Posts Tagged ‘ dollhouse ’

End of year report card

The start and end points for the television year is pretty fuzzy. Given that I watch mostly US shows, I tend to go by their year which runs roughly from September rather than the calendar year. So I decided that I’d count the start of the year as 1st September (and I go by American air dates, not the UK). BUT life isn’t that simple, because what do I do with shows that start in one year but end in another. For example Mad Men season 3 ran August-November 2009, running one year to the next. Then I looked at what the Emmys do and it turns out they run June 1st 2009-May 31st 2010. BUT they don’t strictly speaking pay attention to show seasons, it’s just whichever episodes ran in that time frame, which means from what I can tell – the last two episodes of the season of Glee weren’t eligible for entry as they aired in June 2010.

So after all that, I decided to hell with it and I’d count what I felt fit within 2009-2010 and be pretty much arbitrary about it.

Bones – Season 5
Brothers & Sisters – S4
Caprica – S1
Criminal Minds – S5
CSI – S10
CSI:NY – S6
Defying Gravity – S1
Dollhouse – S1
Doctor Who – 2010
FlashForward – S1
Friday Night Lights – S4
Fringe – S2
The Good Wife – S1
Glee – S1
Grey’s Anatomy – S6
House – S6
Leverage – S2
Lie to Me – S2
Mad Men – S3
The Mentalist – S2
Merlin – S2
NCIS: Los Angeles – S1
NCIS – S7
Outnumbered – S3
Sons of Anarchy – S2
Stargate Universe – S1
Supernatural – S5
Trauma – S1
Warehouse 13 – S1
White Collar – S1
V – S1

Top of the Class – Best Drama

  • Mad Men: For once, I’m in absolute agreement with the Emmys. Season 3 (season 4 has just started on BBC4) was a work of near perfection. The pacing, the way everything had been so carefully and subtly built up until the final episode which was one of the most satisfying hours of television I’ve ever seen. The detail of this show is incredible, it’s a slow burn, but it’s really worth it.
  • Friday Night Lights – I have a guilty relationship with this show, because despite the fact I have it ‘available’, I haven’t managed to bring myself to watch the second half of the season. This season has felt like really hard going, everybody’s’ lives really seem to suck and it’s just hard to watch. But that doesn’t make it any less superb or any less worthy of its position in the number 2 slot in the drama category.
  • Sons of Anarchy – There’s just something about this bunch of gun running, murdering, hells angels that just makes you forgive them everything they do. The closest thing I can think of to this show is Brothers & Sisters, it’s got the same sense of families fighting amongst themselves, but ultimately doing anything for each other – just with more Nazis.
  • Trauma – Maybe this show wouldn’t have made the cut if I didn’t feel bad for it being cancelled, but I really do think it was one of the better shows of the year. It’s not perfectly refined like Mad Men, but the heart and soul of it are true, the characters and relationships are interesting and different and I enjoyed every episode.
  • The Good Wife – Proving that ‘legal procedural’ doesn’t have to mean Law and Order or wanting to kill all the characters. The ensemble cast is amazing and contains some of my favourite actors, and seeing them together creating such complex characters is immensely satisfying.

Head Boy – Best Male Actor/Character (you don’t get to be a great actor without a well crafted/written character and great characters don’t survive great actors)

  • Tim Roth (Cal Lightman, Lie to Me) – I don’t understand why Tim Roth and Lie to Me don’t get more attention. In a world of dark, sober, troubled and angsty television detectives, Tim Roth lights up the room. He’s manipulative and arrogant, but he’s also a brilliant father, a caring friend and of all the investigators on television, he’s the one I’d want in my corner the most.
  • Matt Smith (The Doctor, Doctor Who) – I had my doubts, not because he was young or unknown or anything like that, but just because I thought David Tennant had created an un-equalable character. Matt Smith blew me away with his charm, his goofiness, his terrifying speeches and his ability to make a fez look cool.
  • Kyle Chandler (Coach Taylor, Friday Night Lights) – This man seems to do less acting than anyone else on television, he hardly says anything, sometimes he barely moves, but somehow you understand every single thing the character is thinking.
  • Jenson Ackles (Dean Winchester, Supernatural) – I was a bit disappointed by the season of Supernatural, but I was never disappointed with either of the lead performances. Part of what frustrated me about the season was that it was all over the range from slapstick to suicidal angst, via homicidal range and utter psychosis. Jenson Ackles nailed each of the emotions and how stubborn, but over-his-head Dean would approach each one.
  • Hugh Laurie (Dr House, House) – I didn’t like this series of House much, as per usual I think it spent too long coasting through the middle of the season and then made some dubious relationship choices. But Hugh Laurie was consistently great throughout, except for the bookending episodes, where he was absolutely amazing.

Head Girl – Best Female Actor/Character (is actress politically incorrect?)

  • Julianna Margulies (Alicia Florrick,The Good Wife) – A breath of fresh air on network television, a woman with kids, a career, issues and most importantly a personality of her own. I loved when she got drunk with Kalinda, or acted as a big sister to Cary, or didn’t quite know how to interact with Diane. But mostly I loved the way she fell back to being a college student falling for her friend and not knowing what to do about it.
  • Katey Segal (Gemma Taylor-Morrow, Sons of Anarchy) – Gemma had the epitome of a bad year on Sons of Anarchy, but through it all she was their Queen, she loves all the members of her family and fights to protect them, whether with a gun, her fists, or just by keeping a secret. Katey Segal was amazing.
  • Connie Britton (Tammy Taylor, Friday Night Lights) – The other half of the best couple on television, Tammy’s not had a great year either. But like her husband, she doesn’t have to say anything for you to understand the multiple faces the character presents to everyone, including herself. When she steals her little victories wherever she can, and fights for her kids (the whole school load of them) it makes me want to hug her.
  • Ellen Pompeo (Meredith Grey, Grey’s Anatomy) – Meredith grew up and got happy and made me love her. Last year I put her on this list partially out of pity, this year she’s there on merit, actually taking her position as ‘lead’ actress more than just being a ‘prominent female member of the ensemble’. She’s completely settled into her position as the mother of the group – her reaction to her marriage and the loss of her friends was really mature. Whiny Meredith is hopefully gone for good.
  • Sally Field (Nora Walker, Brothers and Sisters) – When Sally Field cries, I cry. When she screams, I hid under a cushion. Whether herding her unruly brood, or causing chaos all by herself, I love her to pieces.

Prefects: Boys (Supporting actors)

  • John Noble (Walter Bishop, Fringe) – Walter is crazy. Utterly and completely, self-medicatingly, one-too-many-magic-mushrooms, bucket loads of crazy. But then in alternate world Walter is utterly sane and calm and scary and slimy. Noble bounces around between Walters multiple personalities and bodies with amazing talent.
  • Chris Colfer (Kurt Hummel, Glee) – The best thing in Glee. He’s completely over the top and ridiculous to the point you almost want to throw him in a dumpster yourself, but then he does something heartbreaking. Also, he can belt out a tune like the best divas out there.
  • David Blue (Eli Wallace, Stargate Universe) – He’s exactly what the stereotypical Stargate fan would be like if they found themselves inside a Stargate series. He’s got no clue about the military, or really people at all. He’s a massive geek who breaks tension by making Star Wars jokes. He brings a bit of reality to the otherwise slightly highly strung Stargate team.
  • Cliff Curtis (Rabbit Palchuk, Trauma) – Cliff Curtis became one of my favourite actors this year playing the deeply troubled, but utterly charming Rabbit. A really fascinating character and a slightly unlikely leading man, but he was the heart of this show.
  • Enver Gjokaj (Victor, Dollhouse) – I ummed and erred between Victor and Fran Kranz’s Topher, but eventually the Doll edged out the geek because he got to play a different role (and accent) every week and nailed them all, even managing to play Topher to perfection.

Prefects: Girls (Supporting Actresses)

  • Chandra Wilson (Miranda Bailey, Grey’s Anatomy) – She wasn’t even nominated for an Emmy this year, which I was so astonished by I had to check multiple times. Bailey follows the Sally Field rules – she cries I cry, she shouts, I actually cheer out loud. Her final scene of the final episode just destroyed me.
  • Elisabeth Moss (Peggy Olson, Mad Men) – “I’m Peggy Olson. And I want to smoke some marijuana” and “Beg me? You didn’t even ASK me”. Nuff said.
  • Christine Baranski (Diane Lockheart, The Good Wife) – Although her colleague Archie Panjabi (Kalinda) got the Emmy, I think Christine Baranski was far superior if for no other reason than she seemed to be having so much FUN with the role. Not afraid to flirt with a colleague or laugh out loud at the ridiculousness of a situation.
  • Allison Scagliotti (Claudia, Warehouse 13) – like Eli in Stargate, Claudia is the voice of the fan. She’s a geek who loves a gadget and points out the idiocy of all the plans. She, and her ever changing hair colours, brings life to the show.
  • Linda Hunt (Hetty Lange, NCIS:LA) – A breath of fresh air, a bizarre mix of motherly and drill sergent that manages to make even LL Cool J quake in his boots.

Team Players (Best pairings/ensembles)

  • Callen and Hanna (NCIS:Los Angeles) – A perfect yin and yang thing of hot headedness and cool, all bundled up in a caring (but not out loud!) partnership. Who’d’ve thought it.
  • Team Free Will, Supernatural
    “This is it… Team Free Will. One ex-blood-junkie, one drop-out with six bucks to his name and Mr Comatose over there. Awesome.”
    “It’s not funny”
    “I’m not laughing”
  • Christina and Meredith (Grey’s Anatomy) – When Meredith revealed the plans for her and Derek’s dream house and pointed out Christina’s Room I burst into tears yet again. I love these two sisters.
  • The Walker Clan (Brothers and Sisters) – You can’t really break this group up. They squabble and occasionally even fight, but the group of them together and the complex relationships between all of them are amazing.

Points for effort – The home of the things that are solidly doing their job, are entertaining, and occasionally verging into brilliant, but are generally just really solidly plugging away doing what they do.

  • CSI:Original had a really solid season, settling down after the changes of recent years and just turning in an entertaining, reliable and interesting season, there’s not many shows that can say that moving in to their 11th season they’ve still got some spark.
  • Grey’s Anatomy deserves a lot of praise for bouncing back from the previous terrible season, I nearly gave up on the show, but I’m glad I didn’t.
  • Brothers & Sisters – cheesy, melodramatic, sappy and utterly sentimental – it embraces these things with such enthusiasm and does them so well, it’s hard not to love.
  • Glee – If only the quality of the plots were more consistent, this would be worthy of considerably more praise. As it is, I enjoyed most of the episodes, but ended up frustrated that it wasn’t just slightly better.

Must Try Harder

  • The Mentalist – A nice idea, a charismatic lead character… but ultimately the character development isn’t, ‘mysteries’ aren’t, and the novelty wore off.
  • Outnumbered – It was still funny, but it just wasn’t as good as previous seasons. Not least because it seemed to spontaneously stop dead, to such an extent that I completely failed to note it had finished and never got round to writing a review.
  • Science fiction – it’s not been a good year for science fiction imho. V, Caprica and Flashforward were all disappointing.
  • NCIS – Still flipflopping all over the place with a lack of consistency and character development. Maybe it’s time for this one to retire.
  • Criminal Minds – I praised the show for finally having the team come together and having an impressive group of strong female characters… then they sacked two of them.

Three golden rules for science fiction

What’s gone wrong with science fiction shows this year? It looked set to be a good year, with a spattering of returning shows and a good crop of new ones coming in. Sitting at the end of the year looking at the list though, there are very few successes, a lot of mediocrity and a couple of high profile failures.

The most embarrassing failure of all has been FlashForward. Promoted to death as the new Lost, launched with a pretty decent pilot it barely made it out of the gate before its ratings collapsed and the critics turned on it. For me there are three big problems with FlashForward, and they’re representative of what’s been wrong with some of the other sf shows this year.

1Smugness
Yes, yes Mr Showrunner* you’ve got Big Ideas – parallel universes, complex analogies, virtual reality, fate and whatnot. You’ve also got a big budget and a giant marketing team. But you have to actually deliver that. If you’re presenting yourself as smart, you need to BE smart.

I need to have confidence in the people that are making a show that they know what they’re doing, where they’re going and how they’re going to get there. It doesn’t matter if every episode is action and excitement melded into a perfect 45 minutes, if the next week you contradict everything that happened I’m rapidly going to get annoyed. But at the same time it doesn’t matter if you have an amazing plan for a five year series if every episode is really dull, I’ll rapidly get bored. It’s a difficult middle ground to hit, but it is achievable – go back to and watch Babylon 5. That’s how you create a masterpiece.

2Charisma vacuums
My god there’ve been some boring characters this year! The lead character of FlashForward was just a kind of gaping, well paid hole where an engaging person should be. The cast of V looked so good on paper, but as it turned out by the end of the first episode the only ones I found interesting were the aliens (notably the Firefly duo of Morena Baccarin and Alan Tudyk). If on careful consideration I’ve evaluated your entire ensemble and have decided that in fact the best thing for you is to be eaten by the invading alien force, you’ve rather failed in your mission. I lasted half a dozen episodes and then gave up. Sure, the show is shiny and some interesting ideas, but if I don’t care about anyone, I’m not gonna bother.

3Lighten up!
The other big failure of the year for me was Caprica. I’m a big fan of Battlestar and thought this could be really interesting – same concept, different setting, characters and philosophy. Six or so episodes in and I just couldn’t take it anymore. Battlestar was never exactly laugh a minute, but at least they blew stuff up periodically and appreciated a nice fist fight or sarcastic aside. Caprica was the most depressing, soul destroyingly slow thing I’ve seen in a very long time. Battlestar seemed to be about hope in the face of overwhelming destruction, Caprica was about doom in the face of overwhelming shininess.

When it works… it works
Caprica and FlashForward both got good pilot reviews from me and then failed to deliver. On the flip side, Stargate Universe got a poor pilot review and then I cheerfully ate my words for the season review. The Stargate showrunners have been at this a while and I should have had more faith. They pulled it all together – it was smart AND fun, happy AND sad, sometimes characters moved forwards, sometimes they moved backwards, but they actually seemed like real people who it would be interesting to have coffee with. The confidence from the showrunners was quiet and reassuring – ‘we know what we’re doing, just trust us’.

I personally thought Defying Gravity had a lot of things going for it. I found it interesting and entertaining. This is one I think where the show was let down by everything around it – it wasn’t on the right network, it wasn’t marketed right and it was kind of doomed from the start. I think if it had been on the sci-fi channel we’d probably still be watching it, but Grey’s Anatomy in space was gonna be a tough sell.

Warehouse 13 is a truly awful show. The plots are all over the place and the production is often terrible with poor blue screening and budget effects. But it somehow manages to actually pass all three tests and ends up being one of the staple shows in our house just because it’s so entertaining! The characters are likeable, the dialogue snappy, the stories follow on from each other and no one is taking themselves seriously, it’s like some sort of ugly mongrel that you can’t help but love.

When it doesn’t, it’s kind of sad
Joss Whedon’s Dollhouse should have worked. It has great characters, an original plot, some fun episodes and a showrunner with a built in fanbase and a lot of success under his belt. But, much as it pains me to say it, I think it failed on the smugness test. It put a lot of emphasis on the long term plot and asked for a lot of trust, which only those of us with an unhealthy obsession with Joss had any faith he could deliver. To everyone else the cocky attitude of “you’re watching something special and you don’t know it yet” was too patronising.

Although I adore Supernatural, I find I have to also put this season into the “kind of sad” category, because it too failed a couple of the rules. It often drifted away from being fun to watch, the endless misery of the apocalypse does get you down after a while. The smugness also occasionally overwhelmed, it took the season a long time to get started, spending way too much time wallowing and mucking about before finally squashing a lot of plot into the final half dozen episodes. It’s a real shame, because I think the first four seasons managed a really good balance of the rules, I have high hopes for season six though.

And there’s no coming back once you’ve lost me
Of course the gaping hole in this review is the assessment of Lost. This year of television will probably be remembered as the year that Lost ended. But I can’t comment on it, because I stopped watching three years ago, when the smugness became too much for me. I don’t know whether it redeemed itself, maybe it really was as good as it purported to be. Maybe one day I’ll go back and watch it all again. Today is not that day though.

* I did a check, although sadly imdb doesn’t seem to list ‘showrunner’ as a job title, despite the fact that it’s referred to in the press a lot, so I looked at ‘creators’ and ‘executive producers’ (and no I don’t really know what they do). Of the shows I have name-checked (and Doctor Who and Fringe which were mentioned and then edited out) in this article there are a total of seventeen people listed as show creators, only one is a woman (Jane Espenson on Warehouse 13). Of the 43 executive producers listed, there are seven women (including Jane Espenson again for Caprica). These are not good percentages people.

Cancellations good and bad

We’re coming up on the time in the television calendar known as the ‘up-fronts’ it’s where the various networks introduce their schedules for the following year, it helps them sell advertising and also sell to the international broadcasters. In the weeks leading up to the presentations, news and announcements start to trickle through not only about the new shows, but also the old shows which are being cancelled to make space in the schedules. Watching the news roll in made me think about shows I loved and lost and I realised that while there were a number that I really missed and who’s cancellations made me angry, there were a surprising number that I actually accepted happily.

Five cancellations which made me cross…

1Firefly
I’ve written plenty about why I think Firefly is one of the greatest shows of all time, and in many ways maybe the reason it will forever live in people’s memories as such is that was cancelled so early. In fact it was pretty much doomed from the start, miss-marketed and mucked about by the networks – it never really had a chance. Inevitable though it may have been, it didn’t make me swear any less when the announcement came in though.

2The West Wing
You might say that at seven seasons The West Wing had a pretty good run at it and I should be happy with what I got. But the frustration was that after a disappointing couple of years, season 7 was really turning things around. Preparing to re-launch itself with a new president, a new bipartisanism and new characters, season 8 would have been West Wing: The Next Generation. That we didn’t get to live with President Santos is compensated for by the knowledge that the character was partly inspired by a young senator named Barrack Obama.

3Wonderfalls
Wonderfalls was just one of a string of series from Bryan Fuller that died the death (Pushing Daisies is listed below, Dead Like Me almost made the ‘disappointed’ list, and Heroes almost made the ‘not so much’ list). The first episode introduces Jay, a cynical philosophy graduate who lives in a trailer and tries to avoid her crazy family. Then a small toy lion starts talking to her and giving cryptic instructions that eventually seem to help people out. It was weird, but had some great characters, a real charm and was hilariously funny. It was pulled off the air after only four episodes and I was very cross.

4Angel
Angel was similar to The West Wing in that after a few years things were getting a little stale and there had been some miss-steps with storylines. But they were turning things around, introducing a new situation, new characters (although not necessarily new actors) and a new mission. Personally, I found it breathed new life into the show, and many agreed with me because the ratings actually went up. Sadly it seems that a spectacular amount of internal politics at the network caused the show to be rather unexpectedly cancelled. At least they were able to wrap up their stories, and Angel got to fight his dragon.

Carnivàle
Carnivàle was a peculiar series, set in a dustbowl era freakshow with a complicated and intricate plot centred on the battle between good and evil and the very nature of those labels. The problem is we will never know how the battle would develop, what all the subtext and hints were leading up to, because the show was cancelled two years into its six year plan, making the first two seasons feel a bit of a waste of time.

… and five that I didn’t mind
1Veronica Mars
The first season of Veronica Mars is one of the best seasons of television ever made. The second wasn’t quite as good. The third was worse still. In a desperate attempt to save his at risk show Rob Thomas proposed a few years into the future to when Veronica is a new agent with the FBI. The problem was that in making that proposal he lost my support, because he declared that Veronica would be the only character to make the jump. Without her dad to stable her and Logan to unbalance her, I wasn’t really that interested.

2Studio 60
I was so excited about this show; Aaron Sorkin, Matthew Perry, Bradley Whitford, Thomas Schlamme all came together to produce a brilliant pilot. But then something went wrong and I’ve never quite worked out what happened. There were no spectacular failures, things just didn’t quite gel together; the romances felt creepy and annoying, the supposedly hilarious show-within-a-show just wasn’t funny, and the tone was often too preachy and smug. By half way through it was pretty clear that the show wasn’t likely to be picked up, and I was more disappointed about the wasted potential than I was about the actual cancellation when it finally came in.

3Dollhouse
Another cancellation that I met with faint sadness rather than anger. Once again despite a great collection of ingredients, the mixture just didn’t work. Maybe the network hadn’t realised they were buying a show with some pretty deep philosophical considerations and tried to re-engineer it, leaving a mishmash that satisfied no one; but maybe it was just a show that was never really going to work at all. Due credit to the network, they gave it a second year when no one, not even Joss Whedon himself had any hope, but the writing was on the wall by halfway through and with an acceleration of the plot we got to see how it would all play out. By the end I was satisfied that the series was finished, rounded out and enough.

4Pushing Daisies
The popularity of the first season of Pushing Daisies reaffirmed my faith in humanity. This was a bizarre idea: weird plots, quirky dialogue, random spontaneous singing and a peculiar visual style and yet it was a critical and public success. I adored it. But something happened during the second season and I just fell out of love with it. Others did the same and the ratings died. When it was cancelled I was a bit sad that there was no place for a show like this in the schedules, but I was unlikely to have watched the next season anyway.

Primeval
Primeval managed a pretty impressive deterioration, from the really enjoyable first season which dropped just enough hints of a complex time travelling background story to make it more than just disposable dinosaur fun. But by season three most of the original cast had left and when the major storyline was resolved I was left shouting “is that it?!” at the TV. The show was cancelled and I felt all was right in the world. As it turns out though, other countries love the show, so a whole mix of channels have invested money to save the show. Of all the show’s that deserve saving, this is probably the worst!

Amazon Links
A positive side effect of a show you like being cancelled is that the price of the dvds drops dramatically, most of these are available at massive discounts. Also I’m shamelessly trying out Amazon associates ;0)
Firefly – The Complete Series [2003]
The West Wing – Complete Season 1
Angel Season 1
Carnivale: Complete HBO Season 1 [2003]
Studio 60 On The Sunset Strip – The Complete Series [DVD]
Pushing Daisies – Complete Season 1 [2007] (just 6 quid)
Primeval : Series 1 [2007] (just 3 quid)

2008-2009 Television

I decided this year that rather than do a summary of my tv watching at the start of the year, it made more sense to do it in the middle, once all the ‘current’ seasons of stuff have wrapped for the year. It means almost all the US shows (which make the bulk of my watching) have completed their seasons and can be reviewed as a whole. Also, I basically failed to get round to doing this in January and after a while this excuse seemed valid.

A quick add up shows that I’ve watched approximately 400 episodes of television this year. That’s about 300 hours and it’s not including the stuff I’ve watched that wasn’t new this year or random stuff like Top Gear and documentaries, probably about half as much again. Just imagine the useful things I could have got done in that time!

So, here’s the list of this year’s shows I’ve watched:

  • Battlestar Galactica – Season 4
  • Being Human – Season 1
  • Bones – season 5
  • Brothers and Sisters – season 3
  • Castle – season 1
  • Criminal Minds – season 4
  • CSI – Season 9 (about halfway)
  • CSI:NY – season 6
  • Dollhouse – Season 1
  • Friday Night Lights – season 3
  • Gossip Girl – Season 2
  • Grey’s Anatomy – season 5
  • Heroes – Season 3 (Up to episode 14)
  • House – season 5 (Up to episode 21)
  • Lie to Me – Season 1
  • Mad Men – Season 2
  • Merlin – Season 1
  • NCIS – season 6
  • Primeval- Season 3
  • Pushing Daisies – Season 2
  • Stargate Atlantis – Season 5
  • Supernatural – Season 4
  • The Mentalist – Season 1
  • Torchwood – Children of Earth/Season 3
  • Warehouse 13 – season 1 (Up to episode 10)

This year’s new additions
This year’s new shows were either instant hits for me or instant misses, I started with ten, dropped three within a few episodes but will watch season 2 of the remaining seven. The Mentalist, Castle and Lie to Me are all fairly standard procedural type things, extremely watchable thanks to very strong leads (all male, where are the female leads?). Each of the shows has the danger of becoming too formulaic if the writers aren’t careful, but the first seasons were all very fun to watch.

Warehouse 13 (which is a midseason show, so only about 8 episodes in), Being Human and Merlin are an interesting triangle. Warehouse 13 is a fun concept that disappointingly looks and feels very cheap – the CGI is bloody awful, the writing is clumsy and dumb and the only saving grace is some enthusiastic actors who are doing more with the scripts than they deserve. Being Human meanwhile is a great concept that is charming and fun pushes the limitations of its budget and scope as far as humanly (or otherwise) possible and was much better than I expected. Merlin meanwhile was pretty much exactly as I expected, cheesy and ridiculous but an entertaining way to spend an hour on a Saturday night.

The final new show I’ve stuck with is Dollhouse, which got off to an extremely bumpy start but eventually kicked into gear and got very interesting in the second half of the season, finishing with a superb ‘finale’ that was actually never aired in the US. The blatant network interference to give more action and sex made a real dent in the interesting concepts that Whedon was trying to investigate through his customary quirky, fun and occasionally traumatising style. I’d also like to praise the casting, with Whedon extending his growing family of actors with some wonderful and non-standard additions.

Shows I gave up on this year include The Unusuals – a ‘quirky’ procedural that wasn’t nearly quirky enough. I watched the pilot of Fringe but didn’t get on with it, I might give it another try at some point though. Knight Rider gave itself away as painfully awful when about 5 minutes into the pilot they came up with the dumbest excuse ever to get their characters to strip to their underwear, and just continued to get dumber.

Tune in tomorrow for cops and robbers and medical mysteries.