The start and end points for the television year is pretty fuzzy. Given that I watch mostly US shows, I tend to go by their year which runs roughly from September rather than the calendar year. So I decided that I’d count the start of the year as 1st September (and I go by American air dates, not the UK). BUT life isn’t that simple, because what do I do with shows that start in one year but end in another. For example Mad Men season 3 ran August-November 2009, running one year to the next. Then I looked at what the Emmys do and it turns out they run June 1st 2009-May 31st 2010. BUT they don’t strictly speaking pay attention to show seasons, it’s just whichever episodes ran in that time frame, which means from what I can tell – the last two episodes of the season of Glee weren’t eligible for entry as they aired in June 2010.
So after all that, I decided to hell with it and I’d count what I felt fit within 2009-2010 and be pretty much arbitrary about it.
- Mad Men: For once, I’m in absolute agreement with the Emmys. Season 3 (season 4 has just started on BBC4) was a work of near perfection. The pacing, the way everything had been so carefully and subtly built up until the final episode which was one of the most satisfying hours of television I’ve ever seen. The detail of this show is incredible, it’s a slow burn, but it’s really worth it.
- Friday Night Lights – I have a guilty relationship with this show, because despite the fact I have it ‘available’, I haven’t managed to bring myself to watch the second half of the season. This season has felt like really hard going, everybody’s’ lives really seem to suck and it’s just hard to watch. But that doesn’t make it any less superb or any less worthy of its position in the number 2 slot in the drama category.
- Sons of Anarchy – There’s just something about this bunch of gun running, murdering, hells angels that just makes you forgive them everything they do. The closest thing I can think of to this show is Brothers & Sisters, it’s got the same sense of families fighting amongst themselves, but ultimately doing anything for each other – just with more Nazis.
- Trauma – Maybe this show wouldn’t have made the cut if I didn’t feel bad for it being cancelled, but I really do think it was one of the better shows of the year. It’s not perfectly refined like Mad Men, but the heart and soul of it are true, the characters and relationships are interesting and different and I enjoyed every episode.
- The Good Wife – Proving that ‘legal procedural’ doesn’t have to mean Law and Order or wanting to kill all the characters. The ensemble cast is amazing and contains some of my favourite actors, and seeing them together creating such complex characters is immensely satisfying.
Head Boy – Best Male Actor/Character (you don’t get to be a great actor without a well crafted/written character and great characters don’t survive great actors)
- Tim Roth (Cal Lightman, Lie to Me) – I don’t understand why Tim Roth and Lie to Me don’t get more attention. In a world of dark, sober, troubled and angsty television detectives, Tim Roth lights up the room. He’s manipulative and arrogant, but he’s also a brilliant father, a caring friend and of all the investigators on television, he’s the one I’d want in my corner the most.
- Matt Smith (The Doctor, Doctor Who) – I had my doubts, not because he was young or unknown or anything like that, but just because I thought David Tennant had created an un-equalable character. Matt Smith blew me away with his charm, his goofiness, his terrifying speeches and his ability to make a fez look cool.
- Kyle Chandler (Coach Taylor, Friday Night Lights) – This man seems to do less acting than anyone else on television, he hardly says anything, sometimes he barely moves, but somehow you understand every single thing the character is thinking.
- Jenson Ackles (Dean Winchester, Supernatural) – I was a bit disappointed by the season of Supernatural, but I was never disappointed with either of the lead performances. Part of what frustrated me about the season was that it was all over the range from slapstick to suicidal angst, via homicidal range and utter psychosis. Jenson Ackles nailed each of the emotions and how stubborn, but over-his-head Dean would approach each one.
- Hugh Laurie (Dr House, House) – I didn’t like this series of House much, as per usual I think it spent too long coasting through the middle of the season and then made some dubious relationship choices. But Hugh Laurie was consistently great throughout, except for the bookending episodes, where he was absolutely amazing.
Head Girl – Best Female Actor/Character (is actress politically incorrect?)
- Julianna Margulies (Alicia Florrick,The Good Wife) – A breath of fresh air on network television, a woman with kids, a career, issues and most importantly a personality of her own. I loved when she got drunk with Kalinda, or acted as a big sister to Cary, or didn’t quite know how to interact with Diane. But mostly I loved the way she fell back to being a college student falling for her friend and not knowing what to do about it.
- Katey Segal (Gemma Taylor-Morrow, Sons of Anarchy) – Gemma had the epitome of a bad year on Sons of Anarchy, but through it all she was their Queen, she loves all the members of her family and fights to protect them, whether with a gun, her fists, or just by keeping a secret. Katey Segal was amazing.
- Connie Britton (Tammy Taylor, Friday Night Lights) – The other half of the best couple on television, Tammy’s not had a great year either. But like her husband, she doesn’t have to say anything for you to understand the multiple faces the character presents to everyone, including herself. When she steals her little victories wherever she can, and fights for her kids (the whole school load of them) it makes me want to hug her.
- Ellen Pompeo (Meredith Grey, Grey’s Anatomy) – Meredith grew up and got happy and made me love her. Last year I put her on this list partially out of pity, this year she’s there on merit, actually taking her position as ‘lead’ actress more than just being a ‘prominent female member of the ensemble’. She’s completely settled into her position as the mother of the group – her reaction to her marriage and the loss of her friends was really mature. Whiny Meredith is hopefully gone for good.
- Sally Field (Nora Walker, Brothers and Sisters) – When Sally Field cries, I cry. When she screams, I hid under a cushion. Whether herding her unruly brood, or causing chaos all by herself, I love her to pieces.
Prefects: Boys (Supporting actors)
- John Noble (Walter Bishop, Fringe) – Walter is crazy. Utterly and completely, self-medicatingly, one-too-many-magic-mushrooms, bucket loads of crazy. But then in alternate world Walter is utterly sane and calm and scary and slimy. Noble bounces around between Walters multiple personalities and bodies with amazing talent.
- Chris Colfer (Kurt Hummel, Glee) – The best thing in Glee. He’s completely over the top and ridiculous to the point you almost want to throw him in a dumpster yourself, but then he does something heartbreaking. Also, he can belt out a tune like the best divas out there.
- David Blue (Eli Wallace, Stargate Universe) – He’s exactly what the stereotypical Stargate fan would be like if they found themselves inside a Stargate series. He’s got no clue about the military, or really people at all. He’s a massive geek who breaks tension by making Star Wars jokes. He brings a bit of reality to the otherwise slightly highly strung Stargate team.
- Cliff Curtis (Rabbit Palchuk, Trauma) – Cliff Curtis became one of my favourite actors this year playing the deeply troubled, but utterly charming Rabbit. A really fascinating character and a slightly unlikely leading man, but he was the heart of this show.
- Enver Gjokaj (Victor, Dollhouse) – I ummed and erred between Victor and Fran Kranz’s Topher, but eventually the Doll edged out the geek because he got to play a different role (and accent) every week and nailed them all, even managing to play Topher to perfection.
Prefects: Girls (Supporting Actresses)
- Chandra Wilson (Miranda Bailey, Grey’s Anatomy) – She wasn’t even nominated for an Emmy this year, which I was so astonished by I had to check multiple times. Bailey follows the Sally Field rules – she cries I cry, she shouts, I actually cheer out loud. Her final scene of the final episode just destroyed me.
- Elisabeth Moss (Peggy Olson, Mad Men) – “I’m Peggy Olson. And I want to smoke some marijuana” and “Beg me? You didn’t even ASK me”. Nuff said.
- Christine Baranski (Diane Lockheart, The Good Wife) – Although her colleague Archie Panjabi (Kalinda) got the Emmy, I think Christine Baranski was far superior if for no other reason than she seemed to be having so much FUN with the role. Not afraid to flirt with a colleague or laugh out loud at the ridiculousness of a situation.
- Allison Scagliotti (Claudia, Warehouse 13) – like Eli in Stargate, Claudia is the voice of the fan. She’s a geek who loves a gadget and points out the idiocy of all the plans. She, and her ever changing hair colours, brings life to the show.
- Linda Hunt (Hetty Lange, NCIS:LA) – A breath of fresh air, a bizarre mix of motherly and drill sergent that manages to make even LL Cool J quake in his boots.
Team Players (Best pairings/ensembles)
- Callen and Hanna (NCIS:Los Angeles) – A perfect yin and yang thing of hot headedness and cool, all bundled up in a caring (but not out loud!) partnership. Who’d’ve thought it.
- Team Free Will, Supernatural
“This is it… Team Free Will. One ex-blood-junkie, one drop-out with six bucks to his name and Mr Comatose over there. Awesome.”
“It’s not funny”
“I’m not laughing”
- Christina and Meredith (Grey’s Anatomy) – When Meredith revealed the plans for her and Derek’s dream house and pointed out Christina’s Room I burst into tears yet again. I love these two sisters.
- The Walker Clan (Brothers and Sisters) – You can’t really break this group up. They squabble and occasionally even fight, but the group of them together and the complex relationships between all of them are amazing.
Points for effort – The home of the things that are solidly doing their job, are entertaining, and occasionally verging into brilliant, but are generally just really solidly plugging away doing what they do.
- CSI:Original had a really solid season, settling down after the changes of recent years and just turning in an entertaining, reliable and interesting season, there’s not many shows that can say that moving in to their 11th season they’ve still got some spark.
- Grey’s Anatomy deserves a lot of praise for bouncing back from the previous terrible season, I nearly gave up on the show, but I’m glad I didn’t.
- Brothers & Sisters – cheesy, melodramatic, sappy and utterly sentimental – it embraces these things with such enthusiasm and does them so well, it’s hard not to love.
- Glee – If only the quality of the plots were more consistent, this would be worthy of considerably more praise. As it is, I enjoyed most of the episodes, but ended up frustrated that it wasn’t just slightly better.
Must Try Harder
- The Mentalist – A nice idea, a charismatic lead character… but ultimately the character development isn’t, ‘mysteries’ aren’t, and the novelty wore off.
- Outnumbered – It was still funny, but it just wasn’t as good as previous seasons. Not least because it seemed to spontaneously stop dead, to such an extent that I completely failed to note it had finished and never got round to writing a review.
- Science fiction – it’s not been a good year for science fiction imho. V, Caprica and Flashforward were all disappointing.
- NCIS – Still flipflopping all over the place with a lack of consistency and character development. Maybe it’s time for this one to retire.
- Criminal Minds – I praised the show for finally having the team come together and having an impressive group of strong female characters… then they sacked two of them.
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