36 pilots this year. As usual the vast majority of them are American series, but there’s a couple of British ones in there and almost as many Scandinavian ones!
Things I watched
American Horror Story – something very different for television, not always brilliant quality, but addictive
Awake (cancelled) – (not yet finished), clever and challenging.
Borgen – superb. The plots and characters didn’t go the way I wanted them to, but it was extremely well written, acted and produced.
The Bridge – great premise, not particularly well realised. Some fun and interesting characters let down by a disappointing plot.
The Cafe – utterly charming, although maybe only because it’s set in the town that I spent all my summer holidays and it re-creates it to a tea.
Homeland – fascinating (although occasionally frustrating) twisty plot and superb acting.
The Jury – properly awful ITV drama, but my excuse for actually watching it is that it was only 5 episodes and I had a cold.
Luck (cancelled) – incredible footage of horse racing surrounded by a too complicated plot and utterly incomprehensible characters.
The Newsroom – (not finished yet), swerving wildly from breathtakingly good, to really rather rubbish.
Once Upon a Time (not finished yet) – a nice idea, charmingly done. It’s not going to set the world alight, but it’s really rather lovely for Sunday evening relaxed viewing.
Smash – something different! Hugely entertaining with the exception of a couple of terrible characters who have sensibly been cut for next season.
Terra Nova (cancelled) – it had problems, but as Saturday evening ‘fun for all the family’ it was pretty good.
Veep – Some good dialogue, but I don’t like comedies about stupid people. I only really watched it because it was a short season.
Last year I only picked up eight new series, this year it’s thirteen so it’s been a better year on numbers, and actually the more I think about it, the more positively I think about the new season. It doesn’t feel like a spectacular year, but it’s got a few quiet stars, but once again they’re all on cable channels in the US (Homeland, American Horror Story, even The Newsroom), network channels are really struggling to find anything remarkable.
Things I might watch
House of Lies – quirky and entertaining pilot, with some charismatic performances and no problems with being unlikeable.
Scandal - show about legal ‘fixers’ working in Washington DC from the people that brought you Grey’s Anatomy. For some reason I failed to review the pilot, but it had potential. Yes, it was cheesy and predictable but the fast paced dialogue was entertaining and the characters and storyline had potential. Doesn’t seem to be airing in the UK though.
Things I might have watched if they weren’t cancelled
Alcatraz (cancelled) – a sparkles pilot just didn’t inspire me but I could see some potential, I was going to give it a chance, but then it was cancelled
Prime Suspect (cancelled) – fascinating central character and good line up of actors, with an interesting directorial style to it all.
The Playboy Club (cancelled) – Surprisingly entertaining and interesting, but pretty much doomed
The Secret Circle (cancelled) – Teenage witches in a small town with plenty of mysteries. It was pretty cheesy but I found myself somewhat charmed (pun intended!).
Things that weren’t bad, but I just didn’t like
GCB (cancelled) – I did laugh and enjoy pilot, but I hated myself for it a bit so didn’t really want to watch any more, then it was cancelled so I didn’t have to decide.
A Gifted Man (cancelled) – a well put together pilot, interesting concept, well written directed and acted. But I couldn’t see any way the story wouldn’t end badly for the characters and I just didn’t want to watch that happen.
Grimm – it reminded me of lots of other things, all of which had been done better than this. It felt small and boring.
New Girl – As comedies go, I didn’t hate it, but I just didn’t really feel like watching any more.
Touch – too manufactured and artificial and not very well written.
Things that were rubbish
The Body Farm – badly written, badly acted and less scientifically sound than CSI Miami.
Charlie’s Angels (cancelled) – awful. Just awful.
The Finder (cancelled) – I only watched the backdoor pilot in Bones, but it was packed with irritating tropes (bloody awful accents, know it all characters, intellectual tough guy)
Hart of Dixie – cliché ridden awfulness.
Hell on Wheels – utterly un-engaging.
Pan Am (cancelled) – a bit boring and too plastic and artificial feeling
Person of Interest – charisma vacuum characters making ridiculous decisions and delivering cliché ridden dialogue
Revenge – utterly unsympathetic, hateful characters
Ringer (cancelled) – Terrible pilot with crappy production and a daft premise.
The River (cancelled) – Fun concept, delivery was painfully awful. The pilot was a double episode and it was so bad I couldn’t bring myself to watch the second half and never got round to reviewing it.
Titanic – I was rooting for the iceberg.
Unforgettable – An ironic title given it was pretty unremarkable, it’s a good cast but cheesy dialogue and cliché premise and plot left it not making any impression.
Finally some creativity!
I was critical last year that it didn’t feel like there was any creativity in the line up, everything was either a thinly veiled recreation of another successful show, or at best a ‘bog standard’ example of a genre that wasn’t represented on TV (Walking Dead, Game of Thrones). Someone seems to have listened to me, because this year did offer up some refreshing originality.
Shows like Smash, Once Upon a Time and Awake all had novel ideas or settings at their hearts and even though they weren’t always successful, I did at least want to cheer them on for giving it a try! American Horror Story set about bringing the horror genre to TV in the same way Walking Dead brought the zombie genre, but did a lot better job of merging the genre and the platform and made something really fascinating. Mind you, there were still some unremarkable procedurals and ‘rehash’ shows out there, Pan Am (and to a lesser extent The Playboy Club) tried to capture the period appeal of Mad Men and fell on their faces.
I’m right, everyone else is wrong
One thing that I find interesting is looking at the shows that I liked that got cancelled (annoyingly) and the shows I hated that stuck around (unfathomably). One show I was disappointed to see cancelled was Terra Nova which I suspect was rather miss-pitched as a primetime weekday evening show, when really it fits best in the early Saturday evening family slot (which the American’s don’t really seem to get like the UK does with Doctor Who and Merlin and the like). The other was Awake, which was an intriguing concept well played by Jason Isaacs (hello!) but was maybe a little slow for mass audiences. Mind you, I can’t really judge that harshly those that didn’t watch it, as I haven’t actually finished the series yet.
On the flip side I guess I’m saddened, but not surprised that some of the horrifically cheesy, cliché ridden shows found an audience (Hart of Dixie, Revenge). Why anyone wanted to watch Jim Caviezel suck all the life out of the room in Person of Interest is a mystery to me though.
Don’t believe the hype
Looking back at the upfront coverage, it seems that the big shows had the odds stacked against them. “Eagerly anticipated” programmes with big budgets and big names attached struggled to find the ratings to match their budgets – Steven Spielberg’s Terra Nova, JJ Abrahms’ Alcatraz, DeNiro’s NYC 22 (such a failure I didn’t even notice it go by), Sarah Michelle Gellar’s return in Ringer, the spin off for Bones, all fell flat. Only slightly more successful were the new Shonda Rhimes show Scandal and while Smash lived out the season it was far from the eponymous hit that was expected, and I’ve never seen a show create a more confused critical reaction of loving and loathing it than Aaron Sorkin’s The Newsroom.
Meanwhile, the darlings of season are based on an Israeli show and from the critically hounded creator of Glee. Homeland dared to be smart and used extraordinary actors to keep audiences on the edge of the seat, while American Horror Story did exactly what it said on the tin and wrapped its story up miniseries style.
I’ve really tried to find more UK shows to watch this year, but there’s been precious little of interest on UK channels. In addition to the stuff I’ve mentioned above which was at least bad enough to bother reviewing (Titanic – why and how are you so rubbish?!) I tried out probably half a dozen others and didn’t even get as far reviewing, often not even as far as the end of the first episode. Recent examples include ITV’s Last Weekend which was so full of foreboding it was laughable, and BBC’s Parade’s End which was mumbly and dull. As a rule I found the UK shows I watched either too impenetrably complicated for my little brain or killed by terrible production values.
It’s quite telling that I watch more Scandinavian shows than I do British ones. Well done to BBC for airing them at least, but I’m not sure what it is that’s stopping the UK channels making stuff this good. Maybe I’m just not looking in the right places. If anyone has any recommendations I’d be very grateful!