Films in April

I’m still finding it a bit difficult to pick films that I want to watch at the moment, generally I’m looking for things that are engaging enough to distract from the world, but not too challenging or melancholy. Although every now and then I embrace the drama and seek out a horror film to completely overwhelm my brain. The list below are almost exclusively older films that are available on Netflix, Amazon Prime or occasionally on television; the only “new release” is the first film which premiered on Netflix so jumps to the top of the list, even though it was hardly a ‘big’ name.

The Willoughbys (Netflix)
A perfectly fine animation, but it felt like it could have been something a bit more impressive. The story is solid, the animation is lovely with an original style and creativity and the voice work very good. I think my disappointment was that it wasn’t quite dark enough. It has some fairly dark ideas that reminded me of Roald Dahl, Lemony Snicket or Tim Burton, but it just doesn’t quite follow through. Maybe it’s because the visuals are so colourful that it instinctively feels less creepy. It’s solidly entertaining, and maybe it’s just me and others will enjoy it a lot more, but it just seemed not quite all there to me. 7/10

The Spy Who Came in from the Cold (Amazon)
An absolute classic of a film, a defining moment for the Spy genre. It’s not flashy secret agents with guns and car chases, but quiet, slow and thoughtful. The story is beautifully crafted so I always thought I knew what was happening, but also had an element of suspicion that meant I was never completely sure. My uncertainty and nervousness mirrored the paranoia of the characters and worked perfectly to bring a sense of unease to the film. The way the story eventually unwound was immensely satisfying. 9/10

Death on the Nile (TV)
Agatha Christie is the rightful queen of the murder mystery and this is one of her absolute best stories, beautifully constructed with twists and turns. Here it is brought to life beautifully; some of the best character actors around at the time bring the drama and the cheesiness at all the right points. The icing on the cake are the stunning locations of Egypt. 8/10

Three Identical Strangers (Netflix)
The documentary starts with a seemingly miraculous story, a boy going to college only to find that everyone seems to recognise him, and the rapid discovery that he’s got a twin brother who he never knew about, split up when they were adopted and neither family knowing the other. Then a third brother is found. That story in itself is incredible enough to make a decent film, but the story continues to develop, as the clickbait headline would go “in ways you’ll never believe” and I’ll not spoil. The events in this film are absolutely incredible, everyone on screen says they wouldn’t believe it if they hadn’t lived it. The film makers do a very solid job unraveling the story, always giving the individuals time and space to express how they felt and the very human impact that these sensational events had. It’s a shocking story that had a real impact on me. 8 / 10

Operation Petticoat (Amazon)
A Cary Grant classic! Pink submarines, women, goats, babies, bombs and thieves all conspiring to make Grant cranky. The combination of Tony Curtis and Cary Grant is an hilarious one, one never stops talking and the other one doesn’t need to say a word. It’s not exactly aged perfectly with a fair amount of leering at the women, but actually it’s nowhere near as bad as it could have been and the women do a good job standing up for themselves. One of my favourite films when I was a kid and still absolutely hilarious. 8 / 10

Bumblebee (TV)
I am rather amazed to say, I really enjoyed this Tranformers film. I haven’t seen the most recent ones I don’t think, I don’t even really know how many of them there have been, but I’d heard suggestions that as a more standalone film (and a prequel I think) this one was something different. It felt like it was harking back to solid old tropes of aliens/monsters befriending young people who help keep them secret and safe. Bumblebee the character is beautifully created to be part child, part scary fighter; the complicated animation really communicates his feelings even when he has no voice, I felt real sympathy and joy with him at times. Hailee Steinfeld is an excellent lead, also delivering charm and emotional punches, creating chemistry with the animation. I even liked the way the 80’s period setting was used, the pop culture references making me laugh rather than cringe. The script is nicely knowing about the cliches they’re playing (“They literally call themselves Decepticons. That doesn’t set off any red flags?”). Okay, so the plot is a bit predictable and the emotions laid on too thick at times, but for a piece of family entertainment, it really delivers. 8 / 10

The Current War (Amazon)
Once upon a time, I studied the history of science, and this film is exactly the type of story that got me interested in the subject. On the surface the idea of a film about whether AC or DC electricity would ‘win’ is really not that exciting sounding. But what this film captures is the complex components of that decision, the combination of all the personal, political and sociological issues that play out along the actual science. One of the things they teach you about studying history is that it’s important to not fall into the trap of thinking of people as heroes and villains, even people who are pushing for a theory that we now know is wrong aren’t (usually) villains and this film really shows that. Both Edison and Westinghouse demonstrate greatness and underhandedness, both have beliefs, passions, curiosity and ambition, and the film follows them as they wax and wane. On top of a fascinating story being told very well, the film is beautifully shot and there are some very well placed stylistic elements that really stood out. I wasn’t expecting much from this film and I was very pleasantly surprised. 8 / 10

Julie and Julia (Netflix)
I found this film utterly charming! I was really surprised at how much I loved it, I thought the modern half of the story would be filler to Meryl Streep’s impression of the slightly ridiculous Julia Child. But if anything it was the Streep half that felt like filler. I loved Julie and all her (many) trials, tribulations and failings, cookery based and otherwise. I haven’t laughed this hard at a film in a very long time or been so sad when it counted down to it’s final recipe. 8 / 10

Midsommar (Amazon)
This film brings two things the sub-genre of horror films about creepy cults that I really liked. The first was the fact that the whole thing is set in big open spaces in the sunshine. Horror films are too often set in dark and claustrophic spaces, where I frequently find myself struggling to be able to actually see what’s going on. But here there are bright blue skies and wide open fields, that by the end of the film feel just as threatening. The second thing I very much like is the wonderful Florence Pugh who brought an intense believability, that grounded even the weirdest of scenes. There’s a great blend of all the major horror styles, there are jump scares, creepy oddness, edge of seat suspense and visual gore. I would say that in order to get all that in the film does drag on a little with a nearly 2.5 hour runtime, which meant by the end I was rather willing it to be over. 8 / 10

Good Night, and Good Luck (DVD)
This is a strangely intimate feeling film considering the depth of the history it’s covering, journalists finally standing up against the bully that was Senator McCarthy. Most of the story is told through discussions in the newsroom, and the remainder is told through historical clips of McCarthy and the hearings. I was a bit skeptical of the black and white at first, but I think it actually helped focus on the words and imbue the whole film with a sense of history (I guess having black and white clips in a colour film wouldn’t have worked). David Strathairn isn’t a well known actor but he’s perfect as Edward Murrow and George Clooney brings his charm and integrity to Fred Friendly. An entertaining film, and a fascinating insight. The film’s plot/history was well crafted and the use of period footage was very powerful. It’s not often I say this but I think the film could actually have been a little longer (run time 93minutes) to explain things a little more. A fascinating film with some bold choices in direction, most of which work but some of which are just plain irritating. 8 / 10

Filmed in Supermarionation (Amazon)
I grew up with several of Gerry Anderson’s series, and still think that Thunderbirds is one of the best concepts for a TV series there has been (although not necessarily the best delivered). This is a very un-flashy documentary that would be very at home on Sunday evening TV, but does fit the history of the production company that was run by a small group of people in glamorous locations like Slough. It’s a straightforward chronologically told story with plenty of clips of the series, behind the scenes footage, pieces to camera by the people that were there and even a group of the original teams going back to where they used to work. It’s very charming, and a fascinating story for anyone that has a fondness for these series, or an interest in the history of television. I could have lived without the new snippets of the puppets as if they were part of the documentary, that was just too cheesy. 7 / 10

Animals (Amazon)
I think to really appreciate this film you need to connect to the characters, to feel some kind of familiarity to some part of them, and I just didn’t feel that. I don’t think that’s because the film wasn’t good, I think the characters were well written and performed and I’m sure a lot of people will really connect to them, it’s just that the passions that drove them were ones that don’t really speak to me. So I felt myself a bit frustrated and bored of them, rather than sympathetic. Even without that connection though there were still moments that did speak to me, enough that I could see the talent behind the film. It just wasn’t for me. 7 / 10

Coyote Ugly (DVD)
A fun enough film with a great soundtrack and a tolerable enough plot in between. The Coyote Ugly bar is an interesting idea and it’s a shame it wasn’t in more of the film. Some likeable performances by a collection of pretty unremarkable actresses, although the characters are pretty one dimensional. 7 / 10

Magic Mike (DVD)
I’m a sucker for any of these films, any of those ‘struggling artist finds a home and a purpose by performing’, it’s just they’re usually about girls. And not usually about stripping. But my fondness carried through and I loved Magic Mike. The way the story turns some elements on its head brings freshness to the genre (the new guy isn’t the hero, it’s the older teacher that gets the better story) and the insight into the practical business of stripping is fascinating. For all that there’s actually a very strong story and interesting characters though, they also don’t shy away from the stripping, but if you’re just watching for that, I think you’re missing the true strengths of the film. Well, some of them anyway. 7 / 10

Children of the Corn (Amazon)
A classic of the horror genre that flip flops a bit between ideas and scenes that are still genuinely creepy, and ones that have dated very badly and just seem funny now. The story still holds up as a concept, murderous children are alwasy going to be unsettling. Given it was made in 1984, it’s not that surprising that it looks a little rubbish now, incredibly low quality effects and weirdly non-creepy looking deserted streets. I do wonder if the voice of Isaac was ever anything other than funny. 7 / 10

21 Bridges (Amazon)
This is a pretty good brainless action film that’s got a bit more depth to it than usual. Unfortunately I think the film is presenting itself as a smart thriller and there were two problems with that. There is too much reliance on suspension of disbelief that is normally used for mindless action films. The main characters lead charmed lives where every shot they take hits their target, but they walk unharmed through hails of bullets unscratched. It just didn’t feel like the villains had the level of skill to create the carnage and chaos they did, they’re presented as not much more than thugs for hire and yet they take down half a dozen cops with relative ease. The second problem is that I felt it was a bit of a waste of the premise. Shutting down the island of Manhattan is a great dramatic moment (and an opportunity for a rousing speech from Chadwick Boseman) but it didn’t feel like it actually played a huge part of the story. I mean Manhattan is huge, surely two guys could have hidden and waited it out? It didn’t really feel like it added anything to the film at all. So if you go in expecting a smart thriller I think you’ll be disappointed. But as an action film with some solid character work and performances, it’s pretty entertaining. 6 / 10

Chicken Run (Amazon)
This isn’t as stand out as many of Aardman’s other movies, it doesn’t feel as rich or detailed as something like Pirates an Adventure with Scientists, and it doesn’t have as much charm as Wallace and Grommit. But it is still entertaining, really playing up the ideas of The Great Escape and delivering them in chicken form. It’s funny and charming, and beautiful to look at. However there’s a big problem with the concept that can never really be overcome. It’s a children’s film about a chicken farm. There’s an early scene of a chicken being killed for the kitchen table and the other chickens being aware of that fate, which doesn’t quite blend with the quirky adventure tone of the rest of the film, and I certainly wouldn’t feel like explaining what’s happening to any younger children. 6 / 10

Booksmart (Amazon)
There was a lot about this film that I was impressed by. It felt like a very current entry to the coming of age genre, with a mixture of genders and sexuality that would have been remarkable a few years ago but here is just accepted as normal. But it still has all the usual elements of a coming of age film, and I’m not a big fan of those. There’s a lot of cringing humour, characters making fools of themselves, disasters that can be seen coming from a mile off. Many of the characters are quite annoying a lot of the time, which does make their moments of nice-ness a lot more impactful, but for the most part they’re just not fun to spend time with. I respect this film a lot, but I didn’t particularly like it. 6 / 10

Hustlers (Amazon)
I’d been disappointed to miss this film at the cinema and was excited to see it appear on Amazon Prime, but unfortunately it didn’t live up to the expectations. I was immediately on edge with the level of nudity and sexualisation in the opening scenes. I’m not being a prude about it, but it felt exploitative rather than narrative, the full pole dance routine Jennifer Lopez does wasn’t about establishing her character, motivation or backstory, it was just about JLo in a skimpy outfit doing a pole dance. I’m not sure the film ever came back from that. There were plenty of opportunities for the film to be a proper drama, looking at the deeper stories of the women and how they felt, what they wanted and why their stories played out that way, but it never felt like it got beyond the tight dresses, leering and intrusive cameras and one dimensional characters. As a caper movie with strippers, it wasn’t un-entertaining, but I thought it was going to be more than that. 6 / 10

Diego Maradona (TV)
After Asif Kapadia’s excellent documentaries Senna and Amy, I had high hopes that he could bring the same level of insight to the world of football and someone I knew of only because of the ‘hand of god’ cheating. Sadly, I was disappointed. Not just disappointed but bored and frustrated. The film focuses on his time playing in Italy and I never felt like I understood where he came from, the interviews and voiceovers said stuff, but I never felt like we saw evidence to support anything. I didn’t get an understanding of how his football playing was special and I never understood the reactions of the fans and people around him. On top of that much of the footage was really dated and almost the whole thing was subtitled so as my attention wavered I completely lost track. I just don’t think this was anywhere near as good a piece of work as Kapadia’s previous works. 5 / 10

Shutter Island (Netflix)
A thriller without the thrills, and mystery without much mystery. The period setting is intriguing and beautifully created, but the film as a whole was a bit too much style over substance. It’s trying to present itself as gritty and grounded but there are so many obviously daft plot elements that it’s easy to see that there’s more going on. That’s made even clearly by the horrific soundtrack that tramples over any remaining subtlety, literally honking a horn every time something weird happens. 5 / 10

Van Helsing (DVD)
What on earth was that? I didn’t have high expectations of it, but I figured it had Hugh Jackman so how bad could it be? The answer is that it could be really really bad. I don’t know whether they were aiming for serious and made it bad, or they were aiming for funny and forgot to put the jokes in, but either way it completely missed the mark. Most of the actors seemed equally unsure what sort of film they were in because I know most of them can do a lot better, although unfortunately there were also some actors that clearly would not have been able to deliver a more nuanced performance even if the script had provided the material. Even the special effects were clunky and painful. The whole film was utterly without redemption. 4 / 10

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