A small team of Management Consultants are out to make money by screwing over anyone they can – big business, banks, strippers, ex-wives and the competition.
The client of the week (which I’m guessing is the model they’ll use for each episode) is a giant US bank which is widely hated because of their contribution to the financial collapse that has left so many of its clients literally out on the streets. They’re hiring management consultants because they want to take their giant bonuses, but also don’t want the cripplingly bad PR and loss of business. Yeah, they’re not particularly nice people.
Mind you, neither are our ‘heroes’ the management consultants. The usually loveable rogue Don Cheadle is rather more roguish here, sleeping with three women in the pilot alone including his ex-wife and a stripper who he later takes to a business dinner pretending to be his wife. The usually adorable Kristen Bell is a hardnosed business psychiatrist, and the two blokes that round out the team (I didn’t even bother to pick up their names) are basically sleazy, womanising jerks. Their concerns are sex and money and that’s about it. There’s a passing attempt to soften Cheadle’s character by introducing a son with issues and a suggestion of a traumatic childhood, but it felt too contrived and awkward to really come across as anything other than manipulative.
Eventually, after a visit to a strip club, sex in a bathroom and a fist fight in a restaurant, we reach the climax of the episode – the pitch to the board. It’s the defining moment of the show – is House of Lies about a group with a heart of gold who manage to come up with a solution that will play well with an audience angry with big business, or will it be about a group who pander to their clients just so they can get a job and make the money? Either direction has a lot of possibilities, but quite different appeals.
I agonised about whether to reveal the answer in this review; I’d normally avoid spoilers but on this occasion I think I’m going to have to give it away, because without knowing what the show is trying to be I can’t review it properly. Because if the show had chosen the heart of gold option I would have had to say it wasn’t very good and you’d be better off going and watching Leverage or White Collar – you can’t have a heart of gold group that are just plain unlikeable. Fortunately the show takes (in my opinion) the more interesting option that these characters are exactly what they seem to be – they find ways for rich people to have their cake and eat it, just so that they can get a small slice for themselves.
I had to watch the pilot twice to try to come to some sort of conclusion as to whether I actually liked it or not. I think I’m going to come down on the side of ‘yes’ but with some reservations. The show has a lot of style to it, I particularly liked the freeze frame and directly talking to camera snaps to explain the jargon that’s used without having cheesy exposition inserted into the dialogue. However it’s going to need considerably more subtle handling if they want the characters to be genuinely interesting, I don’t necessarily need them to be hugely likeable, but I do need them to be three-dimensional and not completely hateful. It is however being ‘sold’ as a comedy rather than a drama, and given that I did laugh a few times, it’s considerably more successful than any other comedy I’ve seen in recent years.
A word of note – there really is a lot of gratuitous nudity and swearing. I think the swearing does serve a purpose, basically indicating that these people are in many ways quite childish, thinking that swearing makes them seem big and clever, when really it just makes them seem crass and stupid. That’s clever writing. What’s less clever though is the use of nudity, which there’s no real *need* for and just comes across as the director trying to be big and clever and instead coming across as crass and stupid. See, it works both ways.
TV Fanatic – There’s a good show somewhere inside House of Lies.
CliqueClack – While I dug the first three episodes of this series, and — as I said — I dig seeing Kristen Bell on my screen, I can’t say that I’m on board for the long haul.