I’d normally start a review with a brief description of what the show is about and what sort of style it is. Unfortunately that’s a bit tricky for Mindhunter because I’m not sure that anyone involved in this show knew from moment to moment what the show, or any of their characters were about.
I guess the essence of it is that it’s set in the 60s and the FBI are just starting to dip their toe in the water of psychology – understanding why people commit crimes so it’s easier to catch them. It’s the very early days of profiling, they’re even just beginning to introduce the term ‘serial killer’.
Immediately however, I hit upon a problem. I’ve watched a lot of Criminal Minds and other shows and films like it. So without a very clear introduction, it was hard for me to work out just how little the FBI know about any of this at the start of the series – when characters *should* know something, when they should be sniffy about something new. It was never clear how innovative characters were being, much of what they said was totally obvious to anyone who’d watched 2 episodes of Criminal Minds, so it really didn’t feel like they were being startling brilliant.
The series also never settles down into a format. One of the reasons I watched the whole series was because it was one of the least episodic things I’ve ever seen and stopping any earlier would have felt like walking out in the middle of a film. I don’t mind having one long arc (especially on Netflix and when it’s only 10 episodes) but this wasn’t really that either. it wasn’t one long story with a beginning, middle and end, but neither was it broken into smaller chunks with their own beginning, middle and end. There were a few ‘case of the week’ stories, but spread over a few episodes and rarely with a satisfying and conclusive ending. Basically it seemed to have several beginnings, lots of filler and no ends.
Similarly the different characters never quite seemed to settle either. Eventually some of them meandered their way towards some defining characteristics and histories, but it was a long time coming and there were many wrong turnings. The lead character, Holden Ford, seemed to waver between an academically minded book type and someone winging it on his own initiative; between a back-office bore and a complete rebel. Don’t even get me started on his approach to dating which had me shouting at the screen in disbelief at his lines and the improbable reaction of his girlfriend.
Ultimately, I think this was a mess. There were moments that I could see some potential in, but it felt like the whole thing was done off a first draft. If you are going to make the whole series one box-set view, then you have to write the whole thing at once. You can’t get halfway through and realise that you need to go in a different directly. The cast definitely deserve better, and so do the audience.