I’ve got a request to make of executive producers, or creative directors, or whoever it is that makes these decisions for television – stop putting title sequences on your shows.
That’s not to say I don’t love a good theme song and credits, I really do. But there are a lot of shows out there at the moment that seem to at the last minute before the first episode is delivered for airing realise they never filled the 30second place holder where the titles are supposed to go. An executive producer throws out last minute instructions to pick a random piece of music with no tune, throw together a montage of explosions and characters looking moody “and make sure my name is big”.
In the great days of old title sequences were about setting the scene for your show, give the audience a helping hand picking up what you were trying to say. Remember all those great opening themes and voice-overs you got on things like Star Trek and The Outer Limits? It wasn’t until I thought about it that I realised how amazing the title sequence for M*A*S*H was, it wasn’t a bright chirpy tune to put you in the mood for a comedy, it was sombre and quiet, reinforcing the sadness of the drama behind the comedy. More recently, Firefly did a similar thing, reinforcing the western feel that might have been over-shadowed by the science fiction.
The primary inspiration for this article came from the fact I watched an episode of NCIS: Los Angeles, followed by an episode of Blue Bloods and couldn’t help but see that the thing the shows had in common were two absolutely awful title sequences.
Standing alone the title sequences are both awful, loud cliché music, cheesy explosions, melodramatic posing from the actors and unimaginative text. The biggest crime though is how badly they fit with their shows. NCIS will usually jump from a dramatic reveal of a murder or crime straight into loud obnoxious music, Blue Bloods will jump from gritty and modern New York straight into a title sequence from the 80s. Knowing that each title sequence is coming leaves me anxiously hovering over the remote control so that I can fast-forward (god bless Sky+) before the opening chord intrudes on my viewing.
Most shows at the moment thankfully don’t bother with titles at all, taking five seconds for a splash screen and getting on with the show. Grey’s Anatomy used to have credits but rapidly got rid of them. Maybe it’s a bit surprising that Glee, a show all about music and presentation doesn’t have a theme song, but then how could they possibly pick just one song?
Some shows manage to make a surprising impact with even the most minimal splash screens, maybe Lost is the first that really got it right, showing exactly how much can be communicated with just a chord, a font and a fade. Supernatural adopts the same system, just the shows name, a sound and a special effect, but adds a variation by changing the effect and sound each season (and the occasional extra special version – see the collection). Even Brothers & Sisters with its simple sliding text and soothing couple of bars of music sets the correct tone for the show.
I’d be remiss if I didn’t however comment on a few shows that do manage to make title sequences work. For some reason channels like HBO and Showtime really make an effort and put a lot of thought into what they want their titles to say about their shows. The majority of things that would appear on my list of favourite credit sequences past (Six Feet Under, Carnivale, Deadwood, Dead Like Me) and present (Dexter, Sons of Anarchy, Boardwalk Empire) aired on HBO or Showtime in the US. All absolutely beautiful title sequences that really suit their shows. There would be a clip of the Sons of Anarchy intro here… but there doesn’t seem to be a version on YouTube.
Lie to Me – I can’t help but smile every time that woman’s eyes light up
Big Bang Theory – I don’t watch the show (I know I probably should, it’s on my list, I just haven’t got to it yet) but I love the titles!
Fringe – the standard intro is nothing special after a couple of seasons, but this year they’ve done a few alternate versions to fit with their alternate themes, including this genius one for their flashback to the 80s episode.