I wondered if the biggest question about Trapped was, “does the world need another Scandi-noir drama?” but I decided that was a stupid question because when a genre is popular and well done there’s no reason not to add another one. So instead my biggest question became – does Iceland count as Scandinavian? (Short answer: sort of. Long answer: wikipedia.)
I’ve been staring at a blank page trying to start this review and struggling to find a line on it. Trapped is just really, really good. It pulls all the engaging elements of murder mysteries together into one very well structured story: a small community with it’s own politics and history provide a handful of other mysteries for the audience and characters to understand and uncover, sometimes tying things together, other times making things just more complicated. I never felt like I was being misled or that any of the dead-ends were just extending the story out to the episode count, there were little reveals and well timed action sequences to keep things moving along and it all hung together very nicely.
The array of characters are all interesting to spend time with. I particularly liked that each of the characters has a different place and longevity in the community. Some are well established and known, others are only visitors who are involved just because of the murders. It’s interesting that the lead character Andri is actually in the middle. As chief of police he’s a prominent part of the community, but being a relatively recent arrival he doesn’t have the history that many other characters do, but his family connections also add an emotional connection.
The really unique element to Trapped was the location itself, the story itself could have been an Agatha Christie novel quite frankly if not for the fascinating setting. To the characters of course it’s nothing special, but to the audience the trials of living in the remote Icelandic town add to the drama. The weather is a pretty major player in the series. It sets the tone, closing the community off and bringing an almost overwhelming tension at times.
I’m not sure whether this is a standalone mini-series, or whether it will return for a second series. As with any successful series like this there’s the mixed feelings towards a second series. Part of the power of the series is that this kind of event is almost unheard of for the community, so a second event is both improbable and less impactful. But I can’t say I’d be disappointed at the idea of seeing more of this utterly compelling series.