Earlier in the year I enthusiastically tuned into ITV’s period offering of Victoria. Jenna Coleman was utterly charming as the very young queen and carefully presented the complex character behind the portraits and there was some wonderful talents in the supporting cast (most notably Rufus Sewell). The period, the truth of history and the potential for untold fictions were a great set up for something truly interesting. The sets and costumes were also everything that you might hope for… and yet sadly that is where I run out of nice things to say.
Someone decided that rather than play it relatively straight, they would aim for another Downton Abbey. Then to add insult to injury, they failed to read the reviews of Downton Abbey and notice that no one at all had enjoyed the tacky and pathetic schemings of characters like Thomas and O’Brien. While Coleman and Sewell were acting their hearts out and doing their best to deliver nuanced performances with heart and soul, others amongst the cast were hamming their way through petty plotting, ‘mysterious’ back stories and some rather painful accents. I gave up after about 3 episodes.
So I was rather dubious about Netflix’s offering of The Crown, fearing that it would take a similar route, possibly made worse by having Americans involved. I was extremely happy to be wrong.
Firstly, the story of the young Princess Elizabeth, her secession to the throne and the early years of her reign are absolutely fascinating. The first season covers just 8 years (plus some flashbacks) and frankly 10 episodes/hours was not enough to do it justice. I think the writers did an excellent job combining coverage of big events and taking time to also see smaller, more personal moments and development, but I still wanted more every time. This isn’t just about Elizabeth, but about those around her too and I wanted to spend more time with everyone, understanding the role in the household, their background and their interactions.
The cast is jam packed with absolute stars, all walking a very carefully balanced line between performance and impression. Claire Foy (who I’d never heard of before) as Elizabeth is very impressive, she has to do something I’m guessing is incredibly hard as an actor which is acting someone who is acting. Elizabeth is actually a woman playing different roles to different people, and at this point in her life, she’s having to work out how to do that and which roles are needed for who. It’s what makes the character fascinating and also human, The Queen is not really someone any of us can really relate to, but Elizabeth the wife, Lilibet the daughter and sister, even Elizabeth the woman promoted into a job she’s not ready for… those are all much more interesting.
The style and look of the show are phenomenal, clearly demonstrating every penny of the
Reported £100m budget. The period-ness of it is less far removed than Victoria, which maybe helps make it more relatable. It all feels a little more familiar, a distant memory rather than a completely new world. Given that the existence the royal family lead is so different to normal life anyways, the period differences such as everyone smoking like chimneys, old cars, or telephone switchboards seem the least of the worries.
I found the show completely compelling to watch, burning through the series in just a few days, and I’m sorely tempted to go back and watch it again as I’m sure I’ve missed a great deal. The history is absolutely fascinating (and something I know little about), but the show’s real success is telling it all from a completely human point of view, making me really care about the characters in a way that Downton Abbey never even came close to. I look forward to the next five seasons!