[I found this saved in my draft items, it looks like I wrote it just after the series ended in December 2015, but forgot to post it!]
This series seems to continually surprise me, turning out to be about things that I wasn’t expecting. Back at the start of season 1 I expected it to be a cultural/political piece looking at the difference between Denmark and Sweden, neighbouring countries separated by a narrow stretch of water and joined by the titular bridge. In fact it turned out to be about a misfit police pairing investigating a serial murder. Well, no, I guess it turned out to be about a personal vendetta and I thought it would probably be the end of the series. Then season 2 turned up and somehow managed to coherently develop on that before seeming to close the door on a third season by getting rid of half of the lead pair. So I don’t know what’s more surprising, that it came back for a third season at all, or that it came back even better than it was before.
What is completely consistent is the addictiveness of the show. Once again I let a few episodes store up on the Sky box before my brother nagged me to watch them so that we could talk about them. As soon as I started watching, I couldn’t stop, powering through the backlog and then counting the hours until new episodes on Saturday evening. On one occasion I was actually compulsively refreshing iPlayer waiting for it to appear as soon as the live broadcast had finished. There is of course an element of manipulation with the use of cliff-hangers, but the writers also do an excellent job with the overall pacing of the series, keeping the crimes, investigation and personal storylines moving along, constantly taking small steps forward. Even the red herrings and miss-directs manage to not feel too frustrating, none of them felt like dead ends just there to increase the episode count.
Danish-Henrik makes an interesting alternative to Danish-Martin, and also a fascinating partner and counter-point to Saga. The two of them have a mountain of baggage between them, but somehow they work together. Sofia Helin as Saga excels this season, the character’s behaviours and responses all seem to finally hang together. She’s consistent in her strengths and her weaknesses and being pushed outside of her comfort zone really clarifies things for her, the characters around her and the audience. Henrik’s own personality and coping mechanisms also make sense as his own background is revealed and the development of their relationship is fascinating and rewarding to watch.
While I still think there is a missed opportunity to look more closely at the similarities and differences between Denmark and Sweden, I didn’t find that so frustrating when watching. I never really knew what country they were in or what language they were speaking, but it really didn’t matter and of course that wouldn’t bother the Swedes and Danes at all, who of course are the primary audience, not the internationals. I’m also not 100% certain that I fully followed all the twists and turns of the plot or the overall conclusion. But it just didn’t matter. It was a completely compelling from start to finish and my only regret is that it’s now gone. I have no idea what direction the story would have to swerve to next, but please, please, please let there be a season 4!
[The Bridge commissioned for a fourth and final season]