Posts Tagged ‘ veronica mars ’

Cancellations good and bad

We’re coming up on the time in the television calendar known as the ‘up-fronts’ it’s where the various networks introduce their schedules for the following year, it helps them sell advertising and also sell to the international broadcasters. In the weeks leading up to the presentations, news and announcements start to trickle through not only about the new shows, but also the old shows which are being cancelled to make space in the schedules. Watching the news roll in made me think about shows I loved and lost and I realised that while there were a number that I really missed and who’s cancellations made me angry, there were a surprising number that I actually accepted happily.

Five cancellations which made me cross…

1Firefly
I’ve written plenty about why I think Firefly is one of the greatest shows of all time, and in many ways maybe the reason it will forever live in people’s memories as such is that was cancelled so early. In fact it was pretty much doomed from the start, miss-marketed and mucked about by the networks – it never really had a chance. Inevitable though it may have been, it didn’t make me swear any less when the announcement came in though.

2The West Wing
You might say that at seven seasons The West Wing had a pretty good run at it and I should be happy with what I got. But the frustration was that after a disappointing couple of years, season 7 was really turning things around. Preparing to re-launch itself with a new president, a new bipartisanism and new characters, season 8 would have been West Wing: The Next Generation. That we didn’t get to live with President Santos is compensated for by the knowledge that the character was partly inspired by a young senator named Barrack Obama.

3Wonderfalls
Wonderfalls was just one of a string of series from Bryan Fuller that died the death (Pushing Daisies is listed below, Dead Like Me almost made the ‘disappointed’ list, and Heroes almost made the ‘not so much’ list). The first episode introduces Jay, a cynical philosophy graduate who lives in a trailer and tries to avoid her crazy family. Then a small toy lion starts talking to her and giving cryptic instructions that eventually seem to help people out. It was weird, but had some great characters, a real charm and was hilariously funny. It was pulled off the air after only four episodes and I was very cross.

4Angel
Angel was similar to The West Wing in that after a few years things were getting a little stale and there had been some miss-steps with storylines. But they were turning things around, introducing a new situation, new characters (although not necessarily new actors) and a new mission. Personally, I found it breathed new life into the show, and many agreed with me because the ratings actually went up. Sadly it seems that a spectacular amount of internal politics at the network caused the show to be rather unexpectedly cancelled. At least they were able to wrap up their stories, and Angel got to fight his dragon.

Carnivàle
Carnivàle was a peculiar series, set in a dustbowl era freakshow with a complicated and intricate plot centred on the battle between good and evil and the very nature of those labels. The problem is we will never know how the battle would develop, what all the subtext and hints were leading up to, because the show was cancelled two years into its six year plan, making the first two seasons feel a bit of a waste of time.

… and five that I didn’t mind
1Veronica Mars
The first season of Veronica Mars is one of the best seasons of television ever made. The second wasn’t quite as good. The third was worse still. In a desperate attempt to save his at risk show Rob Thomas proposed a few years into the future to when Veronica is a new agent with the FBI. The problem was that in making that proposal he lost my support, because he declared that Veronica would be the only character to make the jump. Without her dad to stable her and Logan to unbalance her, I wasn’t really that interested.

2Studio 60
I was so excited about this show; Aaron Sorkin, Matthew Perry, Bradley Whitford, Thomas Schlamme all came together to produce a brilliant pilot. But then something went wrong and I’ve never quite worked out what happened. There were no spectacular failures, things just didn’t quite gel together; the romances felt creepy and annoying, the supposedly hilarious show-within-a-show just wasn’t funny, and the tone was often too preachy and smug. By half way through it was pretty clear that the show wasn’t likely to be picked up, and I was more disappointed about the wasted potential than I was about the actual cancellation when it finally came in.

3Dollhouse
Another cancellation that I met with faint sadness rather than anger. Once again despite a great collection of ingredients, the mixture just didn’t work. Maybe the network hadn’t realised they were buying a show with some pretty deep philosophical considerations and tried to re-engineer it, leaving a mishmash that satisfied no one; but maybe it was just a show that was never really going to work at all. Due credit to the network, they gave it a second year when no one, not even Joss Whedon himself had any hope, but the writing was on the wall by halfway through and with an acceleration of the plot we got to see how it would all play out. By the end I was satisfied that the series was finished, rounded out and enough.

4Pushing Daisies
The popularity of the first season of Pushing Daisies reaffirmed my faith in humanity. This was a bizarre idea: weird plots, quirky dialogue, random spontaneous singing and a peculiar visual style and yet it was a critical and public success. I adored it. But something happened during the second season and I just fell out of love with it. Others did the same and the ratings died. When it was cancelled I was a bit sad that there was no place for a show like this in the schedules, but I was unlikely to have watched the next season anyway.

Primeval
Primeval managed a pretty impressive deterioration, from the really enjoyable first season which dropped just enough hints of a complex time travelling background story to make it more than just disposable dinosaur fun. But by season three most of the original cast had left and when the major storyline was resolved I was left shouting “is that it?!” at the TV. The show was cancelled and I felt all was right in the world. As it turns out though, other countries love the show, so a whole mix of channels have invested money to save the show. Of all the show’s that deserve saving, this is probably the worst!

Amazon Links
A positive side effect of a show you like being cancelled is that the price of the dvds drops dramatically, most of these are available at massive discounts. Also I’m shamelessly trying out Amazon associates ;0)
Firefly – The Complete Series [2003]
The West Wing – Complete Season 1
Angel Season 1
Carnivale: Complete HBO Season 1 [2003]
Studio 60 On The Sunset Strip – The Complete Series [DVD]
Pushing Daisies – Complete Season 1 [2007] (just 6 quid)
Primeval : Series 1 [2007] (just 3 quid)

Top 25 Characters

Four years ago I came up with a list of my top 25 characters. I couldn’t resist updating the list.

1Gaius Baltar (Battlestar Galactica)
A fascinating character, weaving from hero to villain and back again often within the space of a sentence. The religious stuff was laid on a little heavy towards the end, but the character managed to pull it off.

2President Bartlet (The West Wing)
Martin Sheen was so amazing, and the character so inspiring it’s hard to believe that he never won an Emmy. These days we may have Obama, but for a long time President Bartlet was the best hope we had.

3Sam Beckett (Quantum Leap)
Bumbling through history playing a variety of parts, but always being Sam. The only connection he had to his old life was his weird friend Al, but despite not remembering it, he desperately wanted to go home.

4Chandler Bing (Friends)
The only character in the series that managed to feel like a real person all the time (well, almost all) probably because it’s basically Matthew Perry playing himself.

John Crichton (Farscape)
Hilarious and heart-breaking, just your average astronaut (!) having a weird life.
“I try to save a life a day. Usually it’s my own…”

6The Doctor (David Tennant’s Dr Who)
Tennant’s Doctor was such a wonderful character covering the full spectrum from depression through anger to pure childish joy, that I decided he was eligible all by himself without needing his other versions.

7Michael Garibaldi (Babylon 5)
Garibaldi was always my favourite character on Babylon 5. He was the human element, he fought, he drank, he mocked everyone and the universe seemed to have some kind of grudge against him.

8Jethro Gibbs (NCIS)
I love Mark Harmon and his ex-marine is brilliant. Outwardly gruff and hard, but not so inhuman that he doesn’t show his affection to his team with a kiss on the cheek for Abby or a slap on the head for DiNozzo.

9Harper (Andromeda)
Andromeda had some epic problems with plots and writing, but it had some amazing characters and Harper was my favourite. He’s a scrounger, desperately trying to get through life as unscathed as possible while his friends seem weirdly obsessed with dragging him on suicide missions to save the universe.
Abel: You must be the engineer.
Harper: Why? Because I’m the short guy with the sense of humour, the wry wit? Huh? Because I’m so freakin’ amiable with the careless demeanor? Is that it?
Abel: Well, that – and the tools.

10Gregory House (House M.D.)
Most of the time he’s a complete and utter bastard, and yet he’s also generally right. Every now and then he shows that he might, just about care about his colleagues.

11Susan Ivanova (Babylon 5)
No one from B5 made the first list and now I’ve got two. I had decided on Garibaldi over Ivanova, but then when I started reading through quotes I remembered just how many brilliant lines she had and managed to squeeze her in.
“No boom today. Boom tomorrow. There’s always a boom tomorrow. What? Look, somebody’s got to have some damn perspective around here. Boom, sooner or later. BOOM!”

12Josh Lyman (The West Wing)
He’s a political genius who can’t keep track of time zones or find his luggage without his assistant. Sometimes he’s brilliant, sometimes he’s embarrassingly poor, but he always tries so hard.

13Rodney McKay (Stargate Atlantis)
Another character that says all the things normal people never would (I’m spotting a theme). He’s arrogant, obnoxious and rude… he’s also a geek, a genius and occasionally very sweet.

14George O’Malley (Grey’s Anatomy)
Poor George. He always means so well, and tries so hard and yet his colleagues are always the ones getting the glory. Except, just possibly, the last thing he does on the show, makes him the greatest success of all of them. His absence almost made me stop watching the show and there’s not much higher compliment can be paid a character.

15Veronica Mars (Veronica Mars)
Teenager with attitude. She’s the kid that’s so amazingly cool, the cool kids at school don’t even realise that she’s light years ahead of them. So she tells them. Except that occasionally she also has a bit of a cry, falls in love with the wrong people and needs her dad.

16Peggy Olson (Mad Men)
From a historical point of view her character is fascinating, a woman making the leap from being an object, to being an individual. As a character though she’s so compelling because she’s not making a statement about women at work in the sixties, she’s just doing what she wants to do.

17Hawkeye Pierce (M*A*S*H)
“I will not carry a gun…. I’ll carry your books, I’ll carry a torch, I’ll carry a tune, I’ll carry on, carry over, carry forward, Cary Grant, cash and carry, carry me back to Old Virginia, I’ll even hari-kari if you show me how, but I will not carry a gun!”

18Mal Reynolds (Firefly)
The hero who doesn’t want to be a hero, it never goes smooth for poor Mal. Some people are at their best when they’re having yet another bad day.

19Doug Ross (ER)
There are reasons why George Clooney is a star and they’re all demonstrated in Doug Ross. Mark Greene may have been the soul of ER but Ross brought some character to it. He drank too much, womanised, looked great in a tux, looked great in scrubs, said what he thought and even rescued drowning children!

20Nick Stokes (CSI)
Nick is a straight swap for his boss Gil. This is partly because Gil is gone and got a little irritating towards the end. But Nick deserves this place because he’s the little engine that could, never the smartest or most heroic of theCSIs, he’s just been quietly plugging along with his Texas twang and concerned looks until someone finally realised the department couldn’t run without him.

21Buffy Summers (Buffy the Vampire Slayer)
Almost all the characters in this show are great, and it’s rare for me to chose a hero over a witty sidekick, but I had to go for Buffy over the others. She does occasionally wallow, but then if your teenage years were commandeered by destiny, wouldn’t you whine?

22Malcolm Tucker (The Thick of It)
He’s loud and obnoxious and rude beyond words. But he’s also generally the only one talking sense. Also I will forgive absolutely everything he’s ever done wrong, because while he was having the worst day of his career, he ran to his secretary’s defence because people were badgering her.

23Nora Walker (Brothers and Sisters)
The very definition of matriarch. Always ready with several bottles of wine, a shoulder to cry on, a rallying call, or even just a perfectly delivered cake. Nora not only rules her dysfuntional family, but is also trying to work out what a sixty year old woman does when her kids have all left home and her husband dies leaving her alone for the first time ever.

24Dean Winchester (Supernatural)
Amongst Supernatural fans there are Dean-girls and Sam-girls, I’m a (only slightly ashamed) Dean girl. He’s a simple guy wanting to kill monsters, drink, eat pie, sleep around, drive his car and above all keep his family safe. He pretty much never gets what he wants, but always has a witty comeback.

25Wesley Wyndam-Pryce (Buffy and Angel)
In terms of character development you don’t get much more extensive than Wesley, turning from the annoying twit in Buffy to the scary hero in Angel. He does what needs to be done, regardless of the costs.

Television of the Decade

Way back in December various websites, magazines and newspapers started compiling ‘lists of the decade’ and I watched with interest how different those lists were. For a start the lists did different things – “best of the decade”, “most important”, “most influential”, “our favourite” – each allowed a slightly different take on it. But even taking that into account there was a huge range. I decided what I would do was amalgamate those lists into one summary list, so in January I gathered twenty of them up and started doing some statistics.

As it turned out it was pretty hard to merge them together, some had ordered their lists, but others hadn’t, so how did I compare the two. I decided to go out, get some fresh air and post a letter and have a think about it. That’s when I broke my arm and everything went to pieces for a bit.

Two months later I came back and figured I should finish it, but by then I’d changed my tune a bit. Who cares what other people think the lists should be, they’re idiots and only my opinion is right. So while I consider whether to bother writing the original article, here’s my top twenty shows of the last decade. Chosen because they’re important, good, enjoyable or just because I love them.

1The West Wing (reviews, quotes)
I’ve said it before, I’ll say it again and again and again – The West Wing is the best piece of television ever produced. Yes, yes it went downhill after Sorkin left, but it eventually sorted itself out and the final couple of seasons were very close to its original glories. No other show has this cast, this dialogue, this power, this humour and this passion, it’s about as perfect as seven seasons of television can get.

2Friday Night Lights (reviews, quotes)
A show about high school football in a small town in Texas has no right to be as good as this does. The show is very intimate, filmed handheld getting right into the nitty gritty of everyone’s lives – players, supporters, teachers and all their families. You will not find a more real feeling group of characters and a better chemistry, particularly between Kyle Chandler and Connie Britton as the coach and his wife. The show grows and develops each season as kids actually age and have to decide who to be and what to do with their lives and makes you care about every single screw-up and success.

3Firefly (review, quotes)
Cruely limited to just a handful of episodes, this may go down as one of the biggest ‘could have beens’ in television history. An interesting and unusual concept partnered with a great ensemble cast and perfect writing. It’s possible that it wasn’t sustainable, that the reason that the show appears on so many lists is that it never had the chance to go downhill (I’m not the biggest fan of the movie) but the world will never know and this will live in the hearts of bitter fans forever more.

4Battlestar Galactica (reviews, quotes)
Just as Babylon 5 would have appeared on my top of the 90s list, so does Battlestar Galactica for raising the bar of what a science fiction show can do. The vision for this show was impressively epic and depressingly dark. It wasn’t always perfect but the ambition was admirable and it succeeded far more often than it failed. It’s the only show on this list that I will probably never re-watch because part of the brilliance is in creating a likeable bunch of characters and making their lives increasingly miserable. Thankfully there’s enough beautifully crafted space battles and action sequences to prevent your brain exploding from the complicated debates of religion, politics and what it means to be ‘human’.

5Buffy the Vampire Slayer (reviews, quotes)
I haven’t re-watched this show in years, and I very nearly selected Angel for the list instead, but in the end I selected Buffy just for what I remember it meaning to me when I watched it. I was amongst those who mocked it when I first heard about it and then fell in love with the show when I finally caught up with it. It was a show that I had my family tape for me, and when I came home from university my mum and I would camp out in front of the tv and catch up. Angel may well be a ‘better’ show, more grown up and learning from some of Buffy’s mistakes, but Buffy earns it’s place by not so much breaking the mold as completely refusing to believe in the existence of a mold. Joss Whedon has two shows on this list, because he creates unique concepts, gathers talented actors and writes the best dialogue in the world.

6Supernatural (reviews, quotes)
I became addicted to Supernatural just last year and watched 4 seasons in roughly two weeks. Then I went back and re-watched them all again. It’s entirely fitting it ends up in this list just after Buffy, because it’s clearly an entry in the chain of successors of shows that on paper are aimed at teenagers, but are actually so much more. “Two brothers road trip across the US fighting ghosts and monsters” and yet it actually has the most carefully and satisfyingly crafted plot and character arcs of any show on this list. As it approaches the conclusion of the planned five year story arc the way everything falls together becomes more impressive with each episode. Yet while dealing with all this depth, it’s hugely entertaining and self-aware and fun. I love these characters and am utterly, hopelessly obsessed and not ashamed to admit it.

7Veronica Mars (reviews, quotes)
Another show that owes a bundle to Buffy. There may not be any monsters, but the spunky blonde at the heart of this show could easily take on a vampire in her spare time. There was a great cast of supporting characters but the heart of the story was the brilliant father-daughter relationship and the will-they-won’t-they relationships between good girl Veronica and bad boy Logan. Sadly the show peaked with its first season, the two subsequent seasons trying and failing to recapture the perfect mix of characters, episodic cases and the slow investigation and reveal of the season mystery. But even when those elements decayed, the dialogue and central relationships, along with the superbness of the first season, earn this show a place on mine, and many other people’s lists.

8Farscape (reviews, quotes)
I was sure this was a 90s show, and that was why not one single other list mentioned it, but actually it premiered in 1999 so with 4 seasons, thoroughly qualifies and people have just left it off because they’re stupid. There are few shows that have caused me to drop my jaw in disbelief so many times – this show was just WEIRD. Setting Jim Henson’s Creature Shop loose on science fiction show in another galaxy brought a creative craziness to the screen that hasn’t been seen before or since. But it wasn’t just weird, it was good. It’s like Blake’s 7 with puppets and budget. It was fun and heartbreaking but never ever dull.

9Deadwood (reviews)
Deadwood is the very epitome of what can be done on cable television in the US where they don’t have to deal with censors or advertisers and can do almost whatever the hell they want in terms of swearing, sex and violence. Deadwood is what Shakespeare would have produced if he’d written about an American frontier town in the wild west and been able to say f*** 1.5 times a minute. It does get a little overwhelmed with storylines by the third season, but by then you’ve fallen in love with the poetry, the period and the characters, even those that raise the label ‘dubious moral character’ to new levels.

10Mad Men (reviews)
I can’t really imagine watching Mad Men one episode a week as very little plot happens in each episode, meaning you’re relying on the acting and writing to provide interest, which while superb occasionally leaves you asking “but what actually happened?”. However watching it in a chunk, or even a whole season at a time reveals a show of such breathtaking subtlety that the fact that it is so popular actually makes you feel better about the human race. Anyone that says the US can’t do period drama should look at Mad Men (and Deadwood for that matter) and apologise. The unashamed way each portrays its history is fascinating, there is no judgement in showing everyone chain smoking, or a pregnant character drinking, it’s just there in the background. The slow development of the characters and plots over the first three season all paid off in the final episode of season three with one of the most satisfying episodes of television I’ve ever seen.

11Outnumbered
Outnumbered is another show I only picked up recently, in fact Christmas 2009 when my brother brought the dvd along for family Christmas and we ALL found it hilarious. Then I shared it with a housemate who doesn’t usually watch this kind of thing and HE found it hilarious. It’s hard to explain how a show set almost entirely inside a house with 2 parents and 3 young kids can be this funny, but it is so fresh and real and “oh god, I can’t breathe” funny that I couldn’t leave it off this list.

12Six Feet Under (reviews, quotes)
This show almost didn’t make the list, Dexter was in this slot right up to the point that I started writing this paragraph, but as I started writing, I realised that actually, although Dexter is superb and has an amazing character at its core, it just didn’t have the same level of impact on me as Six Feet Under did.

Six Feet Under deals with the big philosophical questions of life and death, but balances them with the day to day dysfunctionality of the characters’ lives and the practical issues of dealing with death. The humour in the show is about as black as it comes, but it is really very funny. It is also beautiful, created and heavily influenced by Alan Ball of American Beauty, each episode has a movie level of thoughtfulness about the way it’s crafted. It’s not an easy show to watch, and I’ve never quite managed to bring myself to watch the final season, but it is superb and thoroughly deserving of a place on this list.

13Band of Brothers (review, quotes)
The only mini-series on this list and I almost excluded it for that reason, but then I figured that if Firefly can make the list with only 13 episodes, it was unfair to remove this because it had only 10. It’s a series that I wanted to re-watch almost as soon as I’d finished it, because at first I didn’t really appreciate it. I had a hard time telling the characters apart, not realising that they really did have characters beyond their ranks and positions. It’s basically Saving Private Ryan but 5 times as long and that is nothing but a complement. The same people are bringing out Pacific this year to serve as a partner to the show and I can’t wait.

14Doctor Who (reviews, quotes)
I always enjoyed Doctor Who as a kid, but wouldn’t have counted myself as a fan, it was just something that the family watched on TV. I don’t know whether it’s just the age difference or a change in quality/budget, or the structuring of the series, but I’ve connected with this new version a lot more strongly. The way it’s been brought up to date without losing sight of the past has been really impressive and the quality of it just oozes from every aspect. It earns its place on this list for achieving what I thought was impossible, taking an institution and bringing it up to date without losing the heart and soul of what it was.

15CSI: Crime Scene Investigation (reviews, quotes)
Few shows define a decade so neatly and impact upon it so much. The CSI story is a fantastic one, it was turned down by three networks before CBS picked it up to air in October 2000 and has been in the top ten rated shows ever since. It spawned not only two spin-offs but hugely influenced dozens of other popular (and not so popular) shows. It turned CBS (and Channel Five in the UK) into the CSI channels. But it also earns it’s place because I actually really like it, after over 200 episodes, I still enjoy the mysteries, the characters, the fantastic graphic style, the music and the humour.

16Grey’s Anatomy (reviews, quotes)
Grey’s Anatomy raised the game in terms of what writers must do. Shows are now aiming to be ‘the next Grey’s Anatomy’, and the majority of them are failing. Grey’s is an ensemble drama in the truest sense, not only does it have a massive collection of characters, but every character has a believable relationship with every other character, be it professional, personal, or inappropriate. The characters aren’t always likable and aren’t always smart, but they’re always themselves. It’s the kind of show that when the writers make a miss-step with their characters, the audience gets upset because it’s just not right.

I think it’s those mistakes that this show off a lot of people’s lists (it only appeared on one), but at the same time it’s the way that the show has earned that kind of passion that means it deserves to be here. I almost didn’t watch the new season, but I did and it immediately suckered me back in the way the show always does. I can’t think of another show that makes me laugh, gasp and cry almost every single episode. I hate myself a bit for it, but I adore this show.

17The Thick of It
Only the second comedy on this list and another one I’m a late convert to. It’s a modern day Yes Minister, but with a level of swearing that would have made perms fall out in the 80s. While Deadwood is notable for its quantity of swearing, The Thick of It is astounding for the creativity it brings to it, the pure poetry of the diatribes that spew from these characters is breathtaking. The comedy is slightly depressing when you consider that it’s quite possibly not a million miles from the real way a government department might be run, but somehow the characters always manage to come down on the “at least they mean well” side of incompetency.

18Planet Earth
This is on the list as a representative of all the output of the BBC Natural History Department. What always impresses me is the mixture of cutting edge technology such as ultra zoomable steady-shots from helicopters with the old-school requirement of a guy sitting in a hide for 3 months to capture 15 seconds of footage. The way they’ve taken to doing a ten minute of ‘making of’ at the end of each episode makes everything feel a lot more real somehow.

19Stargate SG1 (reviews, quotes)
Stargate in one form or another has been on the air since 1997 and with about 350 episodes in the franchise at times of writing it’s just been quietly soldiering along almost un-noticed. Longevity alone isn’t quite enough to get you on the list, but Stargate has managed to make all those episodes entertaining in one way or another. Even when the episode plot was nothing special, or the massive arc storylines were getting a bit bogged down in the epic mythology, they could always fall back on some really great characters and dialogue. Unlike the Star Trek characters a lot of the time, Stargate’s characters felt real, these were real scientists and grunts and officers and diplomats dealing with aliens on distant planets. They knew it was cool and scary and bizarre and pulled you right along with them.

20Top Gear (quotes)
Scraping its way onto the bottom of the list is Top Gear. For quite a while this was pretty much the only thing that I actually watched on live television rather than on dvd or.. um.. other methods. The show has become a bit of a victim of its own success, becoming something of a parody of itself, but at its best it was by far the most entertaining thing on. It’s not so much a car show, as an excuse for three blokes to just muck about a bit, make fun of each other and do really daft stuff. Challenges like the amphibious vehicles have had me laughing so hard it’s difficult to breath, while trips like riding bikes through Vietnam or driving to the pole left me craving adventure. It’s fun and often the perfect thing to watch on a Sunday night to escape the world for just a little while.

Veronica Mars: Season 3

The third and final series has fixed many of the problems I commented on in my previous reviews, but allowed others to fester in a frustrating way.

The mini-arc mysteries worked a lot better than the one big plot from previous seasons, pacing the series better. The first 15 episodes are made up of two mysteries which elegantly overlap and don’t feel as contrived as the second season bus crash did. This structure also means that even though the resolutions are a bit wobbly, like the previous two finales were, you don’t feel frustrated because you’ve invested so much time. There’s a wonderful balance between the big mysteries and the ‘issue of the week’ which makes the episodes interesting on many levels.

Sadly the final 5 episodes are a bit random and unfocused, meaning the series fizzles out. I know the writers were uncertain about whether they were getting a 4th season, but I’m sure they could have done a better job at resolving characters’ stories while leaving things to do for the next season.

Several of the characters suffer very badly this season. I love the fact that the regular cast each season changes around the core of Veronica, Logan, Wallace and Keith and this season I liked all of the additions, which made it particularly frustrating when they fail to appear for several episodes in a row. Keith and Veronica are perfect as always, a genuine feeling relationship that’s just great to watch. On the flip side the Veronica/Logan relationship was just a break-up waiting to happen. As I said before Logan is far more entertaining to watch when he’s being obnoxious, when he’s with Veronica it’s just un-natural. Wallace was pretty non-existent this season, Mac was great when she was there, but depressingly absent for many episodes. Parker and Piz were ok, but just felt like they were introduced to fill holes, so their moods were dictated by Veronica not by any internal consistency. Weevil, Dick and Sheriff Lamb on the other hand felt much more real and it was a shame they didn’t get a chance to do more.

Overall, I enjoyed watching this season and thought the writers had done well to move the series to college and make the changes to the plot structure. I really wish they’d focused more on the writing for the supporting characters and done something more spectacular and concluding for the end of the season, but I suspect they were busy trying to reposition the series for a potential paradigm shift for season 4. As it turns out they didn’t get the chance to either end well, or go on, so this hugely entertaining show goes out with a bit of a fizzle.

Veronica Mars: Season 2

I’ve been waiting for this R1 dvd to show up for ages and it arrived just as I’d taken the day off sick with a cold. Perfect. I settled in and watched it in 2 sittings with 10 episodes one day and 12 the next.

First the bad – it’s nowhere near as good as season 1. While I didn’t think season 1 was the greatest thing since sliced bread as some people seem to believe, it was fun tv with some amazingly compelling characters and an engaging plot, which I actually enjoyed more a second time through. Season 2 was still fun, had significantly less compelling characters and a convoluted plot.

The characters – Dick and Beaver make it into the main credits and while Dick is humorous for one scene an episode, Beaver is mostly an irritating whiner. New character Jackie is also in the main credits, it’s just a shame the writers couldn’t decide if she was going to be a bitch or not, but then given the personality disorders displayed in season 1 she isn’t the most schizophrenic character we’ve seen. Wallace disappeared for several episodes and seemed to spend the rest of the time chasing after Jackie when she was a bitch and ignoring her when she wasn’t. *shrug*

Duncan presents yet another personality this season, actually appearing to be a ‘normal’ teenager and acting like the rich boy, class president he’s supposed to be. Then he disappears and is never seen again. Right. The writers continue to throw just about everything possible at Logan, figuratively and literally. He’s a lot more interesting when he’s miserable, sarcastic and obnoxious than when he’s simpering after Veronica, but really, give the guy a break! Mac, Kendal, Weevil and Keith are absolutely superb – fascinating characters that are great to watch, the only reason they don’t get more space is that there’s not much to say beyond “superb”.

Veronica is the glue that holds it all together and she does so admirably. She’s a very believable character, she has a weird life but knows that and just has to deal with it. She cries when she should, laughs when she should, gets angry even though she knows she shouldn’t and lies and deceives when she needs to. Kristen Bell is perfect in this role, absolutely adorable even though at times you hate her. The chemistry between all the characters is spot on, but the father-daughter relationship is one of the best things on tv at the moment.

Then we come to the plot. Oh dear. The good news is that the incidental episode plots are fine, some of them even fun. But just about anything involving the Bus Crash and the Aaron Echolls trial is painfully badly handled. There are so many mis-directs and side plots it’s pretty impossible to keep track. The plotting is very clumsily handled relying on stupidity from far too many officials to draw things out to a full season. Then after dragging it out so long, the resolution and aftermath are squashed into a contrived and rushed final episode. They desperately needed to extend it to at least a two-parter to fill in some of the plot holes and add throw away remarks so that things aren’t so disjointed and hole ridden.

On the plus side, season 3 sounds like it might be better structured, with (apparently) 3 mini mysteries rather than 1 big one. Transplanting to college should be interesting allowing new situations and shaking things up. I watch the show for the characters and chemistry rather than the mysteries, so I’m glad to see the promotion of Mac to regular and the absence of some of the characters that just didn’t work. Hopefully they’ll learn from their mistakes.

DVD Special Features (Region 1)
Another slightly disappointing collection of specials, particularly the complete lack of commentaries. Another occasion where the set has been rushed out before the next season. There are a lot of deleted scenes, although I kept forgetting to look at them and most of them were deleted for pretty good reason. The two featurettes were ok, the day on set with Kristen Bell was interesting and cute, but much too short. The second was something about “not your average teen detective” but I can’t remember much about what it said. The out-takes were fun (as usual) although it’s shame they didn’t do a better job editing them so that you could actually hear things and there wasn’t silence behind some of them. Not terrible, but I expected and hope for a little better, much like the season as a whole.

Veronica Mars: Season 1

I’d had numerous people gushing at me about this series and despite a few flaws, it mostly lived up to its promise. It’s not going to be everyone’s taste, but it’s smart and funny and different.

The concept of the show is fun, Veronica Mars used to be one of the In girls until her best friend was murdered, her boyfriend (the friend’s brother) dumped her and her father (the sheriff) was sacked for the way the case was handled. Now she’s on the outside of all the groups, bitter and picked upon. She works with her father who’s now a private investigator and tries to solve the murder of her friend while picking up some side work from fellow pupils.

Conceptually it’s nothing spectacular, but the gradual development of the murder case makes the show fascinating to watch week to week. The tempo is nicely handled so there’s something new each week building up to the end of the season reveal, which may have been a bit rushed, but that may just be my feeling as I watched the last 5 episodes in a row. It’s a great mystery story with plenty of twists and turns in it. The mini-mystery each week is usually less complex, less memorable and occasionally excessively cheesy but give the opportunity to see into a variety of different lives at the high-school.

The cast is superb, limited only by two factors: the somewhat schizophrenic characters and the fact they’re 22-25 year olds playing 17. I guess it’s not unreasonable that the children who live in the spotlight are forced to mature faster and have more presence than your average 17 year old, but it is occasionally noticeable that they’re a lot older than they should be. With the varying characters it is again not unreasonable that children who have been through traumatic events would be somewhat unstable some of the characters do seem to vary wildly from sweet and caring right through to total selfish arseholes. It’s not necessarily noticeable when watching each episode, but when thinking back over the season it’s difficult to pin some of the characters down. Kristen Bell as Veronica is marvellous, Francis Capra is perfect as the leader of the biker gang bowing to no-one and Jason Dohring manages to play every one of his character’s personalities well. The stand-out I think though is Enrico Colantoni as Veronica’s father who as the token adult manages to come across as a very real person and bring humour and responsibility to the ensemble.

DVD Special Features (Region 1)
The region 1 set is rather disappointing. Given the target audience of the show and how active the show’s creator is online (he’s a regular poster on forums) I expected rather more than just a collection of deleted and extended scenes. The scenes were interesting, but to be honest I can’t actually remember any of them now. I suspect that this was a fast release to get season 1 out before season 2 started airing, so I expect there will be a special edition in the future.