Not a great month for my film watching. I’m finding it increasingly hard to find things that I want to watch, for the most part I’m avoiding anything too serious, at the end of each day I just don’t have the energy to be thinking or feeling too much and most nights I’m drifting more towards easy going television.
News of the World
I adore Tom Hanks, and he’s on good form here playing to his strengths as the fundamentally nice guy trying to do the right thing. This particular iteration sees him taking responsibility for an orphaned girl just after the American Civil War, trying to get her to her family. It’s beautifully shot, well acted, solidly put together… and I was bored. I really can’t put my finger on what didn’t work for me, it just didn’t. Maybe if I’d been watching in a cinema I would have been more appreciative of it and less easily distracted.
Ranking: 6 / 10
Bridget is in her mid thirties, all her friends are getting married, having babies while she is a waitress and has just had an abortion. Despite seemingly having zero experience with children, she gets a job as a nanny to a precocious 6 year old (Frances). This is the kind of noodling, introspective film that I would tend to find quite irritating, but I really enjoyed this one. There’s not much subtlety to the film, the characters talk like real people who have no idea what they’re doing or feeling, and as they each figure it out a little bit the audience is just along for the ride. It felt very natural, nothing was a simple black and white problem, there were no particularly big revelations, it was just human beings slowly growing. I loved it.
Ranking: 8 / 10
This is in many ways a very simple film, it’s just a love story. It’s set in the 1950’s and 1960’s, so there’s a bit of history thrown in, but the emphasis beyond all else is just on the two characters and their relationship. It’s not smooth sailing for them, and they occasionally do things that might have the audience sighing in frustration, but all the twists and turns, and ups and downs feel perfectly natural. It’s just a lovely film to watch.
Ranking: 8 / 10
The Trial of the Chicago 7
Aaron Sorkin is at his best with this film. He’s got a combination of politics and court room drama, a large cast of characters, a talented acting ensemble and masses of dialogue. After the first 10 minutes I was a bit lost with so many people and my lack of knowledge about the American politics and civil rights movements around the Vietnam War. But Sorkin trusts his audience to stick with it and I trusted in Sorkin and before I realised it was happening, it did all come together in my brain. I did feel that the Judge was maybe written too much as a pantomime villain, but reading into it a bit, while Sorkin has played a little casual with the truth of events, the Judge may actually have been even more horrific then here presented. I’m not 100% sold on the way the flashbacks were handled and almost wish the film had found a way to do without them as getting in and out of them was just a bit clunky. But as is usual with Sorkin at his best, it has heart, humour and passion and I heartily recommend it.
Ranking: 8 / 10
This is now one of my go-to happy movies, even though the bit with the grandma makes me cry like a baby every time, the rest of it just makes me smile and feel better. Moana’s focus on a very different culture is respectful of traditions without compromising on incredibly strong female characters. Like Frozen there are complexities in who the ‘baddie’ is which adds a lot of depth to the story. The animation is beautiful, and the voice acting is superb, completely integrated with the animation, never feeling like celebrities putting on voices and disjointed. The songs are catchy, and actually grow on me every time I hear them.
Ranking: 9 / 10
Indiana Jones trilogy – I dusted off the box set of dvds for some nice adventure and easy distraction and was… disappointed.
It took me two attempts to get through this film, and while the second half was slightly better than the first half that’s not saying much. The script is clunky beyond belief, the acting a bit bland and occasionally rubbish (particularly Elizabeth McGovern as the eponymous chaperone) and the direction flat – I shouted at the screen when there was a soft focus fade into a flashback. Despite some interesting source material from the real life of film star Louise Brooks the film smoothed everything out and shied away prudishly from any real drama until it was just a disappointing bland nothingness.
Ranking: 4 / 10