Posts Tagged ‘ once upon a time ’

2012-13 Season – the best and the worst

2012_2013As the new season has officially started, it’s time for my wrap up of the 2012-2013 season! From the list below it really looks like I’ve watched 46 television series this year, which frankly even I find amazing, given that last year I was astonished that I’d gone from 28 to 39 series. Admittedly 10 of those series are still in progress and a couple might not get finished, but even without those, it’s still probably somewhere in the order of 700 episodes.

The Americans: S1
Blue Bloods: S3
The Big Bang Theory: S6
Bones: S8
Borgen: S2
Broadchurch: S1
The Cafe: S2 (in progress)
Castle: S5
Chicago Fire: S1
Criminal Minds: S8
CSI: S13
CSI: NY: S10 (in progress)
Defiance: S1
Doctor Who: S7
Downton Abbey: S3
The Fall: S1
The Following: S1
Forbrydelsen (The Killing): S3
Fringe: S5
Game of Thrones: S3
The Good Wife: S4
Grey’s Anatomy: S9
Hannibal: S1
Homeland: S2
House of Cards: S1
House of Lies: S2 (in progress)
Hunted: S1
Last Tango in Halifax: S1
Luther: S3
Mad Men: S6
Merlin: S5
Nashville: S1
NCIS: LA: S4 (in progress)
The Newsroom: S2 (in progress)
Once Upon a Time: S2 (in progress)
Orphan Black: S1 (in progress)
Les Revenenants (The Returned): S1
Scandal: S2 (Review to come)
Smash: S2 (in progress)
Supernatural: S8 (in progress)
The Thick of It: S4
Utopia: S1
Vegas: S1
The Walking Dead: S3
Warehouse 13: S4 (in progress)
Young Doctor’s Notebook: S1

There are also a few miniseries I watched (mostly British) – Dancing on the Edge, In the Flesh, What Remains (to be reviewed), The Secret of Crickley Hall and Southcliffe.

Best Shows
The Walking Dead title screenThe Walking Dead – I think this may be the show I obsessed most about this year (although see Scandal later on). I pounced on every episode as soon as I could, read analysis, studied trailers, frankly it’s a bit embarrassing. But what makes me really happy is that the show warrants its place in the best list, not just the favourite. The quality of this show is outstanding, from the breathtaking direction to the elegant writing and heartbreaking acting. There were a few miss-steps with the plot, but overall, this show is right up there with the likes of Battlestar Galactica for raising genre to a new level.

GoodWifeThe Good Wife – It’s hard to think of new superlatives to describe The Good Wife, from the very first episode of season 1 this show has been consistently good, interesting and entertaining. Sadly that consistency also applies to the ongoing poor usage of Kalinda, but if that’s the only problem with the show, then it’s still leaps and bounds above most of its companions on the schedules.

House of CardsHouse of Cards – It’s notable that of the three best shows I’ve selected one is on Cable, one is on Network and the final one is on neither! Thanks to Netflix it’s now possible to get exceptional television series completely independent of the television channels. House of Cards was smart, challenging and exceptionally well made and throws a real challenge at the traditional broadcasters.

Honourable mentions – I’m only 2 episodes in, but Orphan Black is rather amazing and reminiscent of the also stunning Utopia. Broadchurch was outstanding, blending believable responses to horrific events with a British humour and A Young Doctor’s Notebook was surprisingly weird and engaging.

Favourite Shows
scandalScandal – I haven’t written my review of this yet, because it would mean admitting that rather than waiting for the weekly episodes on the television, I was so addicted to the show, I saught out an alternate source and watched the whole season pretty much back to back over the space of a weekend. The story is utterly ridiculous, but I found it incredibly addictive. Shonda Rhimes has recreated the Grey’s Anatomy magic, it doesn’t matter how bad it is, I can’t let it go.

americansThe Americans – It’s almost impossible to talk about this show without comparing it to Homeland, which appeared on my best shows list last year, but is significantly absent this year. The Americans gets right everything that Homeland got wrong in season 2, it never took itself too seriously, never sacrificed consistent character development for cheap cliffhangers and remembered that spies (even in the 80s) are cool!

BorgenBorgen – Last year Borgen was in the ‘Best shows’ category, this year I move it to ‘Favourite’ because although I still adore it, I just didn’t think it was as good. I had a lot of trouble with the storylines and characters this season, many set off down unfortunate paths which ultimately led to dead ends and frustrations. But despite that, it’s still hugely entertaining, with sparkling dialogue, beautiful direction and an unfailing ability to draw me in.

Honourable Mentions – hmm, the fact I’m struggling to find ones of note is a bit of an indicator that this years shows have really gone to the extremes of “great” and “meh”. Nashville was reliable ridiculous fun (far far more successful than the increasingly awful Smash) and Last Tango in Halifax was endearingly easy watching. Oh, and there have been great moments in the first few episodes of The Newsroom, but those moments of brilliance are unfortunately surrounded with some real mediocrity (and that’s being charitable).

Actors
bBroadchurchI think there should be some kind of awareness that there is great acting going on in the oddest of places. Awards are generally given for great acting in great shows. That really is a bit chicken and egg, is the acting great because of the writing, or is the writing great because of the acting? For shows like The Walking Dead, House of Cards, Broadchurch, The Americans and The Good Wife, the quality just feeds back and forth elevating both to wonderful heights.

The Thick of ItThe more impressive achievement I think is great acting taking place in mediocre or even awful shows. The cast of Homeland did an admirable job with truly terrible writing as did some of the cast of Hannibal. The Thick of It had serious structural problems from a watch-ability point of view, but it did mean everything built up to the stunning inquiry which offered each of the actors an opportunity to give a masterclass in characters. Peter Capaldi was of course the star (and the only problem I have with him being Doctor Who is that he’ll have less time to do work like this), but everyone in the cast was incredible in that episode.

lutherThen you’ve got the type of performances that complete transcend and transform the shows they are in. Performances from Idris Elba (Luther) and Peter Dinklage (Game of Thrones) seem like they’re in entirely different leagues to everyone around them, bouncing off the screen with originality and charisma and really are the only reason I watch the shows. I came to Nashville because I love Connie Britton, but was surprised that I stayed with it in equal parts for was wonderful performance from Hayden Panettier. Between the two of them they made the ridiculous soap opera watchable.

Grey's Anatomy CastWhen it comes to relying on her actors to sell ridiculous storylines however, Shonda Rhimes is queen, I forgive Grey’s Anatomy its many sins because of actors like Chandra Wilson, Ellen Pompeo and Sandra Oh. I forgive Scandal for being demented because of actors like Kerry Washington who portrays Olivia Pope with such hardness and such softness, Jeff Perry who makes Cyrus the kind of manipulative bastard you want to share popcorn with and Guillermo Diaz who makes you want to give Huck a cuddle even if he is a terrifying psychopath.

Disappointments
Mad MenMad Men – If not for the fact that the next season will be the last, Mad Men season 6 would have been the nail in the coffin for me. I’ve just got no interest in watching a show increasingly dedicated to the unpleasant and repetitive character that is Don Draper. He goes round and round in destructive circles, holding back the other characters and the show itself from really developing.

Once Upon a TimeOnce Upon a Time – I’m struggling to find the enthusiasm to watch the whole season of this I have backed up on my Sky+ box. I think there are just too many characters (particularly given almost every character has a fairy tale alter-ego), too many worlds and too many storylines. I don’t care enough to watch every week, and without that regular viewing I lose track and therefore care even less.

fringeFringe – I’m sorry, but the final season of Fringe just wasn’t as good as the previous seasons. Jumping to the future threw everything off for me, it wasn’t as much fun, I wasn’t as engaged and it felt less original. It did however at least offer a solid ending to the show, so I am still grateful for that.

Things I Didn’t Watch
SonsOfAnarchyIn many ways the 2012-13 season was notable for the things I didn’t watch. Several shows that I’ve previously loved, I just couldn’t bring myself to watch. Glee and NCIS both got dropped because I was fed up with the inconsistent writing. I tried out Hawaii Five-0 to fit the NCIS spaced gap, but though I love the dynamic between the two leads, it wasn’t enough to keep my attention through the mind numbing plots. I also dropped Veep because I just didn’t find it funny enough to overcome the frustrations with stupid characters.

My reasons for stopping watching Girls are rather more profound. Like Veep, I didn’t think it was funny and I found the characters frustrating, but I had an extra level of repulsion to the series because it seemed to be claiming some greater reality than something like Veep. Lena Dunham, either through her own claims or those of the media appears to think this is what young women in New York are really like. Given that I think the characters are pretty hateful people, if that’s truly what this section of humanity is like, then I want nothing to do with them, even through the abstract medium of television.

This year’s high profile casualty is actually more about the fact that the writing is too good. Sons of Anarchy is a superb television show, but by making me care so much about the characters, the relentless misery heaped upon them has just become a bit much. As their situations become increasingly hopeless I found myself dreading each episode until eventually my anxiety overcame the quality and I remembered that I didn’t have to watch if I didn’t want to. It’s the same reason that I’m unlikely to watch Breaking Bad beyond the first season, that was enough for me to understand how good it was, and enough to for me to know I just didn’t want to watch something that hard.

To end this section on a positive note however, even though I didn’t get along with this season of American Horror Story (I just didn’t feel any connection to any of the characters) the clever thing about the way the series is structured means that I can try it again next year when it moves on again to a new set of characters and stories.

Local Talent
utopiaEvery year I pledge to watch more British television, and this year I actually managed it! A lot of it suffers from, what Sky’s director of entertainment eloquently described as “po-faced stick up your backside morose drama”. When done well that sort of thing is hard but fascinating to watch, but when done badly it’s just dull. Southcliffe fell into the latter category unfortunately, The Fall was doing well until it failed to reach a conclusion that just left a bad taste in the mouth. On the plus side Utopia was quirky, brutal, intriguing and beautiful to watch, and Broadchurch was utterly engrossing and entertaining from start to finish. It’s a good job David Tennant was so good in that though, because The Politician’s Husband was horrific and I know at least one person who’s Tennant crush has been permanently damaged by the dialogue he was forced.

Downton AbbeyA lot of dross was also put out claiming to be ‘pure entertainment’ with Mr Selfridge and The Paradise both trying to capture the ongoing magic of Downton Abbey and failing catastrophically. Hunted was entertaining, but nowhere near interesting enough to make me want to watch a second season. Sky’s offerings of The Cafe and Young Doctor’s Notebook are far from what I’d expect from the juggernaut, both understated and unusual.

Once Upon a Time: Season 1

I got quite behind watching Once Upon a Time so had to do my various season round-ups before I’d finished it, so loyal readers will already know that I’ve been pretty impressed and would consider it one of the most entertaining new series of the year.

There are a few ingredients that have to be brought together to bake a successful television series, miss out any of those components and you’ll end up with something disappointing. Once Upon a Time successfully brings the ingredients together, and not just to make a boring Victoria sponge, it’s got unusual stuff in there that makes something that you may feel uncertain about at first, but turns out to be rather inspired.

The universe of Once Upon a Time is both unique and fascinating. On one hand there’s the fairy tale world which mixes together just about every fairy tale character that you know in a way that impressively maintains their own stories while merging everyone together into a new story over the top. Then you’ve got all those characters relocated to the ‘real’ world (well at least, small-town America real) where they can’t remember who they are, yet still have similar characteristics.

Each episode focuses on one of the characters, revealing their backstory in the fairy tale land and linking them in with the wider, gradually developing story of how everyone came to be exiled to the real world. Meanwhile, the rival forces for good and evil (and all the shades of grey in between) in the real world are hatching schemes and counter-schemes, forming conspiracies and constantly changing allegiances. Everything is carefully inter-twined and paced, making each episode satisfying to watch, while constantly building into the overall storyline. It’s definitely a show that you need to watch each episode in order, and I’d strongly recommend watching in chunks rather than week by week. But despite dozens of characters and storylines, I never lost track or got confused.

The cast is absolutely superb. In the fairy tale land they’re all gloriously over the top and in the real world, well they tone it down a bit but are still, shall we say, enthusiastic. Lana Parrilla and Robert Carlyle are deliciously conniving as the Evil Queen and Rumpelstiltskin, both clearly thoroughly revelling in their evilness. Ginnifer Goodwin’s Snow White is more warrior princess than wilting princess and in the real world she has a similar strength and power, all be it buried within a slightly soppy primary school teacher. Jennifer Morrison probably feels a bit hard done by, not having a fairy tale land counterpart (she could maybe form a support group with Joshua Jackson from Fringe) but is a wonderfully relatable character, the normal person thrown into the weird stuff but desperately trying to keep up for the sake of her friends and son. In fact, this is a great set of characters for female actors, they dominate the cast and if there’s a weak link at all, it’s Prince Charming who’s rather wishy washy, never really getting the chance to be heroic!

The icing on the cake (to go back to my metaphor) is that the series is beautifully designed, the costumes, locations and sets in the fairy tale world are glorious, while even the real world has plenty of visual clues and details that bring everything together. Even the title card is changed each week to highlight the focussed character.

This is a really lovely series, full of great characters and a fun blend of drama, humour, romance and action. It’s one of those shows that is just plain nice, bringing a little touch of magic to your living room.

The 2011-2012 Season

I’ve been dragging my feet on my season round-up post as I’ve been trying to polish off a few more series. But all the new stuff is starting, so the time has come to just get on with it! I’ve watched 39 series this year, last year was 28 so that’s a pretty terrifying increase! A fair number of the series are only a handful of episodes though (for better or worse) so I figure the number of episodes is about the same, somewhere around the 600 mark.

American Horror Story – S1
Awake – S1 (In progress)
The Big Bang Theory – S5
The Big C – S2
Blue Bloods – S2
Bones – S7
Borgen – S1
The Bridge – S1
The Cafe – S1
Castle – S4
Criminal Minds – S7
CSI – S12
CSI:NY – S8
Downton Abbey – S2
Forbrydelsen (The Killing): S2
Fringe – S4 (in progress)
Game of Thrones – S2
Glee – S3 (in progress)
The Good Wife – S3
Grey’s Anatomy – S8
Homeland – S1
House – S8
The Jury
Luck – S1
Luther – S2
Mad Men – S5 (In progress)
Merlin – S4
NCIS – S9
NCIS: LA – S3
The Newsroom – S1
Once Upon a Time – S1 (in progress)
Outnumbered – S4
Sherlock – S2
Smash – S1
Sons of Anarchy – S4
Supernatural – S7
Terra Nova – S1
Veep – S1
The Walking Dead – S2
Warehouse 13 – S3

There are a few other bits and pieces that didn’t make the list, mostly documentaries, many of them really rather excellent – Inside Nature’s Giants, David Attenborough’s Kingdom of Plants filmed at Kew Gardens, Frozen Planet, Wonders of the Universe to name a few.

BEST SHOWS
Borgen. “The Danish West Wing” is an overused label, but it’s so accurate it’s hard to resist. It’s not just the subject matter that draws the comparison, but the quality of writing and production and, sadly, the ability for it to break your heart as characters realistically, but depressingly make the wrong decisions.

Fringe. For complicated housemate related reasons I still haven’t seen the final two episodes of this series, but I can’t see how they would do anything that would mean the series drops from this list. Fringe continues to evolve into a spectacularly complex, yet completely followable series while never forgeting to actually entertain its audience with self-aware nods to the ridiculousness of the situations.

The Good Wife. A brilliant cast, fascinating storylines, sure and steady character development all polished off with sparkling dialogue makes a package that’s just a complete and utter joy to watch. In a world of mediocre network procedurals, this one is so far ahead it’s clearly in a different league.

Homeland. Another show that’s complex yet accessible. The gradual reveal and development of characters is fascinating and I was on the edge of my seat all season not knowing which way anything was going to go.

Mad Men and Awake could potentially be added to this list, but I am less than half way through each.

FAVOURITE SHOWS
The Newsroom. This show was the one I’d been most looking forward to, and I’m slightly devastated that I can’t include it in the ‘best’ category. But despite massive flaws with the characters and a preachiness that even I find rather troublesome, it’s still one of my favourite shows of the year. That may be blind Aaron Sorkin obsession, but I don’t care.

American Horror Story. A huge collection of characters and stories intricately interwoven and elegantly revealed over the span of a carefully structured series. It felt both innovative and yet thoroughly grounded in the history of the genre. I’m especially happy that each season is completely self contained, so nothing is dragged out or has the chance to get dull.

Smash. It’s original and fun, balancing cheesiness and melodrama with engaging characters and a surprisingly real feeling storyline. I’m really looking forward to next season, particularly given they’re getting rid of all the annoying characters.

Once Upon a Time. Another new show that’s original and fun. The storyline is incredibly complex yet revealed so elegantly that there’s never any difficulty keeping up. It’s beautifully designed and just a lovely series to watch.

ACTORS
I sort of covered my thoughts on actors in my Emmy post, so here are some broader thoughts.

House . Hugh Laurie gets the most praise publicly, but the whole cast of the series are absolutely superb. Robert Sean Leonard as Wilson completely and utterly broke my heart, Peter Jacobson (Taub) cracked me up, Olivia Wilde (Thirteen) stole the very few scenes she was in, and Jesse Spencer (Chase) produced one of the most satisfying character developments I’ve seen in a long time.

Homeland . One of the few things that myself and those that vote for awards actually agree on, the superbness that are Claire Danes and Damian Lewis. I however would go a lot further and also heap praise on the supporting performances by Morena Baccarin and Mandy Patinkin.

Sons of Anarchy. Award voters clearly have some kind of blind spot when it comes to Sons of Anarchy, because year after year they completely fail to register the incredible performances throughout the cast, but in particular from the female leads Katey Sagal and Maggie Siff

Katharine McPhee (Karen) and Megan Hilty (Ivy), Smash – I loved the dance the characters went on, competing with each other but respecting each other’s talents; sometimes gracious, sometimes bitchy. And boy can they belt out tunes! Also Jack Davenport (Derek) had some of the funniest lines of the year!

Fringe . The cast are good as their primary characters, but what’s impressive is that most of them then go on to play the same person in the alternate universe, each of them the same person but with slight variations. It’s astonishing, they are the same person yet completely different, it’s mind twisting and fascinating. I can’t imagine a greater challenge as an actor. While Anna Torv and John Noble rightly get a lot of praise, the performances of Jasika Nicole (Astrid) and Seth Gabel (Lincoln Lee) are just as subtle. Poor Joshua Jackson must feel rather hard-done-by without an alternate version to play with. He is pretty though.

The Good Wife – so many great performances and characters that I love from both stars, supporting characters (I could watch Josh Charles and Christine Baranski do the Will and Diane show all day long) and a dream list of guest stars (Michael J. Fox, Martha Plimpton, Matthew Perry – all playing deliciously slimy characters).

GOOD THINGS
Booth and Bones getting together on Bones. I was completely against it, but cheerfully admit I was wrong. Having them jump from no relationship at all to living together and having a baby brought a breath of fresh air to the series. It was handled with such lightness and charm, with both characters bending to accommodate the other, but not making any fundamental changes… beautifully written and acted. Here’s hoping Castle can do the same.

The end of House. A series going out gracefully and winding everything up with a collection of satisfying resolutions for all the characters. House has never been about the medicine, but about the puzzles and about the people, while I may personally wish that Wilson had a different conclusion, it all fed in so perfectly and everyone ended up where they were supposed to be.

Creativity! It felt like there was some variation with what’s on TV, not just an endless stream of interchangeable procedurals. Shows like American Horror Story, Game of Thrones, Once Upon a Time and Walking Dead (finally) are investigating what it’s like to bring non-traditional genres to television, and shows like Smash, Luck and The Newsroom brought different subjects to the screen.

Female Characters! There are plenty of people out there who have and will write far more eloquently on the plight of women in television, but this year has felt like a relatively good year. Shows are full of strong women doing their jobs, raising their families and doing so as if it’s the most natural thing in the world. Shows like The Good Wife, Smash, Once Upon a Time and Grey’s Anatomy have dominantly female casts, and almost everything else has a nice balance. Even something like Downton Abbey with its period constraints provides some wonderful roles for female actors.

BAD THINGS
Lighten up! Supernatural is superb, but it really really needs to lighten up a bit! It’s turned into something I have to force myself to watch, rather than something I really look forward to. The same argument could be made for Sons of Anarchy. Relentless depression is just not entertaining to watch, I’m not saying they suddenly need to be all sunshine and puppies, but just every now and then, let them catch a break.

NCIS . After 9 seasons, I realised there’s no point in watching this any more. The plots are utterly disposable and the characters are disastrously erratic. The last two seasons I’ve relegated it to ‘ironing watching’, but I’m even giving up on that (the show, not the ironing sadly).

Glee. I still haven’t managed to get to the end of the season having realised that I’m increasingly just fast-fowarding episodes. I just got sick to death with the terrible writing which completely undermined the charm of the characters and the talents of the actors. It just stopped being fun.

Still no spaceships. Can no one make this work?

Too short! Sherlock and Luther both had only 3 episodes, each ‘double’ length. It’s not enough. There’s the obvious problem that like a small child if I like something I want more of it, but it also really hampers the ability to get invested in characters and stories, just as you’re settling in, it’s all over and the voice over man is saying “will return in 2014”.

PS
In preparing this article, I went back and looked at my summaries of last years shows and I have to highlight the following phrase in my summary of 2010-2011’s new shows:

Superheroes are out – there was a flurry of superhero shows and none of them were any good. People keep trying to find the magic of the early season of Heroes and the massive success that’s being found by Marvel and DC Comics at the cinema, but no one’s managed it yet. Here’s an idea, stop pissing off Joss Whedon and get him to do one, after he’s done making millions with The Avengers that is.

I rejoice in my ability to predict the future and can’t wait to see what Joss does with S.H.I.E.L.D.

2011-2012 – New Shows

36 pilots this year. As usual the vast majority of them are American series, but there’s a couple of British ones in there and almost as many Scandinavian ones!

Things I watched
American Horror Story – something very different for television, not always brilliant quality, but addictive
Awake (cancelled) – (not yet finished), clever and challenging.
Borgen – superb. The plots and characters didn’t go the way I wanted them to, but it was extremely well written, acted and produced.
The Bridge – great premise, not particularly well realised. Some fun and interesting characters let down by a disappointing plot.
The Cafe – utterly charming, although maybe only because it’s set in the town that I spent all my summer holidays and it re-creates it to a tea.
Homeland – fascinating (although occasionally frustrating) twisty plot and superb acting.
The Jury – properly awful ITV drama, but my excuse for actually watching it is that it was only 5 episodes and I had a cold.
Luck (cancelled) – incredible footage of horse racing surrounded by a too complicated plot and utterly incomprehensible characters.
The Newsroom – (not finished yet), swerving wildly from breathtakingly good, to really rather rubbish.
Once Upon a Time (not finished yet) – a nice idea, charmingly done. It’s not going to set the world alight, but it’s really rather lovely for Sunday evening relaxed viewing.
Smash – something different! Hugely entertaining with the exception of a couple of terrible characters who have sensibly been cut for next season.
Terra Nova (cancelled) – it had problems, but as Saturday evening ‘fun for all the family’ it was pretty good.
Veep – Some good dialogue, but I don’t like comedies about stupid people. I only really watched it because it was a short season.

Last year I only picked up eight new series, this year it’s thirteen so it’s been a better year on numbers, and actually the more I think about it, the more positively I think about the new season. It doesn’t feel like a spectacular year, but it’s got a few quiet stars, but once again they’re all on cable channels in the US (Homeland, American Horror Story, even The Newsroom), network channels are really struggling to find anything remarkable.

Things I might watch
House of Lies – quirky and entertaining pilot, with some charismatic performances and no problems with being unlikeable.
Scandal – show about legal ‘fixers’ working in Washington DC from the people that brought you Grey’s Anatomy. For some reason I failed to review the pilot, but it had potential. Yes, it was cheesy and predictable but the fast paced dialogue was entertaining and the characters and storyline had potential. Doesn’t seem to be airing in the UK though.

Things I might have watched if they weren’t cancelled
Alcatraz (cancelled) – a sparkles pilot just didn’t inspire me but I could see some potential, I was going to give it a chance, but then it was cancelled
Prime Suspect (cancelled) – fascinating central character and good line up of actors, with an interesting directorial style to it all.
The Playboy Club (cancelled) – Surprisingly entertaining and interesting, but pretty much doomed
The Secret Circle (cancelled) – Teenage witches in a small town with plenty of mysteries. It was pretty cheesy but I found myself somewhat charmed (pun intended!).

Things that weren’t bad, but I just didn’t like
GCB (cancelled) – I did laugh and enjoy pilot, but I hated myself for it a bit so didn’t really want to watch any more, then it was cancelled so I didn’t have to decide.
A Gifted Man (cancelled) – a well put together pilot, interesting concept, well written directed and acted. But I couldn’t see any way the story wouldn’t end badly for the characters and I just didn’t want to watch that happen.
Grimm – it reminded me of lots of other things, all of which had been done better than this. It felt small and boring.
New Girl – As comedies go, I didn’t hate it, but I just didn’t really feel like watching any more.
Touch – too manufactured and artificial and not very well written.

Things that were rubbish
The Body Farm – badly written, badly acted and less scientifically sound than CSI Miami.
Charlie’s Angels (cancelled) – awful. Just awful.
The Finder (cancelled) – I only watched the backdoor pilot in Bones, but it was packed with irritating tropes (bloody awful accents, know it all characters, intellectual tough guy)
Hart of Dixie – cliché ridden awfulness.
Hell on Wheels – utterly un-engaging.
Pan Am (cancelled) – a bit boring and too plastic and artificial feeling
Person of Interest – charisma vacuum characters making ridiculous decisions and delivering cliché ridden dialogue
Revenge – utterly unsympathetic, hateful characters
Ringer (cancelled) – Terrible pilot with crappy production and a daft premise.
The River (cancelled) – Fun concept, delivery was painfully awful. The pilot was a double episode and it was so bad I couldn’t bring myself to watch the second half and never got round to reviewing it.
Titanic – I was rooting for the iceberg.
Unforgettable – An ironic title given it was pretty unremarkable, it’s a good cast but cheesy dialogue and cliché premise and plot left it not making any impression.

Finally some creativity!
I was critical last year that it didn’t feel like there was any creativity in the line up, everything was either a thinly veiled recreation of another successful show, or at best a ‘bog standard’ example of a genre that wasn’t represented on TV (Walking Dead, Game of Thrones). Someone seems to have listened to me, because this year did offer up some refreshing originality.

Shows like Smash, Once Upon a Time and Awake all had novel ideas or settings at their hearts and even though they weren’t always successful, I did at least want to cheer them on for giving it a try! American Horror Story set about bringing the horror genre to TV in the same way Walking Dead brought the zombie genre, but did a lot better job of merging the genre and the platform and made something really fascinating. Mind you, there were still some unremarkable procedurals and ‘rehash’ shows out there, Pan Am (and to a lesser extent The Playboy Club) tried to capture the period appeal of Mad Men and fell on their faces.

I’m right, everyone else is wrong
One thing that I find interesting is looking at the shows that I liked that got cancelled (annoyingly) and the shows I hated that stuck around (unfathomably). One show I was disappointed to see cancelled was Terra Nova which I suspect was rather miss-pitched as a primetime weekday evening show, when really it fits best in the early Saturday evening family slot (which the American’s don’t really seem to get like the UK does with Doctor Who and Merlin and the like). The other was Awake, which was an intriguing concept well played by Jason Isaacs (hello!) but was maybe a little slow for mass audiences. Mind you, I can’t really judge that harshly those that didn’t watch it, as I haven’t actually finished the series yet.

On the flip side I guess I’m saddened, but not surprised that some of the horrifically cheesy, cliché ridden shows found an audience (Hart of Dixie, Revenge). Why anyone wanted to watch Jim Caviezel suck all the life out of the room in Person of Interest is a mystery to me though.

Don’t believe the hype
Looking back at the upfront coverage, it seems that the big shows had the odds stacked against them. “Eagerly anticipated” programmes with big budgets and big names attached struggled to find the ratings to match their budgets – Steven Spielberg’s Terra Nova, JJ Abrahms’ Alcatraz, DeNiro’s NYC 22 (such a failure I didn’t even notice it go by), Sarah Michelle Gellar’s return in Ringer, the spin off for Bones, all fell flat. Only slightly more successful were the new Shonda Rhimes show Scandal and while Smash lived out the season it was far from the eponymous hit that was expected, and I’ve never seen a show create a more confused critical reaction of loving and loathing it than Aaron Sorkin’s The Newsroom.

Meanwhile, the darlings of season are based on an Israeli show and from the critically hounded creator of Glee. Homeland dared to be smart and used extraordinary actors to keep audiences on the edge of the seat, while American Horror Story did exactly what it said on the tin and wrapped its story up miniseries style.

Oh UK
I’ve really tried to find more UK shows to watch this year, but there’s been precious little of interest on UK channels. In addition to the stuff I’ve mentioned above which was at least bad enough to bother reviewing (Titanic – why and how are you so rubbish?!) I tried out probably half a dozen others and didn’t even get as far reviewing, often not even as far as the end of the first episode. Recent examples include ITV’s Last Weekend which was so full of foreboding it was laughable, and BBC’s Parade’s End which was mumbly and dull. As a rule I found the UK shows I watched either too impenetrably complicated for my little brain or killed by terrible production values.

It’s quite telling that I watch more Scandinavian shows than I do British ones. Well done to BBC for airing them at least, but I’m not sure what it is that’s stopping the UK channels making stuff this good. Maybe I’m just not looking in the right places. If anyone has any recommendations I’d be very grateful!

Once Upon a Time: Pilot Review

A brief explanation of the concept of this is actually pretty tricky as it involves three entirely different realities colliding. First up you have the land of fairytales, with dwarves, Snow White, Prince Charming, Pinocchio, Rumpelstiltskin, the whole lot of them. The Evil Queen throws a strop and sends everyone to “somewhere horrible”. That takes us to reality number two – Storybrooke, a quaint little American town where all the fairy tale characters have forgotten who they are and are living their lives. Except there’s something weird going on with time not moving and people not aging.

The final reality that comes crashing into all of this is Emma Swann, a Boston Bail Bondsperson who’s tough, but lonely and suffers some abandonment issues. She’s dragged to Storybrooke by the child she gave up for adoption ten years ago, seemingly the only person who knows the truth. It would seem that Emma is Snow White and Prince Charming’s daughter, and the only one who can lift the curse.

It’s all a bit complicated to explain (I note that the trailer didn’t even really bother), but the first episode does a rather good job of getting it all to hang together. In fact the first episode does rather a good job of everything. I’ve watched the episode twice now and each time I’ve been utterly enthralled.

First off, it looks fantastic. The fairy tale stuff is as good as any Disney film, all bright colours, rousing music and slight cartoonish quality. The small town America stuff meanwhile is quaint and adorable while Boston is modern and full of noise and bright lights. The three locations have beautifully contrasting styles, right down to the music and the directorial styles whereby fairy tale land feels like you’re in a Disney movie, the city feels real and Storybrooke feels like you’re somewhere in between.

The casting is great. Ginnifer Goodwin (Big Love) is perfect as Snow White, she has that weirdly other-worldly adorable thing going on, but also exudes strength. Jennifer Morrison (House) as Emma Swann meanwhile is all strength and cockiness on the outside with barely hidden neediness beneath. But it’s the 10 year old Henry (Jared Gilmore, Bobby Draper from Mad Men) who steals the show, somehow he’s both precocious and NOT annoying, which is pretty impressive.

My only pause on the show is that I have no idea how they’re going to pull it out into a series. The similarities to Enchanted are obvious and that worked beautifully as a film, but I can’t see how it could stretch out to 15 hours for a season, let alone multiple seasons. I can’t imagine the writers didn’t spot that problem though and it’s already been picked up for a full season, so I’m hopeful they’ve got some plans up their sleeve.

I really did love this pilot. Yes, it’s a bit adorable and cute in places, but there’s also some dark humour and snappiness to it that stops it from becoming too saccharine. There’s just enough mystery and depth there to keep things interesting, but not so much that you feel there are more questions than answers. I’m really looking forward to seeing where this one goes.

Other reviews
CliqueClack – with the TV landscape littered with attempts to reinvent the multi-layered Lost … this drama, which puts a novel twist on fairy tales, is a risk, but it’s one I’m willing to take, at least based on the promising pilot episode and given the fact that Lost scribes are on board.

TV Fanatic – Once Upon a Time is a beautiful, stunning, magical journey. I may never have been a huge fan of fairy tales, but like the three bears and their porridge, I want more.

The Upfronts: ABC

What’s out
Biggest loss as far as I’m concerned is Brothers & Sisters, it’s cheesy, melodramatic and basically a well polished soap opera, but I loved it. Apparently the large cast made it too expensive and time was called after five seasons.

V also bit the dust. I gave up on this very early on in because in the battle between all these characters, I found myself rooting for the third option of ‘kill them all and leave me in peace’. With its cancellation unless I’m missing something, there isn’t a sniff of a spaceship anywhere on US television.

More freshman deaths – Detroit 187 (nothing special, but solidly ok from the pilot, not enough to drag me in for more), The Whole Truth (awful), No Ordinary Family (tolerable pilot, but seemed doomed from early on) and Off the Map (showing that even the creator of Grey’s Anatomy is finding it tough to make the next Grey’s Anatomy). I’d forgotten ABC was also responsible for the hideous My Generation which never aired more than 2 episodes. Oh and Matthew Perry still can’t catch a break, Mr Sunshine was cancelled, he’s back in rehab and I never even got round to watching the pilot.

What’s back
Surprisingly – Body of Proof made the cut, personally I thought it wasn’t great, but apparently desperation set in and they had to actually renew something! Less surprising are renewals for Grey’s Anatomy, Private Practice and Castle. Desperate Housewives was also eventually renewed after some kerfuffle about salaries, I wouldn’t be surprised if this was its last season. Various comedies that I don’t watch but hear good things about will also be back – The Middle, Modern Family, Cougar Town (although not until January) and Happy Endings.

What’s new
Charlie’s Angels – it’s exactly what you’d think it would be, so long as it doesn’t take itself too seriously, I see no reason why this shouldn’t be stupid, entertaining and successful.

Once Upon A Time – I so want this to be good! It’s got a great cast and the back and forth between fairy tale looks great in the trailer. Please don’t suck. Please don’t suck.

Apartment 23 – not really what I’d call funny, but it was considerably less offensive than most of the other ‘comedy’ trailers ABC brings us this year.

Last Man Standing – I like Tim Allen, he can pull off the stuff that in the other shows is offensive and contrived, not sure the writing or supporting cast of this can manage it though.

Scandal – lawyers doing ‘crisis management’ i.e. (it would seem) solving problems by threatening people. It sounds sort of horrific, but actually I rather liked the trailer (if they dilute the melodrama a bit). It’s Shonda Rhimes which gives it an extra couple of points as well. But it’s not arriving until midseason.

The River – This was not the kind of trailer I expected to see for a television show, certainly not one on ABC, but it’s got me hooked already.

Revenge – ah, this was more what I expected from ABC, more melodrama than you can shake a stick at.

Good Christian Belles – ee! So much blonde! So much wooden acting… Kristin Chenoweth deserves better.

Missing – I have no idea what’s going on with this, the show looks like the Bourne Identity all exploding and espionage, for some reason though ABC decided to have the lead actress do the voiceover as herself, not the character. Worst trailer evah!

Suburgatory – from the school of ‘think of a title the rest will follow’. The central out-of-place character I kind of love, the problem is that she’s out of place because she’s surrounded by the most annoying and ridiculous collection of characters I’ve seen since… well last pilot season.

Man Up! – It’s a very very sorry state of affairs when this is not the worst trailer I’ve seen today.

Work It – Oh. My. God.

Links: The Futon Critic, The TV Addict (with some different video clips and first impressions).