. It’s about what lurks at the dark and twisted end of the criminal spectrum. Every week the team look at the scariest, creepiest and most troubling crimes taking place across America.

The remit of the FBI team which allows them to travel the country gives a good excuse for why they’re always dealing with big cases, rather than having to come up with increasingly more improbable reasons for why their chosen city is the crime centre of the USA. The changing locations are a wonderful feature of the show, one week they’re in a tiny village in Alaska, the next in LA – the writers use this to full advantage giving fascinating insights into how criminals, victims and law enforcement are different, yet also very much the same.

The team has weathered in nicely. It took me a long time to like Rossi, he was gruff and standoffish for a while, which didn’t sit well with him joining MY team. But he has gradually worked his way in and his previous attitude now perfect sense that he would be defensive and troubled at taking a while to get back to being a member of a team and not being in charge, not to mention catching up on knowledge and experience. Likewise Prentiss took a while to grow on me, but now she has a really nice relationship with everyone, relaxing and being goofy and geeky occasionally. I particularly love that there are three strong female characters on this show, each not afraid to be female and have children, pink fluffy hair clips and cravings for shopping, while still being competent and occasionally scary FBI agents.

Hotch and Morgan’s relationship was also interesting this year, with the former taking some time away from leading the team and bequeathing its care to Morgan. Both subtly changed in their new roles, Hotch being a little more laid back and seeming to enjoy watching someone else deal with his day to day problems, while still being a kind mentor. Morgan took the power well, not without occasional mistakes – befitting someone taking the next step in their career – but never being afraid to admit his failings and ask for advice.

The plot arc of the serial killer targeting Hotch and his family didn’t work well for me, as I frequently find with the cases that get personal for the team. I much prefer them to be subtly effected by things, rather than completely emotionally traumatised. The other problem is that the scale of the fallout rarely seems to be dealt with, the second half of the season hardly referenced the life changing trauma Hotch went through.

The standalone episodes continue to be creative, interesting and terrifying. The range they cover is wide, from relatively small, but intense kidnappings, to the mass murderers. Many are pretty disposable, but there’s some great guest casting and interesting locations which make things tick along nicely. Small character moments and humour are scattered throughout giving a great balance each episode of psychology, humour, action, mystery and character.

All in all this season of Criminal Minds has been pretty satisfying, while I suppose the big Hotch storyline should have formed the centre, to me what the season was about was the team acting as a team – not one that’s just forming, or even one that’s settling in, but as a team that is now completely comfortable with their roles and each other.

Edited to add – the same day I praise the show for finally settling into a great team dynamic and for how strong the female characters are, Michael Ausiello reports that A.J. Cook (JJ) has been told her services are no longer required, and Paget Brewster (Prentiss) will not be appearing in every episode. Apparently it’s for budgetary reasons, but I’m pretty unimpressed and disappointed in these changes. If it’s saving money to fund the (dreadful looking) spinoff, I’m going to be cross.

The Upfronts: CBS

What’s Out
Carnage again at CBS with seven cancellations, largely amongst stuff I’ve never seen. Numb3rs, Cold Case, Ghost Whisperer, Gary Unmarried and The New Adventures of Old Christine have all been around for a few years, but never really made much of an impact on my psyche. Miami Medical and Accidentally on Purpose were new this year, neither impressed me with their pilots and neither apparently made any impact on the ratings.

What’s Back
CBS: All CSI, All the time! Lead by the original CSI (returning for season 11) are a flotilla of procedurals – CSI:NY, CSI:Miami, NCIS, NCIS: LA, Criminal Minds, The Mentalistand Medium. The Good Wife is one of the biggest critical successes amongst the 2009-10 class so is also renewed unsurprisingly. Half-hour comedies are represented by How I Met Your Monther, Rules of Engagement, Two and a Half Men and The Big Bang Theory.

What’s New

  • Hawaii Five-O: The ‘classic’ cop show reimagined. It’s got an impressive cast, gorgeous locations and the ever popular combination of girls and guns. From the clips though it also looks like it might have a willingness to poke fun at itself and the spark that is missing from many other trailers out there.
  • Blue Bloods: Tom Selleck and his moustache are back. The writers of the Sopranos take on the other side of the law with a family of New York law enforcers, an interesting idea but the trailer didn’t have the aforementioned spark, it felt like it was trying too hard.
  • Defenders: Yet another show about lawyers. Jim Belushi and Jerry O’Connell are great names, and it might be an interesting twist to have budget lawyers in crappy suits rather than the ultra polished ones that tend to be on screen and not hugely sympathetic. If the chemistry is all they play it up to be, this might be a lot of fun.
  • Mike & Molly: A couple meat at Overeaters Anonymous and fall in love. Fat jokes ensue. Melissa McCarthy and the world in general deserve better.
  • $#*! My Dad Says: This one’s going to be a headline maker. For a start it’s based on a twitter feed. For a second, no one quite knows what to do with the show’s name when you can’t say ‘shit’ on network TV. For a third it’s got possibly the most perfect piece of casting there is, with William Shatner playing the cantankerous eponymous Dad. I’ll admit, I follow the twitter account and I laughed at the trailer.
  • Criminal Minds Spinoff: I’ve made my thoughts on this one pretty clear. It’s not coming in until mid-season so maybe they’ll find someone to fill the charisma hole and convince me this is more than a completely shameless lack of creativity, but I’m not holding my breath.

Links: Watch with Kristin, TV Squad, The TV Addict

Criminal Minds 2

When I sat down to write my thoughts on the backdoor pilot of the Criminal Minds spin-off, I found my ‘brief introductory paragraph on what makes a good spin-off’ turned into a thousand word essay. It wasn’t until I really thought about it in this detail that I realised that Criminal Minds really isn’t well suited to spawning an offspring. I really enjoy the show, tune in every week along with 14 million Americans, making it the 14th watched show in the US. I’m not entirely sure why it’s so popular given how disturbing the plots can be and an extremely slow development of characters, but I’m hooked. However I struggle to think what about it could be the Thing to link it to a spin-off.

The core concept is solving crimes using psychological profiling; an interesting mix of psychology, sociology, forensics and statistics with a little bit of old school running around shooting tagged on. But it doesn’t really have any secondary concepts that can be easily changed to power a spin-off. The team already travels the country, going where the interesting crimes are, so you can’t just change location as happened for CSI. Likewise although they take predominantly serial killers, they also deal with other major crimes such as terrorism and kidnappings, so you can’t just change the department as happens with Law & Order.

They could potentially have taken a character out, someone resigns and puts their skills to use in private practice maybe. But they have chosen not to do that and given the available characters, I’m not sure any of them are really popular enough or powerful enough to drive a show. As a team they’re impressive, but as individuals the characters are either too bland, or far too quirky.

Instead the route the creators have taken is to just replicate the whole show with a second team. In a show that’s always been primarily about the job and the cases, with the team personalities a very distant second, that doesn’t seem enough of a difference. I worry that if this show is picked up all it will do is dilute the quality of the original. After over hundred episodes (not to mention the few hundred plots CSI has already used) the show is already occasionally fumbling for plots and originality and I do not think there is the scope to just double up the number of serial killers each week. It’s going to get repetitive.

Theoretical issues aside, the episode introducing the new show utterly failed to give me any reason to watch Minds 2.0 or whatever they’ll call it in the autumn. My comments about whether NCIS:LA would be stronger as an independent show not-withstanding, by the time I’d finished watching the backdoor pilot I was already sold on it. Each of the characters was interesting and charming and I was convinced that they worked as a team. By the end of the Criminal Minds 2 episode (albeit a single episode not a double) I was bored and irritated.

Backdoor pilots do tend to have the subtlety of sledgehammers. It’s like the characters are sent out speed dating, pairing up with each new characters in turn and interrogating them about their life story. The new characters meanwhile are trying to establish themselves as more than just “southern girl” or “blonde bloke” while effectively being one of ten guest stars in the episode. You’ve also got to somehow tell a story as a pretence for having the episode at all.

Forest Whitaker is clearly a superb actor (he won an Oscar for Last King of Scotland), but he didn’t have the instant charisma that is necessary to lead a show like this. The team as presented in the pilot wasn’t very interesting and didn’t give any sense that they had any history together. I’m also a little bemused that the FBI seems to be hiring ex-cons and Brits, neither of whom I would have thought were eligible to join.

If not for the big name guest star and the clumsy introductions, this could have just been any other episode of Criminal Minds. And not a very good one at that. If they want me to switch on next year, they’re going to have to do a lot of work to convince me it’s worth it.

Cop Shows and Medical Mysteries

Quick note – I should have mentioned in yesterday’s post that I’ll be avoiding specific spoilers as much as possible, vague ones might spill out, but hopefully nothing the BBC wouldn’t happily post on their site without warning ;0)

Most of the procedurals ticked along as they do, if you asked me to describe what distinguished this season from the last for Criminal Minds, Bones or NCIS I’d really struggle. That’s not to say they’re not fun and interesting to watch with the occasional flash of brilliance, but mostly they’re pretty unremarkable. I’m not asking that they have giant world changing events every episode, but it’s possible to spread character development more evenly through the season. With half a dozen or so big episodes during the financially important sweeps weeks, the rest of the season can feel like padding.

It’s the old guard that tried to shake things up a bit this season with both CSI original flavour and New York making some big cast and character changes. For CSI it all came a bit too fast for me, you have mostly the same characters for 8 years (!) and then in half a season you lose 3 of them. I’m only half way through season 9 but so far I like that the lead actor’s replacement is not a direct replacement for the character – Laurence Fishburne brings gravitas and big-name-ness to the cast, but his character is lowest on the totem pole, shaking things up quite interestingly. The changes with CSI:NY, with Lindsay and Danny’s relationship adds something new to the show, but I’m not convinced it’s anything good – they need to be very careful not to turn it into CSI:Couples Counciling.

When I wrote the first draft of this article, it was pretty harsh towards House. Up to episode 19 things were pretty dull and repetitive. The new and old minions still seemed to be in limbo nearly two seasons after the original shake up. I like the new minions a lot, but they can never stand on their own while Foreman is sitting at the end of the table frowning at them and Chase and Cameron are popping up for their obligatory one scene a week and reveal just how much smarter they are and how much better they understand House. Also I continue to find Cuddy the most frustrating character on the planet, for a supposedly smart woman she really is dumb as hammers sometimes. The ‘relationship’ between her and House is the most unlikely, ill-advised, blind stupid idea ever. Meanwhile the medical mysteries were getting less interesting and I struggled to remember them over the advert breaks. Then suddenly someone woke up and things got good again. Three episodes in a row had fascinating stories, character growth and spark. House seems to do this every season, have a few great episodes at the beginning, a few amazing episodes at the end and absolute drivel in between. They really need to smooth this out if they don’t want me to just tune in for those 6 episodes and skip the other twenty.

Then we have Grey’s Anatomy and I don’t really know where to start. The large plots continue to be a pretty daft, the Izzie storyline having a new record number of wtf moments. I still get irritated at just how many life changing things can happen to each of these people every year, but I guess if you accept that this is more soap opera than realistic drama then it’s all ok. The dialogue and acting however continues to impress, each episode is a roller-coaster of sobbing and laughing leaving me a quietly gibbering mess if I try to watch too much at once. It’s a show that comes so close to delight that the frustrations drive me absolutely mad.

Up tomorrow – Sci-fi

Criminal Minds: Season 2

I enjoyed this season for all the same reasons that I enjoyed the first season. It’s engaging, varied, clever, funny and (mostly) logical. The production values are extremely high and (as commented in various making ofs) it really is approaching the quality of a feature film each week.

My biggest complaint about season 2 is that they try to make it too personal in places. They make the usual mistake of having their characters get too involved with their cases, pretty much each character gets somehow targetted by an ‘unsub’ this season and it feel a bit forced. They also fall into the old cliche of having an investigator accused of a crime, in fact including the last episode of season 1, they do it twice!

Shows like this need to be careful that they don’t “raise the stakes” so far they lose all realism. Criminal Minds makes an attempt to deal with how these events effect characters long term making it a little less stunt like, but it’s still dangerous. Also replacing characters is delicate and I’m not sure they did a particularly good job with the new female investigator.

Despite the number of lines I’ve allocated those complaints, the positives strongly outweigh the negatives and I greatly enjoyed this series and can’t wait for the next.

Criminal Minds: Season 1

I became completely addicted to this show and lost a considerable amount of sleep to it and can’t really give you any good reason why. It really is just another American procedural that hass followed on from CSI, with the hook here being that the team is a group of FBI profilers, travelling the country hunting serial killers, kidnappers and various bad guys too big for the locals to deal with.

One of the show’s strengths is that this is a believable plot. Some of the others (CSI Miami for example) suffer from the fact that they’re just too big, I expect in reality they’d spend most of their time on robberies and would not actually chase down a mass murderer every week. However it seems entirely plausible for the Criminal Minds team to be doing just that.

I think what I most like about the show though is that the characters seem real. Even the extreme characters like the genius child prodigy seem believable when surrounded by people who have kids, fall asleep on planes and make mistakes. It just felt believable that these people could get inside other people’s heads and manipulate them. The slow release of information about characters is also done very naturally in a satisfying but still intriguing way.

There’s the right balance of drama, intelligence, comedy and action in the episodes and there’s some great guest actors playing criminals, victims and supporting characters. The stylistic blue-screen and talking to camera doesn’t always work, makes me cringe a bit. But the moving through photos to a location is slickly done.

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