Posts Tagged ‘ grey’s anatomy ’

Grey’s Anatomy: Season 14

I stopped watching last season because of the Alex storyline. I’ve always had a soft spot for Alex as one of the less perfect characters who has actually had impressive character development over the years. But the final moments of season ???? set up a storyline that ran through the following season that I just didn’t want to watch. Fundamentally he seriously assaulted a colleague and then he, his colleagues and the writers seemed to look for excuses for why it happened. I could follow the logic that he lost his temper (his anger being a central character element) but not the machinations everyone went through to excuse it. He should have gone to jail. I didn’t want to watch that happen, and I can’t quite forgive the other characters and writers for forgiving him. So I’m pretending that whole season didn’t happen, that they characters didn’t take sides against each other. The writers seem to have done the same, which is equally offensive really, but I guess we all just pretend the season didn’t happen.

So I returned nervously but soon settled in to the same drama of both a medical and a personal fronts, inducing the usual array of emotions from laughing out loud to sobbing incoherently, occasionally at the same time. What I love about the show (and hence why last season drove me away) is the depth of the characters. The relationships between all the characters all make sense, those that have known and worked together for decades, those that are brand new and trying to find their places, and those in the middle who know some of the stories but not all of them. The friendships and respect are inspiring, but everyone still gets on each others nerves occasionally, knowing exactly how to push people’s buttons. Watching makes me feel like part of the family.

I can’t really remember much about the stories themselves to be honest. Poor April had a miserable season, and although she’s never been my favourite character she’s always been interesting, her evolution has been wonderful to watch and Sarah Drew’s performance was never anything other than breathtaking and I’ll miss her on the show. I’m less bothered by the departure of Arizona who I always felt was one of the less well written characters with less consistency and less of her own agency. The ‘fix’ for Amelia was a bit tacky but served a purpose as it turned her back from the caricature she’d become and re-embedded her into the same level of ridiculousness that the others were in. The stories that tried to get a little more current (me too, immigration) were a little bit clumsy, but I can’t fault them for their intent.

I’m glad I could come back to Grey’s, it’s been with me so long that I did feel like I’d lost a friend for a while. While I can understand why it doesn’t get to compete for awards in the current TV landscape full of ground breaking shows, I think many underestimate the skill it takes to bring it to the screen. The usually spot on mixture of drama and comedy the writers script and the subtle but powerful delivery of the actors is unparalleled. Few things on TV bring me such joy.

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Things I didn’t bother with this year

So one of the big things I clearly didn’t bother with this year was to keep on top of my reviews and actually post me review of the television year before the new seasons all began. I was trying to finish some things off before posting the summaries because otherwise it was a surprisingly short list of shows. There were however a few shows that I just didn’t bother with this year, and thought it would be a good idea to bundle them all together so they didn’t pollute the others.

Criminal Minds: Season 12 – when did this show get so poor? I realise that after a couple of hundred episodes the writers may start to struggle and the actors may get a bit bored, but this season feels like some kind of step change in quality. I mean it’s just bad. The dialogue from the writers and delivery from the actors are just amateur, like everyone is phoning it in, it’s full of cliché’s utterly lacking in subtlety and painful to listen to. I know they’ve had a lot of change in the cast, but I don’t think it’s because Morgan and Hotch left, or Alvez joined. Tara has never really come out as a character, and Prentis isn’t working in her new role as leader, she’s just too wooden (I think Paget Brewster is better suited to comedy and struggles to carry the weight of the drama necessary for the leader of the team). Reid is more of a caricature than ever and the only point of life is Garcia who just cannot do it all by herself. Time to retire this one I think.

Fargo: Season 3– I really enjoyed the first two seasons, but I didn’t even last half hour of this one before I lost interest. Having the same actor playing brothers just feels like a completely unnecessary gimmick. It’s not the Ewan McGregor couldn’t play either role, but I just didn’t want to spend my time trying to suspend my brain from continually working out how they edited scenes together. Nothing else jumped out as interesting, so I gave up.

Code Black and The Night Shift – both haave the same problem. The first seasons were enjoyable tosh, but I just couldn’t be bothered to continue watching. A few characters I liked disappeared, the melodrama ramped up and it just felt too artificial for any real engagement. Life’s too short.

Bull: Season 1– I managed about three quarters of the season and I kept thinking that as I was so close to the end I should just stick with it. But I once again realised that life’s too short to watch mediocre television. Particularly when it’s just making me sad to see a talented cast wasted on utterly mediocre ideas and writing. It was so formulaic and derivative that I can’t believe anyone involved was really putting any effort in or cared about the output. The idea of the show was just too narrow to really support a full 20 odd episode season, particularly given they decided to have almost no arc stories at all, each episode was completely standalone with no plots or character development spanning multiple episodes. A waste.

Grey’s Anatomy: Season 12 – Season 12 finished in a place that I was incredibly unhappy with. I’ve always like the character that Alex grew into, starting out as an obnoxious arsehole and gradually showing where he came from and allowing the other characters to influence him into a better person. Then the writers had him beat the crap out of someone because he was jealous. I thought I’d let a few episodes of the new season build up to see where they went with that, and reading the spoilers I liked the direction even less, as it seemed to be verging dangerously into victim blaming. So I decided not to watch. I kept reading spoilers, and there really wasn’t anything in there that made me want to watch again. It wasn’t just Alex, other characters were frustrating too (ugh – Amelia) and I just didn’t want to watch. So I didn’t bother. That makes me sad, because I adore this show. I’ve read similar frustrations from reviewers online, but they seem to be a bit more positive about the new season, so maybe I’ll just pretend this season never happened.

The Good Fight: Season 1 – I adored the early seasons of The Good Wife, but I lost interest to the extent that I didn’t even get through the final season. I felt the writers rushed things a bit and characters went in directions I either didn’t believe or didn’t want to believe they’d go. I tried The Good Fight because, well, Christine Baranski. But I never really felt like watching more. It sat on my Sky box for months waiting for me to get to it before I finally gave up and deleted it. It may have been great, but I just wasn’t feeling it.

The Defenders: Season 1: I loved Jessica Jones, liked Luke Cage and even sat through Iron Fist just so that I could be more up to speed for The Defenders, but I haven’t yet made it beyond episode 2. I was bored. Even though I’d watched 3 out of 4 of the components, I didn’t remember enough of the plots to really pull everything together and there was absolutely zero help from the writers to elegantly remind you. I’d even have been happy with an inelegant “previously on…” few minutes at the start. I didn’t engage at all, but I will give it another try.

Grey’s Anatomy: Season 12

Grey's AnatomyI not only had to look up what number season this was, but I had to look up what on earth happened as i’d forgotten most of the details. Broadly speaking I still love Grey’s Anatomy. It’s my first pick for comfort viewing and I don’t even think about watching it without snuggling up on the sofa with a blanket, unhealthy food and a soothing drink. That said, this is the twelfth of these reviews that I’ve had to write, some I’m gonna break out the bullet points. It’s a bit spoilery, but I don’t think anyone really cares.

Things I didn’t like

  • What’s her face, Penny – she never really landed as her own character, as evidenced by the fact that I had to look up her name. She was just there to drive stories in other characters, Meredith, Cally and even the other young characters when it came to the bloody Preminger Grant. It just didn’t feel like she had the same depth of character that the others had
  • Callie and Arizona’s custody battle – where did that come from?! Cally wanting to take Sophia away without even considering it a big thing? Then the court hearing was so utterly artificial and inept. AND THEN Arizona deciding to let Sophia go anyway?!
  • Jo – good grief the girl is awful. She’s whiny and annoying at the best of times, but then it turns out that she’s supposedly kept this massive secret from Alex all this time. Some more poor writing.
  • Owen and Nathan’s antagonistic relationship and drawn out secret history that then turned out to not be that exciting. The only good moment of the whole thing was when they suddenly snapped into sync in a surgery.
  • DeLuca – Winning the prize for most under-used character this year. There just didn’t seem any point to him. His relationship with Maggie never seemed to go anywhere and her over-reaction to dating an intern was rather jolting given the rest of the relationships on the show!
  • Childcare – there’s a LOT of children and some incredibly flexible childcare arrangements going on

Things I’m not sure about

  • Amelia – she can be massively annoying at times, but at least it feels deliberate. She is just a pain in the arse sometimes, that’s not bad writing, it’s just how she is. Doesn’t mean I don’t wanna slap her sometimes though.
  • Stephanie – likewise I’m on the fence about her. I guess she’s a bit like Christina, restrained, ambitious and confident, but she just doesn’t have a Meredith to bring out the emotional elements. The weird whistle-stop romance with the musician felt like a cheap attempt to give her a more emotional storyline and soften the character and it just didn’t work.
  • I can’t remember any of the actual patients. It’s not exactly the point of the show, but usually there are a couple that stand out, even if only for being notable guest stars, but I can’t remember a single one this time.

Things I like

  • Family. Over the years the theme of family has been about the family you chose, not just romantically but about the brothers and sisters you chose. This year there was a bit more focus on actual family as Meredith, Amelia (her sister in law) and Maggie (her half sister) shared a house and kids. Watching Maggie’s sudden acquisition of a family, and Meredith and Amelia’s strained relationship introduced some new ideas.
  • Carpooling – there were a lot of laughs to be had about the recurring carpooling that went on throughout the series.
  • The music – the soundtrack of the series continues to be superb, and I liked that they were using some classic songs completely re-imagined. I wish they’d release more albums, the ones I have from the first few seasons are still my top playlist.
  • Alex and Meredith – I adore that Alex has stepped into Christina’s shoes and is completely Meredith’s person now and she is his. I would rewind their scenes together because I so loved the familiarity and complete lack of bullshit between them.
  • Referencing – the show generally remembers where it came from and where its characters have been. Most obviously of course is that Meredith wasn’t suddenly over Derek, but it was the little mentions of long past events and characters that made me smile. With 12 years of history, there’s a lot of shorthand that can be used with the audience to evoke emotions, a snippet of a song, characters lying on the grass, events and characters long gone; calling back on them gives me a little warm glow. Long may that continue.

2014/15 Season

I’m getting worse and worse at actually writing stuff promptly. So my end of year wrap up comes after several of the 2015/16 shows have already started. Oh well, better late than never. I’m only talking about US shows here, I think I’m going to move the UK series so that I look at them at the end of the year. Frankly that’s pretty arbitrary but I watch so little UK television that adding it to the list just looked embarrassing. Also I’m focussing more on the returning shows as all the new things got their own little article last week.

Things I’ve watched

The Affair: S1
American Horror Story: Freak Show (S4)
The Americans: S3 (in progress)
Aquarius (in progress)
The Blacklist: S2 (half)
Criminal Minds: S10 (failed to review)
CSI: S15
Defiance: S3 (in progress)
Downton Abbey: S5
Forever: S1 (half)
Game of Thrones: S5 (half)
The Good Wife: S6
Grey’s Anatomy: S11
Jane the Virgin: S1 (review pending)
Justified: S6
Mad Men: S7 Part 2
Madam Secretary: S1 (half)
Marvel’s Agent Carter: S1
Marvel’s Agents of Shield: S2
NCIS: Los Angeles: S6 (failed to review)
The Newsroom: S3
Orange is the New Black: S3 (review pending)
Orphan Black: S3 (just starting)
Penny Dreadful: S2
Perception: S3 (failed to review)
Scandal: S4
Stalker: S1 (failed to review)
Transparent: S1
The Walking Dead: S5

So that’s 27 series, although four of them I only watched part of the season before giving up and four are still in progress. I think that’s probably about 340 episodes? It felt like I watched less television this year, but actually it’s up on last year’s count of 20 series. I think though that a lot of what I watched was just less memorable so it doesn’t feel like I’ve watched as much. 20 episodes each of Criminal Minds, NCIS LA, CSI and Scandal all add up pretty quickly, yet take up remarkably little space in my brain.

I watched six new shows to completion this year, an additional two I made it half way through and actually Orange is the New Black and Justified were both new series for me too which I binge watched from the start and then caught up to the current season. So 10 shows that appear on this year’s list but weren’t on last year’s. In the other direction there were 9 series that I watched last year which didn’t return. Five I chose not to pick up again: Castle (I just got bored with it), The Big Bang Theory (I just missed the start and never felt like catching up), The Following (just too ridiculous), Extant (I don’t think I even got through the whole first season) and The Lost Ship (couldn’t be bothered) . Two I haven’t got round to yet: House of Cards: S3 (it’s in my new Netflix queue) and The Night Shift: S2 (still no UK distributer). Almost Human was cancelled and Fargo didn’t broadcast any new episodes.

The more I think about the list of shows I’ve watched, the more underwhelmed I am with the year. Did I miss something? Have I watched so much TV that I’ve over-dosed and its lost its appeal? I just don’t think anything this year was outstanding. Even the shows that I list below for plaudits are mostly ongoing series that have just continued doing what they do, well. Where were the paradigm shifts? The big evolutions? The watercooler moments? It just feels like a very flat year.

Best Shows
Orange_Is_the_New_Black_Title_CardOrange is the New Black was a show that I’d wanted to watch from the get-go, but couldn’t justify the Netflix cost for. I finally caught up on the first season on dvd and then binged the second and third over a week or so when I finally gave in and signed up to Netflix. The lightness of the humour and the positivity of the relationships is starkly contrasted with the bleakness of the characters’ situations. The acting and writing is wonderful, the slow reveals of characters’ pasts through flashbacks is particularly clever and the whole thing is fresh, original and utterly compelling.

Justified_2010_IntertitleJustified was a great discovery for me, which I should thank Sky Boxsets for. I caught up with the first five seasons in just a few weeks and then got to watch the final season as it broadcast. I loved the whole series, but was particularly impressed that rather than fade away, the final season was actually one of the best. It focussed back on the main trio of characters and played out the uncertainty of “good”, “bad” and “somewehre in between” to the very end. A masterclass in how to close out a series.

americansThe Americans has been slow to reach the UK so I’m only about half way through, but it continues to be absolutely fascinating. The focus is alwasys on the emotional impact of the secrets and lies all the characters have to tell, which is good for me because I often struggle to remember the details of the various conspiracies and am far more interested in watching the phenomenal Matthew Rhys and Keri Russell acting. I feel a bit of a cheat putting something on here that’s only half way through, but it seems unlikely it will take a nosedive now!

Honourable mention: Defiance got off to a surprisingly brutal but very interesting start. There’s so little science fiction on television outside the super-hero genre that it’s a huge relief that this one doesn’t suck.

Favourite Shows
greys anatomyGrey’s Anatomy – only 4 of the original cast are left by the end of season 11. Each time someone leaves I think the show will struggle without them, that their gap will be unfillable, but each time the characters and relationships mature and evolve, not to replace the missing person, but to grow around the gap and evolve the show into something new. I love how the characters have grown, how the relationships mature and how nothing in the past is forgotten, but all makes a part of the present. Yes, it’s a daft soap opera with unbelievable stuff happening, but if you accept that key premise, everything else makes perfect sense. It’s like a comfortable blanket at the end of the day.

Agent_Carter_Series_LogoMarvel’s Agent Carter – while Agents of SHIELD did improve this year it’s still got a lot of problems and the pressure of being a headline show for both ABC and Marvel isn’t helping it. Agent Carter however didn’t have any of the pressure or any of the problems and quietly came along with a phenomenal central cahracter and hugely entertaining story.

Honourable mention: Jane the Virgin was a breath of fresh, if extremely cheesy, air.

Same old, same old (in a mostly good way)
The Walking DeadThe Walking Dead – The relentless pace of The Walking Dead never stops (ironic, given the increasingly shambling nature of the zombies). In the space of twenty odd episodes an incredible amount happened and it’s only through the efficiency of the writing and the talent of the actors that all the characters manage to develop and every nuance is clear. I do wish that we could catch our breath a little, and that the characters could actually find some brief respite and happiness, but I guess that wouldn’t be The Walking Dead.

pennydreadfulPenny Dreadful continues to be an under-watched and under-appreciated gem. The period detail is stunning and the interweaving of various literary characters is fascinating. It’s definitely a show that benefits from watching in chunks though as it is quite easy to lose track of the many different threads.

Mostly honourable mention: Orphan Black has got off to a strong start to season 3 (I’m about 3 episodes in) but its storyline is becoming more convoluted and I hope it’s not going to get lost.

Same old, same old (in a middling way)
CriminalMindsCriminal Minds – I didn’t even bother to review Criminal Minds this year because I honestly have nothing to say and very little recollection of what happened. I mean, I guess it’s safe and familiar (as much as that’s weird to say about a graphically brutal series about serial killers) and it’s not that I want it to be cancelled or dramatically changed, but 10 seasons later it needs some energy.

csiCSI – the final season trundled along much as the last half dozen or so had gone. Unremarkable stories, increasingly losing touch with the actual science and credibility that the show was founded on. Mind you (spoiler alert) having just yesterday watched the final feature length episode, the last season comparatively the creative highpoint of the show.

Middlingly honourable mention: NCIS: Los Angeles continues to have fun with its characters but struggle when it comes to memorable and engaging plots.

Same old, same old (in a bad way)
scandalScandal – oh good lord. It just keeps getting stupider and stupider. The core relationships are all stunningly unhealthy and I endlessly wonder why any of them (friends, colleagues or lovers) stay together when they’re clearly all phenomenally bad for each other and in fact the rest of humanity. I think I might be done.

Game of ThronesGame of Thrones – I’ve finally given up. There’s way too many characters that I really don’t care about, too many drawn out plots that aren’t going anywhere and a complete absence of any real fantasy. I couldn’t take it anymore.

Dishonourable mention: not even James Spader was enough to make me stick with The Blacklist as its convoluted mess of a story left me completely confused and utterly uninterested in who was trustworthy or not.

What happened there?! (in a very bad way)
goodwifeThe Good Wife – I hate seeing The Good Wife down in this section, but the more I think about it, the more frustrated I was by this season. I’d been really looking forward to seeing what would happen with Cary and Alicia’s firm, particularly with Diane joining them… and I was cheated out of it by a ‘too fast’ change of direction that saw Alicia running for State’s Attorney. The ongoing ridiculous arguments with the old firm was just pantomime and Cary’s legal problems were just contrived and frustrating. There’s still a lot of good about the show, but all the major storylines were miss-steps.

Grey’s Anatomy: Season 11

Grey's AnatomyThe show that just keeps going. Of the original interns, only Meredith and Alex are left, of the original ‘grown ups’ only Bailey and Webber (who will forever be The Chief). Only four of the original cast that made me fall in love with the show are still there by the end of this season. The cast has seen some other great characters come and go over the years, but even someone like Callie who has been there since season 2 feels like something of an interloper. So when this season we had to adjust to the absence of Christina and then say goodbye to Derek the show should have suffered.

But it didn’t. Watching Meredith adjust to being without Christina and watching her relationships with other characters grow to compensate was absolutely fascinating. I particularly love her relationship with Alex. Evil Spawn has come a long way and yet is still true to the somewhat obnoxious character he was on day one. He and Meredith *get* each other like no one else really does, probably not even Derek or Jo. Watching him become ‘her person’ was so satisfying.

Then with the loss of Derek, Meredith has to grow all over again. I have never been a fan of Derek and am not particularly sorry to see him go. As Christina said, he may be dreamy (although he doesn’t actually do anything for me), but Meredith is the sun. It’s more interesting to see the effect he has on her than it is to watch any of his self-important preenings. The fact that he went out in such a stupid way (doing a 3 point turn on a blind bend and pausing to find his phone, I mean, come on) was quite fitting I thought.

While Rhimes may not be particularly great at writing good leading men (President Grant on Scandal is even worse) she excels at relationships. There were 14 main characters on the show this year and just about every connection had depth, all completely grounded and aware of the complicated shared histories. Every time there’s a reference to an event in a previous season I give a little cheer; the connections of love, betrayal, frustration and forgiveness are all there and all track through.

Fundamentally this is a soap. So the plots have to occasionally be ridiculous. There have to be so many life events to drive narratives that it can become repetitive. There are little tricks used to change things up, the turnover of characters helps there, as do things like accelerating timelines so we don’t have to spend a dozen episodes watching people slowly mourn. The medical cases are pretty daft, the emotional manipulation pretty blatant and the number of workplace romances likely to drive any HR department to drink. But it doesn’t matter. I love it. I love these characters (the ones that are present and the ones that have gone) and I can’t wait to see what ridiculous things are thrown at them next.

The Upfronts 2015: ABC

ABC network logoOf all the American Broadcast Networks, it seems ABC is my natural match. I watch, or have watched more shows on this channel than any other, although even I would be hard pressed to describe some of them as ‘good’. I don’t know whether it’s just my good luck, or if I’m just synced up with what Americans want to watch, but ABC is also having a particularly successful run of things, with renewals far outnumbering the cancellations and some impressively long running series.

Finished or Cancelled
Forever is the only cancelled show that I was sort of watching. I liked the pilot and stuck with the series for the first half dozen or so episodes mostly thanks to the charismatic acting combo of Ioan Gruffudd and Judd Hirsch. But the momentum fell away and it slipped into ‘stuff to watch while cooking’ territory and then slipped off the list altogether. A bit of a shame really. It did see out the whole season though, which is more than can be said for Manhattan Love Story which won this year’s prize for fastest cancellation, airing only 4 episodes before the plug was pulled. Selfie made it 6 episodes, Cristela made it the whole season.
Revenge was a show that to me took the themes of the channel to an extreme and showed how hateful it could be. It made it four seasons though, so what do I know. Resurrection was a show that while more engaging that the French version Les Revenants still wasn’t quite compelling enough for me to watch and was cancelled after its second season.

Returning
greys anatomyShonda Rhimes continues to rule supreme, Grey’s Anatomy enters season 12 (although losing another original cast member this year may signal it’s living on borrowed time), the ever more ridiculous Scandal goes into season 5 and How to Get Away with Murder makes it to season 2 (I somehow missed it when it aired in the UK and am waiting for it come around again). Marvel’s Agent Carter gets a second season following its 8 episodes this year, to compliment Agents of SHIELD which swings widely in quality, but maybe Joss Whedon will spend some time with it now Avengers is done.
castleI actually gave up on Castle this year, I just got bored by it. It was touch and go for a while whether both Fillion and Katic would sign up for season 8 but they did, and back it comes. Once Upon a Time and Nashville are both series where I enjoyed the first season, but got lost and disinterested in the second and never bothered returning to. They’re renewed for seasons 4 and 5 respectively. Secrets and Lies is a new drama that completely passed me by but got renewed for season 2, American Crime is an anthology series (cf American Horror Story) and has been renewed for a second season with a whole new story but an overlapping cast.
ABC also has a pretty strong sitcom line up renewing six in all, upcoming season in brackets: Black-ish (2), Fresh Off the Boat (2), Galavant (2), The Goldbergs (2), Last Man Standing (5), The Middle (6) and Modern Family (6).

New in Autumn

The Muppets: The Muppets are back. Just like the original Muppet Show, it’s behind the scenes as they put on a show, this time a television late night chat show rather than a variety show. The series is set up as a behind the scenes documentary, including little interviews etc and aims to be more grown up. The trailer wasn’t as funny or as nostalgic as I might have hoped and they actually used the phrase “like you’ve never seen them before”. Honestly, what idiot writes these trailers?


Dr Ken: Ken Jeong a comedian who I find irritating in everything he does (most notably Community) now has his own show to spoil all by himself. The trailer was so painfully awful that I only made it half way through.


Quantico: A group of new recruits join the FBI training academy which is half military level special ops and half high school summer camp. But there’s a terrorist attack, one of the recruits is a traitor and another one is framed and must clear her name. I found the trailer deeply confusing, so I’m not sure whether the series told chronologically or in flashbacks. It also had a terrible narration that hopefully will not carry through the series.


OIL: Rich families, oil fields, money, poor families, American dream, yadda yadda yadda. Utterly not interested.


Of Kings and Prophets: Based on the biblical Books of Samuel, it looks like Game of Thrones with even fewer dragons. The trailer hovered on the edge of parody I felt and Ray Winstone may be the worst casting I’ve ever seen.

Coming later

The Catch: A woman who chases con-artists is herself conned by the man she spent a year with and was going to marry. I’m guessing the series will comprise her occasionally taking cases but mostly dealing with her personal stuff. It’s Shonda Rhimes again, so expect a strong female lead, a horrible male lead that we’re supposed to find dreamy and increasingly ridiculous plots that all combine into something incredibly compelling that you sort of hate yourself for.


The Family: Ten years ago Claire’s son disappeared. Now she’s the mayor and about to run for governor, and the son she thought was dead has reappeared. It’s a good idea for a film or mini-series, but I’m not sure it’s got the legs for a whole series. Still it’s actually an original idea so I’ll give it a try and see where it goes.


Wicked City: St in Los Angeles in 1982 following a serial killer and the investigation. I’m not sure how this can stretch into a series without becoming exceptionally repetitive and frustrating.


The Real O’Neals: A perfect catholic family turns out to have a few secrets. I may be desperate and mistaken, but I didn’t spot anything offensive or depressing in this trailer. I actually smiled a couple of times.


Uncle Buck: posh people get sufficiently desperate for a babysitter they call Uncle Buck who takes the kids to bars and is disreputable in a pre-watershed kind of way. Nothing horrific, nothing that exciting.

Grey’s Anatomy: Season 10

Grey's AnatomyI find myself filled with a pretty significant ambivalence about writing this review. I mean we’re talking about season 10 (which I had to look up) of a show. I mean, what am I going to say? Grey’s Anatomy season 10 is pretty much like season 4 or 8 of Grey’s Anatomy.

I thought about spending some time tracking whether there was a pattern (like even star trek films) which would explain waves of terrible storylines or characters, but I concluded that was just too much effort and analysis to apply to something that’s fundamentally a soap opera. It’s a glossy, expensive prime time one, but nevertheless it’s a soap opera whose characters are at the mercy of writers who have to fill 20 odd episodes a year with melodrama and a few episodes each year with enough drama and scale to draw in bigger audiences for sweeps. It’s not rocket science, sweeps week rolls around and something is going to explode all over a relatively big name guest star.

Of course it doesn’t make sense that the characters continually have no concept of birth control, or blindly walk into electrocuted puddles, or get drafted by the president, or get given a hospital in Zurich. The plots are ridiculous but I can just about deal with that so long as the characters’ responses to the insanity around them are self-consistent, and this season at least they did seem to be. Characters remembered what had happened before and learnt from it (except for the birth control bit), they moved forward and even occasionally had conversations about their feelings and talked about their issues like grown-ups. So it may be ridiculous that Burke offers Christina a hospital, she at least acknowledges that it’s like he’s Willy Wonka. There’s a self-awareness to the whole thing that sort of undermines any criticism.

If you didn’t watch, or didn’t like Grey’s Anatomy season 1 then you’re sure as anything not going to like this. But if you’ve been with the show, following these characters for 10 years, then you’re pretty unlikely to give up now. I’ve spent more years with some of these characters than I have with people I consider close friends and that emotional connection is powerful whether I like it or not. Knowing Sandra Oh was leaving, I thought I was prepared, I’m not even that big a fan of the Christina character, but as she and Meredith danced one last time I pretty much wailed into a tissue box. I mean, say what you like about the stupidity of the storylines, but to get that kind of reactions… they’re doing something right.

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