Neil Gaiman and Terry Pratchett are individually two of my favourite authors, and their joint work Good Omens has always been one of my absolutely favourites. Since hearing the announcement that it was being made into a TV series I was almost equal parts excited and anxious. Every bit of news that trickled out raised my hopes – Neil Gaiman’s involvement, each bit of absolutely perfect casting, every behind the scenes photo – they just seemed right. But even as I sat down to watch on the day of release I was scared. Previous television versions of Pratchett’s work just haven’t worked for me despite having all the right ingredients. Maybe what makes Pratchett’s words so perfect to read, just doesn’t work for screen.
I stayed a bit nervous until the title sequence rolled and then I started to relax.
Good Omens works. I’d been half expecting a really glossy, shiny, expensive Americanised series like American Gods; but Good Omens is none of these things. It’s quirky, quaint, a little shabby around the edges and incredibly British. It’s Douglas Adams, Monty Python, Enid Blyton (without the now dodgy bits), Vicar of Dibley, Dr Who. It’s charming and a little bit naff in places.
I burnt through 4 episodes on the Friday night it was released, and polished off the final 2 episodes before 10 am on Saturday morning. Frankly I’m a bit annoyed about that because I’d set aside all of Saturday to watch it and found myself at a bit of a loose end before it was even time for elevenses. The length is perfect though, it gets on with the plot without feeling like anything was dragged out or padding with red herrings. There was maybe another episode worth of fun to be had, particularly with the supporting angels, demons and horsemen, but that’s more me wanting to spend more time enjoying the series than it is about the quality of the pacing.
The casting is superb, full of names, voices and faces that are incredibly familiar, bringing instant chemistry and security. There’s a lot of hamming it up going on, at times it feels a little in danger of tipping over into an amateur dramatics production with people having a lot of fun. The special effects don’t help on that front, the CGI is often a little on the low budget side. The locations and sets also feel a little easy too, as if someone said, “you know what, there’s a building at the end of my road that would do for this”. But again, that kind of works. Shots of small village churches, London garden squares, shiny office lobbies all felt familiar and comfortable. They’re well shot, creatively framed with plenty of expensive crane and drone shots; it’s just they all feel a bit… quaint.
And that’s what the series needed. It’s exactly the right setting for Neil Gaiman and Terry Pratchett’s story of big events in small places. It gives all the space to the words from the page, delivered by exactly the right people. It was everything I could have hoped for and I absolutely loved it.