Posts Tagged ‘ code black ’

Things I didn’t bother with this year

So one of the big things I clearly didn’t bother with this year was to keep on top of my reviews and actually post me review of the television year before the new seasons all began. I was trying to finish some things off before posting the summaries because otherwise it was a surprisingly short list of shows. There were however a few shows that I just didn’t bother with this year, and thought it would be a good idea to bundle them all together so they didn’t pollute the others.

Criminal Minds: Season 12 – when did this show get so poor? I realise that after a couple of hundred episodes the writers may start to struggle and the actors may get a bit bored, but this season feels like some kind of step change in quality. I mean it’s just bad. The dialogue from the writers and delivery from the actors are just amateur, like everyone is phoning it in, it’s full of cliché’s utterly lacking in subtlety and painful to listen to. I know they’ve had a lot of change in the cast, but I don’t think it’s because Morgan and Hotch left, or Alvez joined. Tara has never really come out as a character, and Prentis isn’t working in her new role as leader, she’s just too wooden (I think Paget Brewster is better suited to comedy and struggles to carry the weight of the drama necessary for the leader of the team). Reid is more of a caricature than ever and the only point of life is Garcia who just cannot do it all by herself. Time to retire this one I think.

Fargo: Season 3– I really enjoyed the first two seasons, but I didn’t even last half hour of this one before I lost interest. Having the same actor playing brothers just feels like a completely unnecessary gimmick. It’s not the Ewan McGregor couldn’t play either role, but I just didn’t want to spend my time trying to suspend my brain from continually working out how they edited scenes together. Nothing else jumped out as interesting, so I gave up.

Code Black and The Night Shift – both haave the same problem. The first seasons were enjoyable tosh, but I just couldn’t be bothered to continue watching. A few characters I liked disappeared, the melodrama ramped up and it just felt too artificial for any real engagement. Life’s too short.

Bull: Season 1– I managed about three quarters of the season and I kept thinking that as I was so close to the end I should just stick with it. But I once again realised that life’s too short to watch mediocre television. Particularly when it’s just making me sad to see a talented cast wasted on utterly mediocre ideas and writing. It was so formulaic and derivative that I can’t believe anyone involved was really putting any effort in or cared about the output. The idea of the show was just too narrow to really support a full 20 odd episode season, particularly given they decided to have almost no arc stories at all, each episode was completely standalone with no plots or character development spanning multiple episodes. A waste.

Grey’s Anatomy: Season 12 – Season 12 finished in a place that I was incredibly unhappy with. I’ve always like the character that Alex grew into, starting out as an obnoxious arsehole and gradually showing where he came from and allowing the other characters to influence him into a better person. Then the writers had him beat the crap out of someone because he was jealous. I thought I’d let a few episodes of the new season build up to see where they went with that, and reading the spoilers I liked the direction even less, as it seemed to be verging dangerously into victim blaming. So I decided not to watch. I kept reading spoilers, and there really wasn’t anything in there that made me want to watch again. It wasn’t just Alex, other characters were frustrating too (ugh – Amelia) and I just didn’t want to watch. So I didn’t bother. That makes me sad, because I adore this show. I’ve read similar frustrations from reviewers online, but they seem to be a bit more positive about the new season, so maybe I’ll just pretend this season never happened.

The Good Fight: Season 1 – I adored the early seasons of The Good Wife, but I lost interest to the extent that I didn’t even get through the final season. I felt the writers rushed things a bit and characters went in directions I either didn’t believe or didn’t want to believe they’d go. I tried The Good Fight because, well, Christine Baranski. But I never really felt like watching more. It sat on my Sky box for months waiting for me to get to it before I finally gave up and deleted it. It may have been great, but I just wasn’t feeling it.

The Defenders: Season 1: I loved Jessica Jones, liked Luke Cage and even sat through Iron Fist just so that I could be more up to speed for The Defenders, but I haven’t yet made it beyond episode 2. I was bored. Even though I’d watched 3 out of 4 of the components, I didn’t remember enough of the plots to really pull everything together and there was absolutely zero help from the writers to elegantly remind you. I’d even have been happy with an inelegant “previously on…” few minutes at the start. I didn’t engage at all, but I will give it another try.

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Code Black: Pilot Review

Code Black Title ScreenIt’s ER. That’s it. That’s the summary. If you’ve seen ER, it’s just that again. With less George Clooney.

I’m not saying that trying to do a new version of ER is a bad thing. I mean ER was great (at least at first) and emergency medicine is intrinsically well suited to episodic television; it’s easy to get a mix of high intensity action, emotional melodrama and the occasional comedy from your rotating cast of victims and families, while your main cast of doctors provide the steady background of character development and relationships. It practically writes itself.

To be honest, I think Code Black’s biggest mistake is that it desperately chases a gimmick to give it a unique selling pointl that. Their ‘thing’ is that there’s a colour code system to how busy the emergency room is, and at code black the demand of patients basically outstrips the supply of medics. Code Black is set in the busiest emergency room in the country and they basically end up at code black all the time (or roughly once per episode I’d imagine). This is pretty much an excuse for all the characters to cram into a ludicrously small area and take creative, risky, and oh so very dramatic new ways to treat gory injuries. Except that the whole thing felt so monumentally artificial that even the actors struggled to deliver the lines. “Ok people, we’re at code black. God help us.” Really?!

The pilot structure here is “first day at work”, four new residents arrive for their first day as proper doctors. They too are monumentally artificial, there’s the smart one, the eager one, the sleazy one and the hopeless one. (respectively Christina, Izzy, Alex and George for Grey’s Anatomy fans). I know they have to introduce characters fast, but it didn’t really inspire me.

The ‘proper’ doctors are a little more interesting, largely thanks to some pretty solid actors in the roles. The script and character biographies are still mediocre, but the actors are doing a good job adding some depth and charm through little moments. Plus they actually felt like a believable team, a group that didn’t necessarily always agree with each other but respected each other and had shorthands and shared experiences.

The nuts and bolts of this are solid enough and I think most of the issues are symptoms of pilot-pressure, rather than necessarily being a sign of doom. It doesn’t have the instant appeal and style of ER, or Grey’s Anatomy, or the short lived Trauma which I really loved, but it’s got some potential if the writers just relax a bit and write their own show rather than trying to blend everybody else’s.

The Upfronts 2015: CBS

cbsCBS continues to have an impressively stable, although increasingly aged line up, not leaving much space for new shows. They do seem to be trying to go in a different direction with their new series, but they feel very out of place when surrounded by so many established procedurals.

Cancelled or finished
csiAfter 15 series, 335 episodes, CSI is finally being put out to pasture. The mothership that spawned dozens of wannabes and spent 10 years in the top 10 watched shows has seen its ratings decline steadily in the last few years and now it can’t compete with its own descendants. I’ve been a loyal watcher throughout and while it’s rarely been a favourite show, it’s always been a reassuring presence and I will actually miss it. There’ll be a final two hour TV movie, featuring the return of Grissom and Catherine.

mentalistI stuck with Stalker the whole season and I’m not entirely sure why, the setup wasn’t exactly ground-breaking, the stories weren’t particularly original and the characters weren’t that charismatic. It wasn’t bad, but it wasn’t outstanding. I’m not sure I’d’ve bothered with season 2 even if it had been picked up and I’m not really mourning its passing. Likewise I’m not that disappointed The Mentalist wound up after seven seasons. I made it through the first two seasons but found it frustratingly inconsistent in tone. Two and a Half Men finally completely and utterly died after 12 seasons. I’m guessing Jon Cryer mourned that and wished his cast mates hadn’t screwed everything up for him.
Also cancelled: Battle Creek and The McCarthys were new series, The Millers was cancelled after its second season. None of which I have any memory of hearing about.

Renewed
NCISCBS remains the home of the procedurals and even without Grand-pa CSI there’s a bevy of relations: CSI: Navy (NCIS – Season 13), CSI: Navy + Sunshine (NCIS: Los Angeles – season 7), CSI: Navy + Jazz (NCIS: New Orleans – season 2), CSI: Surfs Up (Hawaii Five-O – season 6), CSI: Serial Killers (Criminal Minds – season 11), CSI: Sherlock (Elementary – season 4), CSI: Pre-Crime (Person of Interest – season 5), CSI: Online (Scorpion – season 2) oh and CSI: Cyber (an actual proper CSI spin off going into season 2). Blue Bloods is more NYPD Blue 2010 than a CSI spin off and Tom Selleck’s moustache only held my attention for 3 seasons, but apparently other people have more commitment to it because it will be back for season 6 next year.

goodwifeOther dramas that are renewed are the critically acclaimed but ratings challenged The Good Wife, although season 6 hasn’t been as good as previously. Madam Secretary has some potential, but is disappointingly light when I was hoping for something more politically hefty. I watched a few episodes of Extant but got bored with the conspiracy stuff, I thought it was a one off so am a bit surprised to see it renewed for season 2. Under the Dome returns for season 3 but lost me with the utterly ridiculous bisected cow in the first episode.

The Big Bang TheoryThe unlikely juggernaut that is The Big Bang Theory continues with huge ratings and last year was given a three-year renewal which carries it through to next season. Mike and Molly and 2 Broke Girls return for seasons 6 and 5 respectively, Mom will be back for season 3 and Matthew Perry has finally broken his curse of first season cancellations as his remake of The Odd Couple is renewed!

New this autumn

Angel From Hell: Jane Lynch is either a stalker or a guardian angel. Jane Lynch is kind of fantastic and with a slightly more subtle character and better writing (in the trailer at least) than she got lumbered with on Glee, this could be great.


Code Black: It’s ER moved from Chicago to Los Angeles. I’m a sucker for this stuff and this looked pretty well done.


Life in Pieces: Hey, dating is tricky, precocious children are hilarious, parenting is hard and old people are whacky but look how uplifting it can all be when we come together as a family. Sod off. Colin Hanks deserves better.


Limitless: Based on the film, one pill makes you super smart and effectively a superhero. It inevitably gets complicated. The film was ok and I guess it’s a good set up but the supreme close up of Bradley Cooper asking if I can remember what it’s like to be in my mother’s womb is the creepiest thing I’ve ever seen.


Supergirl: Basically… Superman’s cousin. The trailer is pretty much the whole pilot boiled down so you may want to skip it. It doesn’t look bad, but it’s an extremely strange choice for CBS. This would infinitely more at home on The CW and I think it’s going to struggle to get the ratings that CBS want.

New later in the year
Criminal Minds: Beyond Borders – another attempt to land a Criminal Minds spin off, this time starring Gary Sinise and taking the show on an international tour. The planted pilot wasn’t bad (although Anna Gunn has apparently departed the series) and the added complexity of dealing with international law has some potential. Sinise needs to make sure he’s not just recreating his character from CSI New York though.

Rush Hour – Buddy Cop drama based on the films.